Songwriter, Producer, Mixing

Q: Which artist would you like to work with and why?

A: Oh, without a doubt, I’d love to work with Alex Pall and Drew Taggart from The Chainsmokers. Those guys have been absolute game-changers. What I love about them is how they’ve managed to completely reshape their sound and presence over the years. They didn’t just stick to one formula—they started out as DJs, right? They built their foundation in the electronic world, but then they flipped the script and evolved into this high-energy live band with full instrumentation. That’s so rare and smart—it shows they aren’t afraid to push boundaries and redefine what it means to be a pop act. Their production techniques are next-level, too. They’ve got this incredible knack for blending huge, catchy melodies with electronic elements, but still keeping it human and organic. It’s like this perfect balance between club-ready and radio-friendly, but with depth. They’ve had a massive influence on the way artists today approach pop and electronic music—especially when it comes to writing hooks that stick and arrangements that take risks. I feel like collaborating with them would be like a masterclass in how to stay fresh in an industry that can sometimes feel like it’s chasing the next big trend. I’m all about that blend of innovation and accessibility, and I think we could create something that’s both innovative and undeniable. They’ve been on the cutting edge for so long, I’d love to tap into that energy and see where it takes us.

Q: Can you share one music production tip?

A: One tip I always swear by is to never underestimate the power of space. A lot of producers get caught up in thinking they need to fill every inch of the track with sound. But sometimes, it’s what you leave out that really makes the song pop. Give the vocals room to breathe, let the instruments have their moment to shine without crowding them with layers of unnecessary noise. It’s all about contrast—where you create tension by stripping things back, and then boom, you drop in a big element that hits harder because of that space. Think of it like storytelling; you don’t need to tell the whole story in every line, sometimes the best parts are the ones you leave to the imagination. Another thing I like to do is experiment with unconventional sounds. I once recorded a Vocal hook on an old MacBook in which the fan had overheated and was loud and intrusive, I used the built in mic and it sounded really weird. I ended up using that original bad recording vocal hook, the song I'm referring to went onto have success at Radio 1 as a being touted as a Future Artist to watch out for...

Q: What type of music do you usually work on?

A: I mostly find myself working in the pop realm, but I’m all about mixing things up and creating sounds that break out of the typical boundaries. Right now, I’m working on a track for a fresh Scottish boyband called Just The Brave, who’ve recently gotten a serious stamp of approval from Naughty Boy—so the stakes are high, but the vibe is fire. We’re crafting a pop/R&B song with a touch of that Bruno Mars energy—smooth, catchy, and filled with swagger. It's all about making something that feels big, but still has that personal touch that makes you wanna hit repeat. But that’s not the only lane I’m in. I’ve got a lot of experience across different genres. From electro/synth pop that feels futuristic and bold, to indie/pop with a more laid-back, alternative edge, I love exploring all sides of modern music. I’ve also spent time working on heavier stuff—alternative and rock, where the energy is raw and the guitars are turned up. For me, it’s not about being confined to one sound or genre. I’m always about blending elements, mixing influences, and finding new ways to keep things exciting and fresh. Pop is where I spend a lot of my time, but I’m never afraid to venture off the beaten path and explore new sonic territories. The goal is always the same: to make music that feels authentic, cutting-edge, and unforgettable.

Q: What's your strongest skill?

A: Honestly, my strongest skill is my ability to connect with the client and really hear their vision. It’s about more than just making music that sounds good—it’s about translating what’s inside their head into something real, something that resonates. I’ve always been good at understanding what makes people tick, what drives them, and I apply that same intuition to music. I’m also really good at finding the artist’s “sweet spot”—that unique edge that makes them stand out. Every artist has something about them that sets them apart from the rest as I have mentioned . I’ve got an ear for blending genres and influences in a way that feels fresh but not forced. I’m all about creating something that’s timeless yet cutting-edge—something that feels like it fits today, but will still sound great years from now. It’s that balance of originality and inspiration that I think really sets me apart in the studio.

Q: What do you bring to a song?

A: What I bring to a song is all about creating something that not only feels true to the artist, but also feels new. I’m not here to just help you create a great song—I’m here to create your song, something that’s unmistakably yours. That means I dig deep to find the essence of who you are and bring that out in the sound. Whether it’s your voice, your lyrics, or your energy, there’s something unique about every artist, and I’m here to make sure we shine a light on that. But it’s not just about putting a stamp on something that’s already good—it’s about taking what’s there and turning it into something exceptional. I’m always pushing to create music that doesn’t just fit into a trend but stands outside of it, something that will turn heads and get people to listen. I want the music to speak for you, not just blend in. So, when you work with me, you're not just working on a song—you’re working on a sound that’s as unique as your story, one that sets you apart and makes you unforgettable in the crowded music landscape. Once we have that first song that represents all you aim for and feel in your heart of hearts, we can continue creating of the formula we have created, and it is unique with every artist

Q: What's your typical work process?

A: For me, the whole process starts with having a real conversation with the artist. I wanna get to know them—what they’re all about, what their vision is, what they’re aiming for. We talk about the kind of vibe they want to create, the kind of audience they wanna reach, and the artists they vibe with and can see themselves supporting/touring with. It’s all about building that foundation first, so I get a sense of where they wanna go. Once I have a feel for that, I dive into developing a sound that’s gonna fit everything we’ve discussed—but also something that’s true to them. Everyone has a unique quality, a special sauce that makes them stand out, and it’s my job to give it a shake squeeze it out of them and make it shine. I’m not trying to make a carbon copy of someone else’s style. Yeah, influences are important, but we’re not trying to sound like a watered-down version of an artist who’s already crushing it. It’s all about finding that sweet spot—where inspiration meets originality. If you wanna make a name for yourself in this game, you can’t just blend in. You gotta stand out, have a sound that’s unmistakably yours. I’m all about making sure my clients leave with something that’s not just good, but truly theirs, with a vibe that feels both fresh and real. My job is to get inside the head of the artist, translate their vision into music, and then make sure that sound is going to hit harder than they ever imagined. You’re not just another artist, you’re the artist. And I’m here to help make sure the world knows it.

Q: Tell us about your studio setup.

A: I have a home studio, fully sound proofed in which I use Logic Pro X, keeping up to date with industry standard plugins and any new beneficial softwares that come out. I have

Q: What other musicians or music production professionals inspire you?

A: One of my biggest inspirations as a writer and producer is Chris Gordon of UK 90s Grunge band Baby Chaos , now a long time collaborator and friend. I first worked with Chris at the age of 18. I have learned a lot about music and production. Chris has worked with Atitcus Ross, & Had many major syncs in the likes of Greys Anatomy & Vampire Diaries

Q: Describe the most common type of work you do for your clients.

A: Currently I have a happy balance of ghost writing full songs/topline melodies, developing artists rough ideas and cowriting/producing into full songs then mixing, as well as composing original score for film.