Mixer of Latin/Tropical/Pop

Q: What questions do you ask prospective clients?

A: My first question is: 1°: ¿How was the theme developed and what was the source of inspiration? 2°: ¿Towards what horizon or audience is the theme directed? 3°: ¿How would you like your song to sound? My questions to the client are less technical and more focused on emotions, as that is the essence of music.

Q: Analog or digital and why?

A: At times my mixes are "hybrid," especially on the mix bus. However, the majority of my work stands out as "in the box" (using software and digital processors) due to the flexibility and ease it provides for making adjustments or changes within the mix.

Q: What questions do customers most commonly ask you? What's your answer?

A: Some clients have the illusion that mixing and mastering will automatically solve the inherent problems in production or recording! However, the reality is that it doesn't work that way. While an engineer can improve various aspects, such as correcting acoustic errors, tuning, and occasionally addressing synchronization issues, it's crucial to emphasize that if the initial recording is subpar and the production lacks quality, it's challenging for the engineer to deliver a satisfactory result. This is particularly true for clients who are just starting out.

Q: How would you describe your style?

A: "Hybrid": I aim to achieve a sound that blends the modern with the vintage. I appreciate high frequencies that are of high quality, not excessively bright, but rather convey a enveloping warmth. Regarding the midrange, I seek smoothness but with a dimension and weight that give it a 3D sensation. Additionally, in the bass section, I seek not only weight but also depth, creating an auditory experience that makes the song sound immersive and dimensional, avoiding a sense of flatness in my mixes.

Q: Which artist would you like to work with and why?

A: It's a difficult question. There are so many artists I admire, but I would love to work with Pharrell Williams and, above all, Dr. Dre. Their vision for music is something incredible, without much to say!

Q: Can you share one music production tip?

A: My advice is to try to learn to listen to songs and understand what they really need. I know that for many, this advice may seem simple, but sometimes we believe, for example, that adding more plugins to a drum set or making more edits to a voice will make it sound better. The curious thing is that, as we add more, the magic fades away. It's crucial to be careful with what we hear and give our ears a break, as when they are fatigued, that's when we start adding unnecessarily and end up ruining it.

Q: What other musicians or music production professionals inspire you?

A: There are many artists who inspire me when I listen to them: Kanye West, Tame Impala, Tems, Peso Pluma, Slowthai, Arctic Monkeys, Rick Rubin, Max Martin. These artists and producers inspire me because they always bring something new, something to constantly offer to the music industry, and that is motivation to evolve even further.

Q: What advice do you have for a customer looking to hire a provider like you?

A: It's a difficult question to answer, but my suggestion would be for you to listen to the provider's work. The world of audio production is very broad, and each professional possesses a unique style. That would be my recommendation!

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: I worked on a project that, initially, I didn't believe I could undertake: mixing an orchestra. Oswaldo Pajares from the "Academia Bohème" and the producer BarreraVe reached out to me to discuss this challenge. The project involved only 52 string channels, in addition to sessions with brass, percussion, keyboards, among other instruments. At first, my response was a resounding "No," as I truly didn't feel qualified to mix a symphonic orchestra. However, they insisted and trusted in me. Before starting the mix, I spent time further educating my ear in the realm of symphonic music. When I presented the first sample of what I considered acceptable, they were delighted and impressed. Internally, I breathed a sigh of relief, as we sometimes anticipate the worst. We made some adjustments based on their feedback, which further elevated the project. Although the track has not been released yet, as soon as it's available, I'll share it on the SoundBetter platform.

Q: What are you working on at the moment?

A: Currently, my life revolves around music. I am fully devoted to this field, and my main goal is to broaden my horizons even further and connect with new artists.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: I would take my: 1°:Macbook Pro 2°: Interfaz Apollo Twin x 3°: headphones austrian audio hi-x65 4°: Microphone TLM 103 - Neumann 5°: A desk, because where will I put my devices? Hahaha.

Q: What's your strongest skill?

A: My strongest skill in the field of music is mixing. I love mixing. I believe I do good masters, but I love mixing and recording when I'm in the studio with the artist. I help to develop the idea further.

Q: What's your typical work process?

A: When I started in the audio world, I immersed myself in the analog realm using equipment like the Tube-Tech PE 1C, the X Distressor, and the Avalon 737sp for the Buss chain, along with the Dangerous 2-BUS+. Nowadays, my primary focus in the studio has shifted to the digital domain, supported by solid acoustics. I utilize the Apollo Twin X interface and the Avalon 737sp. Inside the box, my essential gear includes the Slate Digital and Softube racks, whose sounds captivate me. As my main platform, I choose Ableton as my DAW for all tasks, as it not only streamlines the mixing process but also fuels the development of creative ideas.

Q: Tell us about your studio setup.

A: When I started in the audio world, I began with some analog equipment such as the Tube-Tech PE 1C, the X Distressor, and the Avalon 737sp for the Buss chain, along with the Dangerous 2-BUS+. Nowadays, in the studio, I primarily work in the digital domain with a solid acoustic setup. My main equipment includes the Slate Digital and Softube rack. I love the sound they provide. I use Ableton as my DAW for all tasks, as it not only assists me in mixing but also in the development of creative ideas

Q: Describe the most common type of work you do for your clients.

A: A significant part of my work focuses on musical mixing and mastering, but what truly stands out in my job is the connection I establish with my clients. Many of them trust my vision to guide their musical projects to the next level. I take special pride in their appreciation for how I shape their vocals or strings during the recording process. The satisfaction my clients experience when entrusting their projects to me is a source of great joy, as it demonstrates the confidence they place in my ability to elevate and enhance their music

Q: What type of music do you usually work on?

A: Pop, Rock, Tropical, Salsa, Trap, Electrónica, Reggaeton, Bachata, Hip-Hop, R&B, Afrobeat, Reggae, Lo-Fi,