Producer/Multi-Instrumentalist

Q: Analog or digital and why?

A: Both. I think they complement each other really well. Digital gives you endless flexibility and creative freedom, while analog brings warmth and a certain character that feels very alive. I like combining both to get the best of each world.

Q: What do you like most about your job?

A: What I enjoy the most is the connection with the artist. Seeing their reaction to the final result—and being part of bringing something that’s so personal to life—is really meaningful to me. I stay very open to feedback throughout the process, and I see it as a collaboration where the goal is to make the song the best it can be.

Q: How would you describe your style?

A: I don’t really think in terms of fixed genres. My approach is more about letting the song guide the direction and building something that feels natural for it. I like blending different influences and sounds without worrying about rules. For me, every track should develop its own identity rather than fit into a specific box.

Q: Can you share one music production tip?

A: Take breaks and let your ears reset. It’s simple, but it makes a huge difference. You hear things more clearly after stepping away for a bit, and it helps you make better decisions.

Q: What's your strongest skill?

A: I’d say my strongest skill is my ear, especially when it comes to harmony and arrangement. I’m good at taking a song and bringing out more depth, color, and emotion through harmonic choices. I also enjoy experimenting with unconventional sounds—sometimes even everyday objects—and finding musical ways to use them in a track.

Q: Tell us about your studio setup.

A: My setup is very instrument-focused. I work with a Rhodes Mark II, a Hohner Clavinet C, tenor and soprano saxophones, trumpet, darbuka, and several electric guitars, along with my DAW setup. I like having real instruments around because they bring a more organic feel into the production.

Q: What other musicians or music production professionals inspire you?

A: I’m really inspired by Danny Elfman for his cinematic approach, and Ray Manzarek for the way he used keyboards and harmony. I also love Gorillaz—their music feels very free and fluid, not tied to strict structures, and that really resonates with how I like to approach production.

Q: Describe the most common type of work you do for your clients.

A: Most of the time, clients come to me with a demo—sometimes just voice and guitar, a rough recording, or even a rehearsal take. From there, I take it into full production: adding real instruments, building the arrangement, and taking care of the mix and master. I really enjoy starting from that raw idea and turning it into a fully realized track.