Producer and Audio Engineer in mixing/mastering with more than 6 years of experience. Certified in Dolby Atmos mix and nominated in engineer mix debuting in the "Oidos de Oro" awards. I have a studio called Room Studios where I offer my recording, mix, master, and track production services.
Producer and Audio Engineer in mixing/mastering with more than 6 years of experience. Certified in Dolby Atmos mix.
Contact me through the green button above and let's get to work.
Languages
- Spanish
Interview with FAKERS (Mario Elizalde)
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: It is in my artistic project that I have as a DJ / Producer, I have managed to play at renowned festivals and play in front of 3k people, in addition to having support from great artists with my music
Q: What are you working on at the moment?
A: Audio engineer, producer
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: I'm new to the platform
Q: Analog or digital and why?
A: Both, both are such useful tools because there are things that in the analog you could not do in digital and vice versa
Q: What's your 'promise' to your clients?
A: Deliver the highest possible quality in all aspects
Q: What do you like most about your job?
A: all
Q: What questions do customers most commonly ask you? What's your answer?
A: How long do I deliver the production, mix or master, and I answer them that in a week to a week and a half
Q: What's the biggest misconception about what you do?
A: If I'm wrong in a process or a recording in a single thing, press several times command z to delete that part and I end up deleting our things
Q: What questions do you ask prospective clients?
A: What type of service are you looking for and what genre, bpm and tonality will I work in?
Q: What advice do you have for a customer looking to hire a provider like you?
A: The trajectory he has and the experience of genres in which he works
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: laptop, monitores, audio interface, Headphones, Midi
Q: What was your career path? How long have you been doing this?
A: I have an artistic project called fakers where I have played in Electric Daisy Carnival Mexico, International Beach Festival, Ultra Music Festival Mexico, Tierra Groove, Astral Night Among others. In addition to being supported by Don Diablo, Marco Carola among others.
Q: How would you describe your style?
A: Club, Festival, Aggressive, Groovy, Feel Good
Q: Which artist would you like to work with and why?
A: In electronic music without a doubt with Tchami, Malaa, Cloone because they make each of them has a characteristic sound even if it is still house
Q: Can you share one music production tip?
A: Putting more elements doesn't mean that your song will sound good, the tip is that you have a good selection of sounds and know how to play with the space of each element in your mixes
Q: What type of music do you usually work on?
A: Tech house, Latin House, Reggeaton, Trap, R&B, Regional Mexicano
Q: What's your strongest skill?
A: Producer, Mixing
Q: What do you bring to a song?
A: I try to bring the feeling that the artist wants, either when I produce it or mix it since both things are creative and that's where I leave to deliver the final product and that the artist feels identified
Q: What's your typical work process?
A: Configure the session in which I am going to work, have the session structured, if I am going to produce a track I analyze ideas together with the artist to be able to carry out the project, if it is mixing and mastering, I listen to the track several times to see what I am going to put in of processes and what elements I will play with the estero space of the elements that are within it
Q: Tell us about your studio setup.
A: The configuration of my studio is focused on production, mixing and mastering. We have an output to 4 monitors with sub, an audio interface that has the universal audio compressor 76, an akg microphone that is connected to the interface preamps
Q: What other musicians or music production professionals inspire you?
A: Antian Rose, Cloone, Malaa, Tchami, Tainy, Travis Scott, etc
Q: Describe the most common type of work you do for your clients.
A: Production track, mixing, mastering
I was the Producer, Master/ Mixing engineer and recorded in this production
- Beat MakerAverage price - $300 per song
- Dolby Atmos & Immersive AudioAverage price - $500 per song
- Ghost ProducerAverage price - $450 per song
- Mastering EngineerAverage price - $125 per song
- Mixing EngineerAverage price - $200 per song
Tiempo de respuesta un día, revisiones que se permiten 5,
- Interface Volt 476
- monitors Adam T5v
- Krk 5
- Microphone Akg
- Midi Arturia KeyLab essential 49
discount services 20%