Classical Opera Singer

Q: What's your 'promise' to your clients?

A: My promise is that I will try to deliver the project quickly with the best possible quality. Also that we will have all the revisions you want until you are satisfied.

Q: What do you like most about your job?

A: The possibility of learning new music, new composers and collaborating on new styles

Q: What's the biggest misconception about what you do?

A: That opera is boring

Q: What advice do you have for a customer looking to hire a provider like you?

A: I think the client should listen carefully to the quality of the singer's sound. that it is in tune, that the vibrato oscillates in just the right amount, that its diction is clear and its timbre diaphanous.

Q: What was your career path? How long have you been doing this?

A: I have been singing professionally since 2007. I have had the opportunity to sing as a soloist with great orchestras and opera companies from Colombia and also from Latin America.

Q: How would you describe your style?

A: Traditional trying to emulate the golden years of opera

Q: Which artist would you like to work with and why?

A: I would like to work with Martin Muhle and Saioa Hernandez. They are voices of current opera with exceptional quality

Q: Can you share one music production tip?

A: It is important to know what the client wants. Good communication will make all the details known and thus the work can be carried out easier and faster.

Q: What type of music do you usually work on?

A: Classical music, opera, zarzuela and musical theater.

Q: What's your strongest skill?

A: My talent and discipline to carry out projects. I am a dedicated musician who likes to carry out his projects in the best way, trying to deliver quickly.

Q: What do you bring to a song?

A: My contribution to your song will be beautiful melodic lines, driving phrasing, clear and precise pronunciation.

Q: What's your typical work process?

A: My work process depends on the work I must record. If it is a classic work I must study the score, read it, study the language. Then I have to study the track to get used to the tempo. If it is a contemporary work without a score, I must have a track with a guide that helps me know the work and memorize it.

Q: Tell us about your studio setup.

A: My home studio is made up of: 1. Macbook m1 2.Rode NT1-A Microphone 3. Focusride scarlett 2i2 audio interface 4.Logic pro X recording software

Q: What other musicians or music production professionals inspire you?

A: I love the golden age of opera. Singers like Maria Callas, Renata Tebaldi, Franco Corelli, Jerry Hadley are my inspiration.

Q: Describe the most common type of work you do for your clients.

A: I am dedicated to recording audio files of lyrical singing, opera, zarzuela and musical theater. I can record classical music, contemporary music and cultured songs in different languages.