MAJORIS on SoundBetter

Mixing, Mastering, Producing & Sync producing

As a huge music fan & professional musician, I bring out the sound your music has been waiting to become.

Over 7 years, I've had the privilege of working across diverse musical landscapes—producing for K-pop artists, crafting music for commercial campaigns, and collaborating with indie artists from around the world. Each project has deepened my understanding of what truly matters: the experience music creates for its listeners.

Through producing and mixing music across genres and cultures, I've learned that great music isn't just about technical perfection. It's about Depth, Groove, Texture → Expression.

These elements are at the heart of everything I create. When you properly balance groove, depth, and texture to add genuine expression, you can make sensational music regardless of genre or trend. That's why even loud, technically flawless songs don't always connect with listeners these days.

Whether a song is destined for the charts or pushing experimental boundaries, I focus on making it good, not just well-made.
What's good is good!

Contact me through the green button above and let's get to work.

Credits

Languages

English
Korean

Endorse MAJORIS

Interview with MAJORIS

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Juun's "Mulli Mulli" was an experimental fusion of Korean traditional elements with trap music. The track featured three major transitions, and mixing the carefully layered harmonies and textures was incredibly rewarding. My role was mixing engineer, and the challenge of maintaining clarity through those dramatic shifts while preserving the song's unique identity made it a standout project for me.
Q: What are you working on at the moment?
A: I receive most of my work through direct messages and referrals. Currently, I'm also working on my own album project.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Not yet, but I'm excited to connect with other professionals here and recommend talented collaborators as I build my network on the platform.
Q: Analog or digital and why?
A: work primarily in digital with selective analog integration when beneficial. This approach maximizes both efficiency and quality. I believe the difference isn't about one being objectively better—it's about using the right tool for each situation.
Q: What's your 'promise' to your clients?
A: Your music deserves to sound the way you envision it. I'm here to help you achieve that.
Q: What do you like most about your job?
A: The sense of accomplishment that comes from collaborating with artists to shape their musical vision into reality. It's incredibly fulfilling to be part of that creative journey.
Q: What questions do customers most commonly ask you? What's your answer?
A: "Can you be more aggressive with the sound?" If it serves the song, absolutely. However, if I feel it might compromise the music, I'll discuss my concerns. Ultimately, I respect the artist's final decision.
Q: What's the biggest misconception about what you do?
A: I'm here to help, not perform magic. Especially at the mixing stage, it's challenging to create something entirely new—my role is to enhance and refine what's already there.
Q: What questions do you ask prospective clients?
A: Rather than just asking for references, I inquire about the most important feeling and instruments in your music. Understanding what truly matters to you helps me serve your vision better.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Look for someone who has confidence in their sonic decisions while genuinely respecting the artist's music. That balance is essential for a successful collaboration.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: MacBook, speakers, audio interface, external SSD, and a microphone—the essentials for creating anywhere.
Q: What was your career path? How long have you been doing this?
A: I started composing K-pop at 17 and entered the industry professionally at 19. I've been creating music for 7 years now, continuously developing my craft.
Q: How would you describe your style?
A: I focus heavily on groove and stereo placement of instruments. I believe these elements are crucial for creating an immersive listening experience that draws people into the music.
Q: Which artist would you like to work with and why?
A: Frank Ocean and Tame Impala. I admire artists who can guide listeners through a musical journey naturally and effortlessly, creating immersive sonic experiences.
Q: Can you share one music production tip?
A: Don't overthink—just feel it. Trust your instincts and emotional response to the music.
Q: What type of music do you usually work on?
A: I primarily work on contemporary genres like electronic and hip-hop, but I welcome projects across all musical styles. Good music transcends genre boundaries.
Q: What's your strongest skill?
A: Creating upfront, present vocal textures and preserving the groove of a track are my strongest assets. I pay meticulous attention to maintaining the energy and feel that makes a song compelling.
Q: What do you bring to a song?
A: I excel at finding the optimal balance between what the artist envisions and what sounds technically excellent. My goal is to deliver a sound that satisfies both artistic intent and professional quality standards.
Q: What's your typical work process?
A: I prefer a top-down mixing approach, paying close attention to the mix bus from the start. This method has allowed me to develop extensive techniques and insights that benefit the overall cohesion of a mix.
Q: Tell us about your studio setup.
A: My monitoring system consists of PMC 6-2 speakers with a subwoofer and a Cranesong Avocet for output management. I've invested significantly in DSP processing and room acoustics to achieve a flat, accurate listening environment.
Q: What other musicians or music production professionals inspire you?
A: I'm inspired by engineers like Jeff Ellis and Serban Ghenea, who respect the original demo sound while elevating the music. I approach every project with this same mindset—honoring the artist's vision while enhancing its potential.
Q: Describe the most common type of work you do for your clients.
A: I primarily focus on mixing and post-production arrangement assistance. While I'm confident in my production skills, mixing is where I can deliver the most immediate value with streamlined communication.