World Class Mixer of Music and Post Production (Longform and Shortform). Worked on projects for International Major Label and Independent Artist, International TV series and Promos, Film Sound design and editing.
Mitch is a highly experienced recording engineer from Sydney, Australia. Mitch brings over two decades of expertise as an audio engineer and producer, collaborating with renowned artists on an international scale working in studios in both Los Angeles and Australia.
His commitment to excellence is backed by a Recording Engineer Diploma earned in the heart of Los Angeles, showcasing his dedication to mastering the art and science of audio engineering.
Mitch's proficiency extends beyond music, encompassing a rich tapestry of experiences in television, having made significant contributions at esteemed networks like Network Ten and FOXTEL mixing and sound designing for Longform, shortform, promos and all types of projects.
Would love to hear from you. Click the contact button above to get in touch.
Languages
- English
- Spanish
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Interview with Mitch Willard
Q: Analog or digital and why?
A: Por qué no los dos?!!! Both are amazing and I love combining the 2. Both can be great tools in any production, so why limit yourself to just one!
Q: What do you like most about your job?
A: I get to make noise all day, which is super fun. This job is also the best aspects of any job that is creative and technical at the same time.
Q: What was your career path? How long have you been doing this?
A: This is all I have done, I never set out to do this for a job, I just did it cause I loved it. Then people started to pay me to do it. Even if I wasn't doing this as a career, I'd still be mixing everyday for fun.
Q: Which artist would you like to work with and why?
A: Oh so many to choose from, Either Strung Out, The Mars Volta, or Taking Back Sunday
Q: Can you share one music production tip?
A: Don't overthink, if it sounds good, it's right. And never say "We'll fix it in the mix", make it sound how you want it.
Q: What's your strongest skill?
A: Oh that's a hard one, I pride myself on giving 100% on everything, but love doing drums, I'm obsessed with getting the drums banging.
Q: Tell us about your studio setup.
A: I run a hybrid setup with outboard compressors and EQs all routing though a Undertone Audio PYRA Summing Mixer.
Q: What other musicians or music production professionals inspire you?
A: Eric Valentine and Andrew Scheps and basically anyone with videos on Pure Mix.
Q: Describe the most common type of work you do for your clients.
A: I mix everyday mixing Music for Artist remotely or Post Production Mixing/Editing/Sound Design for TV for Paramount ANZ
I was the Mixing/Mastering Engineer in this production
- Mixing EngineerAverage price - $300 per song
- Post MixingAverage price - $200 per minute
- Dolby Atmos & Immersive AudioAverage price - $300 per song
- Mastering EngineerAverage price - $70 per song
- EditingContact for pricing
- Podcast Editing & MasteringContact for pricing
- Sound DesignContact for pricing
Depending on availability, I can give a time frame of when I can deliver mixes to clients.
Music Mixes - approx 3 day turnaround,4 revisions
Mastering - Usually 1 day
Post - Depend on the project
- The Ritzy Kids
- The Cyclical
- MKMGA
- Undertone Audio
- Universal Audio
- Avalon
- Purple Audio
- Urei
- Black Lion Audio
- Calrec
- AVID
- Soundflow
- Waves
- Plugin Alliance
- Fab Filter
