I am a professional bass player and bass tutor based in Athens, Greece. I had the pleasure to work with many bands and artists for over 15 years on a lot of genres, but my main thing is rock and metal.
Hi! My name is George and I love the bass. I am working as a session bass player in musical theater, studio and mostly live gigs all over Greece and some fun stuff abroad. I can play almost anything (jazz is my Achilles' heel) and I have an obsession with my sound, I never stop working on it.
Some of my stuff include : Anna Vissi, Georgia Dagaki, Ian Stratis, Disconnected, Mind Ripple, Given Free Rein, Solarmonkeys, Potergeist, The Mighty N, Sober On Tuxedos, Marva Von Theo and nowadays KIVA and Euphrosyne.
Feel free to check it out on YouTube, Facebook and Instagram.
I can do slap, fingerstyle and pick, have loads of effects and textures, so feel free to try all kinds of creative stuff!
I love listening and playing new music, so I would love to hear about your projects, click on the "Contact Me" button and let's get it on!
Send me a note through the contact button above.
Languages
- English
- Greek
Interview with George Gazis
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Not yet, but I guess pretty soon.
Q: What questions do customers most commonly ask you? What's your answer?
A: That would probably be the delivery time and I have to say I am proud of my punctuality
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: That would be KIVA. We started everything all together from scratch, made a really good album, in the exact way we imagined it and everything is going up
Q: What are you working on at the moment?
A: We are touring with KIVA, promoting our debut album, firstly in Greece and hopefully abroad soon. Also, Euphrosyne's new album that is coming out soon. Currently working on a lot of soundtrack ideas, which is one of my passions, "dressing" an image with music.
Q: Analog or digital and why?
A: Both, everything has its own grace and character. Lately I am a digital guy, mostly for portability and weight issues, but I will always love a huge SVT head with an 8x10.
Q: What's your 'promise' to your clients?
A: That they will bang their head or shake their hips when I am done!
Q: What do you like most about your job?
A: That everyday there is a different challenge, a different story, a different day. Everything about it is creative.
Q: What's the biggest misconception about what you do?
A: That I am a metal guy and I can't groove. I spent my first 10 years of playing exclusively on funk, blues and R&B, so I do my part quite decently.
Q: What questions do you ask prospective clients?
A: I would love to hear about the concept of the music. The particular feeling that they are trying to express and the story behind it.
Q: What advice do you have for a customer looking to hire a provider like you?
A: The biggest help is information. The more details, regarding the sound, the style and the rhythm, the better.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: My tricked-out-of-insanity Jazz Bass, my Fender Stratocaster, a pair of drumsticks, a pencil and a notebook.
Q: What was your career path? How long have you been doing this?
A: I started out as a guitar player when I was 9, picked up the bass at 20 and I never looked back.
Q: How would you describe your style?
A: I would say a bit aggressive, but always trying to stay in the pocket and I always "hug" the drummer.
Q: Which artist would you like to work with and why?
A: That is a difficult and surely a loooong answer.
Q: Can you share one music production tip?
A: There is a thin line between artificial compression and the right hand. Once you find that, everything sounds a lot better.
Q: What type of music do you usually work on?
A: Rock, heavy rock and metal stuff. I love funk and reggae too and I am having the most fun with pop.
Q: What's your strongest skill?
A: I would say my ear. Starting out as a self taught player, I had to trust my ear first and it stays that way until this day.
Q: What do you bring to a song?
A: I would say the bottom end, but it must be a cliche. So, I will stick to the secondary role of the bass guitar, the glue that holds rhythm and harmony together.
Q: What's your typical work process?
A: I listen to the song once, putting some mental markers on chord changes, song structure and sound, I write down the structure on the second time, third time chord changes and then details
Q: Tell us about your studio setup.
A: My Line 6 HX Stomp, an Ampero Volume Pedal, an SSL 2 audio interface and there we go!
Q: What other musicians or music production professionals inspire you?
A: As a bass player, I always love working with a great drummer
Q: Describe the most common type of work you do for your clients.
A: I love to work creatively and work together with sounds and arrangement, but mostly bass lines
- Bass ElectricAverage price - $50 per song
I can do with a couple of revisions, usually can deliver in 1-2 days, but everything will run a lot smoother if I am contacted before and we can setup everything
- Rage Against The Machine
- TOOL
- Gojira
- Fender Jazz Bass
- Fender P Bass
- Warwick Corvette
- MusicMan Stingray
- Helix Stomp
- SSL 2 Audio Interface
- Fender Rumble