EDM Producer

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: One of the projects I’m most proud of is “Sweet Disposition” by DEADLINE & Antiyu, my first release on Spinnin’ Records. I worked on the production together with my friend Antiyu. The record received strong support from David Guetta and was played by him at major clubs and festivals. It’s still one of my favorite productions and a track I regularly play in my own sets.

Q: What questions do you ask prospective clients?

A: I usually ask for a few details about the project, including what they already have, their references and what they want to achieve with the track. This helps me understand the direction before we start and make sure I’m prepared to deliver what they’re looking for.

Q: Describe the most common type of work you do for your clients.

A: Most of my projects involve taking an initial idea, reference or concept and developing it into a complete production. I usually handle the creative and production process from the early stages through the final result. I also work on co-productions when a client already has a strong foundation or an unfinished track and wants help taking it further, improving the arrangement, developing the sound or bringing the production to the next level.

Q: What type of music do you usually work on?

A: I mainly work with electronic music, with experience across Melodic Techno, Tech House, Progressive House, Trance and Mainstage EDM. I’m also comfortable working from different references depending on the project.

Q: What do you bring to a song?

A: I’m always looking for a strong musical idea, whether it’s a melody, a hook, a vocal or even a simple starting point. From there, I focus on finding the right arrangement, sounds and details to make the idea work as a complete record.

Q: What's your typical work process?

A: I like to understand the goal of the project first and use the client’s references as a starting point. From there, I build the production step by step, sharing progress along the way and making adjustments based on feedback. I try to keep the process clear and collaborative, while also bringing my own musical judgment to the decisions that shape the final record.