Simone Rozzi on SoundBetter

Composer, Orchestrator, Arranger and Producer.

I am a composer, orchestrator, arranger and producer. I am involved in making any kind of musical work, from pop, rock, and jazz music to making a film soundtrack. We take care of all aspects of production: realization of professional scores, taking care of every aspect of the score up to editing and publishing, in the production phase we take care of the sound realization through the best sound libraries on the market and pulgins, up to the post production and finalization phase, we can create mixes from 2.0 up to 5.1 and even binaural audio. In my studio we make use of the best technologies in the field of music ready to use to make any kind of production, both programmed and live, recording from small ensembles to large orchestras. One of the things that sets us apart is the proffesionality and quality of our products, we always try to please the customer by putting ourselves at the service of the customer and the music.

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Interview with Simone Rozzi

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: We are proud to have collaborated with amazon prime in the past, we made the music for a special event (grand gala) that was held in new york. We composed, arranged and orchestrated the entire music for the evening.
Q: What are you working on at the moment?
A: To an arrangement for symphony orchestra and an arrangement for string quartet.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: No, we don't know anyone specifically.
Q: Analog or digital and why?
A: Digital, for the cost now the quality achieved by digital has become extraordinary, analog costs too much but in some cases we do it.
Q: What's your 'promise' to your clients?
A: Everything but maybe the music writing and orchestration part.
Q: What do you like most about your job?
A: Everything but maybe the music writing and orchestration part.
Q: What questions do customers most commonly ask you? What's your answer?
A: They want to make sure that the quality is what they hear in the examples we give them, how much time we need to work well, and often if writing the score also includes production, we respond that our work of course is always done with the highest quality, and poer the other details we discuss individually and on a job-by-job basis.
Q: What's the biggest misconception about what you do?
A: What kind of work is involved, whether they need us to handle all phases of work or only some, what is the project deadline.
Q: What questions do you ask prospective clients?
A: What kind of work is involved, whether they need us to handle all phases of work or only some, what is the project deadline.
Q: What advice do you have for a customer looking to hire a provider like you?
A: To be precise in explaining what is the work to be done so that we work to the best of our ability.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Computer, speakers, pen and paper, keyboard.
Q: What was your career path? How long have you been doing this?
A: At the professional level 4 years.
Q: How would you describe your style?
A: Between the classical and the modern, a little bit for all genres, we always try not to concetrate only on the rules of the primary genre but rather to always put in our own.
Q: Which artist would you like to work with and why?
A: Hans zimmer because he represents the very essence of the modern composer.
Q: Can you share one music production tip?
A: There is no specific advice for this area, the only advice is to study, always.
Q: What type of music do you usually work on?
A: We work with almost all genres of music, the composer's job is just that, but very often we get in the orchestral genre.
Q: What's your strongest skill?
A: With a lot of humility we always try our best in every work and in every phase of work we perform, the greatest strength I think is in music composition.
Q: What do you bring to a song?
A: In a song or track of any kind we contribute a great deal as we can either be the creators of the work or that figure who enhances and gives a professional edge to the material, so that it lives up to the context and the need that the production or client has.
Q: What's your typical work process?
A: Our work process almost always consists of compositional, arrangement and orchestration music writing, all the way to production and finally finalizing the product with the post production stage.
Q: Tell us about your studio setup.
A: Our studio is equipped with the best audio technology on the market, We have two acoustic piano stations, a your-keyboard station, one is a motif xs 6 and the other is a nord stage 4, several guitars ready to use, Several electric basses, a drum set placed in a fully soundproofed control room. Our desk consists of an ssl 88 studio master keyboard, another 32-key midi keyboard, steinberg ur22c sound card and an apollo, headphones from audio tech for listening, as29 2.1 monitors for studio listening, dual screens for computer display and scoring session. For the Software section we use: Cubase 14 for productions, Dorico for score making, and we have the best sound libraries and plugins for music production and post production.
Q: What other musicians or music production professionals inspire you?
A: Our sources of inspiration are endless, but I think princially they are: John Williams, Hans Zimmer, Ennio Morricone, Quincy Jones, James Horner etc.
Q: Describe the most common type of work you do for your clients.
A: We usually almost always provide the complete production for our clients and productions: professional score realizations, production intended for both MIDI and audio programming, recording sessions of different ensembles up to the large orchestra, post-production, mixing and mastering.