KC Evans on SoundBetter

Hi! My name's KC and I'm a queer and non-binary Sound Engineer, Producer and Musician based in South Birmingham. I'd love to work with you on your next track!

I graduated with a Masters degree in Music Technology (with Distinction) from Royal Birmingham Conservatoire, UK.

I usually mix and master remotely from my home studio which is equipped to a high standard with a broad range of software and hardware. I can turn projects around quickly- please don't hesitate to get in touch to discuss your ideas!

As a professional musician I have toured throughout the UK and Europe, performing with bands including Riot Grrrl band Dream Nails (as their bassist), and also with The Early Folk Ensemble (as a classical soprano and gittern player). As a Sound Engineer, I toured the UK with spoken word poet Jasmine Gardosi in 2023.

Mix showreel includes: Ensemble Deridium (Folk/Doom Metal), James Marples (Alternative Country/ Folk-Rock), Billow Cloud (Electro-pop/ Alternative Indie Rock), and Jack Goodall (Alternative Folk/Rock).

I am an experienced Songwriter and Composer and my own songs have been played on BBC Radio 3 and Radio 6 multiple times. My musical intuition and songcraft is very useful when it comes to Sound Engineering, Mixing and Mastering to help bring your music to life, across a range of genres.

I also play a range of instruments and am always happy to play bass guitar, electric guitar or drums on tracks.

Would love to hear from you. Click the contact button above to get in touch.

Credits

2 Reviews

Endorse KC Evans

by The Bitter Lemons
We recently recorded a 5 track e.p with KC at the Birmingham Conservatoire, and what a fantastic experience it was! Relaxed, laid back, positive, friendly yet professional vibes. They really knew how to get the best out of the room, set up and each musician, without being pushy, overbearing or stiffling any creativity. We will definately we working with KC again, and would recommend their services to anyone!
by Jack Goodall
I recently worked with KC on a recording at Birmingham Conservatoire. They were extremely helpful and accommodating and knew how to make the most of the room and the song, with expert mic placement and an adaptable approach. They were also fun and easy to work with.