Add an expert ear to your music with a Grammy nominated engineer, producer and mixer who has worked with some of the biggest names in rock: Alice in Chains, Rush, Slipknot, Ghost B.C., and System of a Down, among countless others.
Paul Fig is a Grammy-nominated audio engineer, producer, and mixer with a career spanning over two decades, specializing in rock, metal, and alternative music. Known for his work with legendary bands like Alice in Chains, Slipknot, Ghost B.C., and System of a Down, Paul brings an expert ear and a collaborative spirit to every project. His approach combines technical mastery with a musician's insight, shaped by his roots as a guitarist for the influential punk band Amen.
From capturing raw, powerful performances to crafting polished, dynamic mixes, Paul’s work is dedicated to showcasing each artist’s unique sound. His work at iconic Sound City Studios honed his skills alongside top industry producers, helping him develop a meticulous, hands-on style that brings out the best in artists. Whether mixing a track for a playlist or producing an entire album, Paul’s goal is to create sound that resonates with listeners and elevates the music.
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Credits
Discogs verified credits for Paul Fig- The Lost Weekend (2)
- Simpler Machine
- Bluebird
- Despise You / Agoraphobic Nosebleed
- Zach Jones
- The Lost Weekend (2)
- Huntress (2)
- Ironaut
- Ironaut
- Ironaut
- Fireball Ministry
- Stavesacre
- Jerry Cantrell
- Jerry Cantrell
- Jerry Cantrell
- Jerry Cantrell
- Jerry Cantrell
- Jerry Cantrell
- Lewis (63)
- Filth Is Eternal
- The Lost Weekend (2)
- Bluebird
- Rufio
- Johnny Cash
- The Lost Weekend (2)
- Ilse DeLange
- Cash*
- Johnny Cash
- Bluebird
- Zach Jones
- The Lost Weekend (2)
- Huntress (2)
- Ironaut
- Ironaut
- Reef
- Ironaut
- Fireball Ministry
- L7
- Amanda Green
- Cemetery (3)
- Red Hot Chili Peppers
- Stavesacre
- Lewis (63)
- Filth Is Eternal
- The Lost Weekend (2)
- Cygnet (3)
- Amen (2)
- Amen (2)
- Amen (2)
- Frank Black And The Catholics
- Strung Out
- Bluebird
- The Exies
- Agent Sparks
- The Robert Cray Band
- Madrugada
- Josh Kelley
- Rufio
- PF Sloan*
- The Lost Weekend (2)
- Reamonn
- Reamonn
- As Fast As
- Rhett Miller
- Rhett Miller
- Stone Sour
- SpiderSimpson
- Agent Sparks
- The Mars Volta
- Simpler Machine
- VietNam
- Fightstar
- Fightstar
- Various
- Shadows Fall
- Coheed And Cambria
- Fightstar
- Fightstar
- Fightstar
- Death Angel (2)
- Donita Sparks + The Stellar Moments
- Trivium
- Ludo (6)
- Dark Brown
- Alice In Chains
- Alice In Chains
- Johnny Cash
- Deftones
- Year Long Disaster
- Stone Sour
- Deftones
- Bluebird
- Evanescence
- Ghost (32)
- Rush
- Ghost (32)
- Various
- Alice In Chains
- Epic Ditch
- Bush
- The Lost Weekend (2)
- Huntress (2)
- Ironaut
- Various
- Ironaut
- Reef
- Ironaut
- Fireball Ministry
- Tyler Bates And Joel J. Richard*
- Marty Friedman
- Alice In Chains
- Jerry Cantrell
- Slipknot
- AFI
- Alice In Chains
- Alice In Chains
- Alice In Chains
- Slipknot
- Slipknot
- Slipknot
- Stavesacre
- The Mars Volta
- Jerry Cantrell
- AFI
- System Of A Down
- Jerry Cantrell
- OFF!
- Jerry Cantrell
- Jerry Cantrell
- Jerry Cantrell
- Jerry Cantrell
- OFF!
- Lewis (63)
- Filth Is Eternal
- The Lost Weekend (2)
- QAALM
- Choleric
- Amen (2)
- Johnny Cash
- Stone Sour
- The Mars Volta
- Trivium
- Alice In Chains
- Stone Sour
- Deftones
- Evanescence
- Rush
- Ghost (32)
- Alice In Chains
- Slipknot
- Alice In Chains
Interview with Paul Fig
Q: Analog or digital and why?
A: Aside from "tape", for mixing I prefer both analog and digital paths that (in and out of the box) have unique advantages, and I believe in using the best of each to serve the music. Analog gear brings a warmth, depth, and subtle color that can enhance a track’s character, especially during mix time. The tactile nature of analog gear allows for creative spontaneity and sonic richness that's hard to replicate. Digital, on the other hand, offers precision, recall, and flexibility, which are essential in today’s fast-paced workflows. My hybrid setup combines the best of both worlds—digital for control and consistency, analog for that irreplaceable, natural feel. This approach allows me to sculpt sounds with depth and precision, delivering mixes that feel both polished and organic.
Q: What do you like most about your job?
A: I love the collaboration in bringing a client’s vision to life. It's rewarding to shape ideas into something real, working hard on every detail to achieve a shared goal. There’s nothing like hearing the final track, knowing it reflects everyone’s passion and dedication
Q: What was your career path? How long have you been doing this?
A: I began my career as a musician, inspired by Van Halen to pick up the guitar. As a teenager, I played in local bands and went on to study music at Pasadena City College and the Dick Grove School of Music. In 1994, I became a founding member of the punk band Amen, which eventually led me to join Bluebird. Touring with these bands gave me a deep understanding of the challenges and creative needs that artists experience, which has shaped my approach in the studio. My fascination with the recording process led me to Sound City Studios in 2001, where I fully immersed myself in engineering and production. There, I had the opportunity to work alongside top producers like Joe Barresi, Dave Bianco, George Drakoulias, Nick Raskulinecz, Matt Wallace, and Greg Fidelman. Since then, I’ve spent over two decades producing, mixing, and engineering, helping artists capture and shape their sound in ways that bring their vision to life.
Q: Tell us about your studio setup.
A: My studio setup is centered around an Avid HDX system with 48 I/O on a comprehensive patch bay, featuring over 60 mic pres, 29 compressors, high-quality EQs, and a top-notch selection of microphones. For live tracking, I’m equipped to accommodate isolated drums, bass, electric guitar, piano, and vocals. My home mix setup mirrors the studio with an Avid HDX system, 48 I/O, and a hybrid approach that brings in 40 channels of analog at mix time for a full, versatile sound
Q: Describe the most common type of work you do for your clients.
A: The most common work I do for my clients is full-scale production, mixing, and engineering. I oversee the entire recording process, from capturing raw sound to delivering a polished final mix. My role includes not only technical setup and sound quality but also guiding artists creatively to get the best out of their music, creating an environment where they feel free to explore and push their sound to new levels.
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- Alice In Chains
- Filth is Eternal
- Despise You
- Avid 48 i/o HDX system
- Austrian Audio Microphones
- Shadow Hills Mic Pres
- Dave's Room