Ashour on SoundBetter

Whether you're a new artist or a seasoned pro, looking for stereo mixing or Dolby Atmos for your latest project or post-release enhancements, let's work together to elevate your music and create an immersive experience for your audience.

I'm a mix engineer based in London, bringing a wealth of experience from working in diverse genres like Hip-Hop, Modern Pop, and R&B/Soul. My musical journey started as a guitarist and expanded to mastering instruments like the piano, saxophone, drums, and violin. This hands-on background evolved into roles as a recording engineer and, ultimately, a mixing engineer. I firmly believe that true expertise in mixing comes from a deep understanding of musical instruments.

I hold three degrees in music and am currently pursuing a doctorate in audio engineering, making it my fourth degree in music. My involvement in both academia and the industry has enriched my approach, combining theoretical knowledge with practical experience. I've had the privilege of producing and mixing music in countries such as England, Spain, Italy, Poland, Germany, Egypt, Dubai, Saudi Arabia, and Albania. I specialise in stereo, surround sound, and Dolby Atmos mixing, ensuring every project reaches its fullest sonic potential.

Let's collaborate to bring out the best in your music!

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Languages

Arabic
English
Polish
Russian

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Interview with Ashour

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: One of the projects I'm especially proud of is mixing and mastering an international collaborative album that featured artists from five different countries. My role was to ensure a cohesive sound across all tracks while highlighting each artist's unique style. The project received widespread acclaim and showcased my ability to bring together diverse musical elements into a unified whole.
Q: What are you working on at the moment?
A: I'm currently working on an EP for an upcoming artist called Kmercy, a full album for an Italian singer named Sofia, and six tracks in Dolby Atmos.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: I highly recommend [insert name here], who is an exceptional [insert role here] with a proven track record of delivering top-quality work.
Q: Analog or digital and why?
A: Hybrid, because it combines the warmth and character of analog with the precision and flexibility of digital.
Q: What's your 'promise' to your clients?
A: I promise to deliver a mix that not only meets but exceeds their expectations, ensuring clarity, balance, and a powerful emotional impact.
Q: What do you like most about your job?
A: I love bringing an artist's vision to life and seeing their reaction when they hear their music polished and elevated to professional standards.
Q: What questions do customers most commonly ask you? What's your answer?
A: Customers often ask, "How long will the mixing and mastering process take?" My answer is that it depends on the complexity of the project, but I usually provide a timeline and ensure to meet their deadlines.
Q: What's the biggest misconception about what you do?
A: The biggest misconception is that mixing and mastering are purely technical processes. In reality, they require a lot of creativity and an in-depth understanding of musicality.
Q: What questions do you ask prospective clients?
A: What is your artistic vision for the project? Are there any specific references or inspirations for the sound you want to achieve? What is your deadline and budget?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Look for someone who not only has technical skills but also understands the artistic vision and can bring out the best in your music.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Neumann U87 microphone Universal Audio 4-710D Twin-Finity Warm Audio WA-2A compressor ADAM Audio A77H monitors Pro Tools setup
Q: What was your career path? How long have you been doing this?
A: I've been in the music industry for 14 years, starting as a guitarist, then mastering various instruments before transitioning into recording engineering and, ultimately, mixing engineering.
Q: How would you describe your style?
A: Structured and meticulous, with a strong emphasis on clarity and dynamics.
Q: Which artist would you like to work with and why?
A: I'd love to work with Kendrick Lamar. His innovative approach to Hip-Hop and his attention to detail in the mixing process align perfectly with my style and expertise.
Q: Can you share one music production tip?
A: Always pay close attention to the arrangement. A well-arranged song makes mixing and mastering much smoother and ensures all elements of the track shine through.
Q: What type of music do you usually work on?
A: I usually work on Hip-Hop, Modern Pop, R&B/Soul, Funk, and Reggaeton.
Q: What's your strongest skill?
A: My strongest skill is my ability to blend technical precision with creative flair, ensuring every mix is both sonically pristine and artistically expressive.
Q: What do you bring to a song?
A: I bring a unique blend of technical expertise and musical intuition to every song, ensuring it sounds polished, balanced, and emotionally engaging.
Q: What's your typical work process?
A: I start with mix preparation, ensuring all tracks are organized and labeled correctly. Then, I move to the mixing stage, focusing on balance, EQ, and effects. After mixing, I proceed to mastering to enhance the final sound. I provide my clients with three optional edits per song, allowing them to request significant changes to the mix if needed.
Q: Tell us about your studio setup.
A: My studio setup includes: - Audient ASP8024 HE Console - Warm Audio WA-2A and WA273 - Universal Audio 4-710D Twin-Finity - Eventide H9000 - Pro Tools - Neumann U87 and TLM 103 microphones - Shure SM7B and SM57 microphones - ADAM Audio A77H Active Studio Monitors
Q: What other musicians or music production professionals inspire you?
A: I draw inspiration from renowned producers and engineers like Quincy Jones, Dr. Dre, and Tony Maserati. Their innovative approaches and dedication to perfecting the art of sound have profoundly influenced my work.
Q: Describe the most common type of work you do for your clients.
A: I primarily focus on recording, mixing, and mastering in stereo, but recently, much of my work has shifted towards mixing in Dolby Atmos to create an immersive audio experience.