Emerging mixing and mastering engineer based in Buenos Aires, Argentina.
Trying to make a career out of my passion, which is music in all it’s forms.
Started experiencing with home studio recording at 16, at that time i produced my music and realized i had a thing with making things sound better than the rough.
Went independant until 21, when i began working as an assistant for Brian Iele in “Santa Cecilia Studios”, a profesional mastering engeneer. There I learned how the pros handeled the buisness. Moved to “3musica” Studio as an assistant too. I would usally record their artists, then mix the songs that produced. There I understood I needed to make my own studio somehow.
2022 (22 y/o) made some money for investment as i worked on live tours as a pkayback engeneer, and finally got to mount my own mixing studio with my partner. Our lab, our very own playground, with our rules.
Send me a note through the contact button above.
Languages
- English
- Portuguese
- Spanish
Interview with Renzo Garcia
Q: What are you working on at the moment?
A: Mixing two albums that i recorded on my father’s studio, producing a rap album with my friends of Cieloroto.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Lucas Romano Javier Pares Agustin Seresini Jero Romero
Q: Analog or digital and why?
A: Both have their magic and can coexist in perfect harmony.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: macbook, my PBM mic, my RME babyface pro, neve 1073 preamp into tubetech compressor. Voila!
Q: What was your career path? How long have you been doing this?
A: Its on my descrption!
Q: How would you describe your style?
A: Alternative? Rock based? Idk, hire me and you’ll see!
Q: Which artist would you like to work with and why?
A: Argentinian rapper “cerounno” is one that i have in mind, i love them tracks.
Q: Can you share one music production tip?
A: Stack vocals when recording. Different intentions, timbres, will end on a fuller lead or backing vocals. Of course ALWAYS vocaling them later.
Q: What type of music do you usually work on?
A: Indie music… somehow i always end up working on indie pop/rock
Q: What's your strongest skill?
A: I think editing drums has become one of my new strongest skills.
Q: What do you bring to a song?
A: I always try to give it what i think that its lacking. Enhancing the good and taming out the bad will always work fine, but i tend to think that there is something more that is not being noticed. I always try to find that something on a mix.
Q: What's your typical work process?
A: Listening, editing if necesary (includes clip gain AKA gain staging), MIXBUS first, then start with individual tracks.
Q: Tell us about your studio setup.
A: Yamaha ns10 powered with MOFET, Adam Audio Sub10, bluesky bass control, RME MADIface as audio interface. Actually Working on Protools running in MacOS (m2 pro max)
Q: What other musicians or music production professionals inspire you?
A: Pink floyd and radiohead where two groups that initiated me into deep listening
Q: Describe the most common type of work you do for your clients.
A: Mixing and mastering are my strong, but i also can do any type of editing work pretty well
- Mixing EngineerAverage price - $150 per song
- Mastering EngineerAverage price - $30 per song
- EditingAverage price - $50 per track
Upfront payment.
- Everything that goes ITB
