I'm known as the engineer that cares immensely about people, let's create some magic together. I want to take that sound in your head and articulate it. Excellent communication, guaranteed results. Let's connect and work together!
I've been freelancing as a mixer/engineer/musician in Knoxville for several years and have worked with folks like The Bind Boys of Alabama, Will Carter, Donavon Frankenreiter, Middlebrook Music, Blake Wrinn, HGTV, Taber Gable, and others! I am the in-house engineer at a few studios around town and I love what I do. I'm the best at worship, singer-songwriter, inde-pop, country, and jazz. Experienced musician, recording engineer, live sound engineer.
Contact me and let's talk about your project!
Spotify Selected Mixing Discography: https://open.spotify.com/playlist/24vKDo1pc5YxPiFKfuDO8R?si=63d63f0f688546d4
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
Languages
- English
Interview with Aidan Hodges
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I engineered a record for a newer artist here in Knoxville at Pink Moon Sound. A rock record all cut in the same room at the same time... it's a magic set of songs and I'm excited for people to hear it.
Q: Tell us about your studio setup.
A: My mix room is tuned, treated, and set up for overdubs and mixing. I use Focusrite interfaces here since I don't do much final tracking at this location. I mix on Dynaudio BM6a Nearfields, some truly lovely speakers. I have an extensive collection of plugins and love seeing how much I can maximize a small-medium sized room. I track at a few places in Knoxville. Pink Moon, my favorite studio in town... as well as TenMondays, a project studio I'm buidling right now and set to launch very soon. pinkmoonsound.com and tenmondays.com
Q: What are you working on at the moment?
A: A single..... a single of my own!
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Blake Wrinn is one of the best guitar players I have ever worked with. His mind as a producer is incredible, and he is just a great dude!
Q: Analog or digital and why?
A: If I owned Blackbird Studios in Nashville, I'd say analog all day long haha. Digital really makes more sense for what I do. It's faster, cheaper, I can travel with it, and it won't break on me. I do love the few pieces of analog gear I have though... analog preamps all the way though!
Q: What do you like most about your job?
A: The ah-ha moments. The moments when the drummer hits the snare and the whole room stops, or the reverb tone gets locked in, or that bridge lyric finally comes to someone's head... moments where you think, "how is it real life that I even get to do this?"
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Acrolite, AKG414, Beyerdynamic DT770Pro, UA 4710-d, my SSD.
Q: How would you describe your style?
A: A mix that invites the listener in to be a part of the music.
Q: Which artist would you like to work with and why?
A: Lizzy McAlpine. Her prowess as an artist, vocalist, and songwriter is incredible.
Q: Can you share one music production tip?
A: Get it right at the source, it can't be said enough!!
Q: What do you bring to a song?
A: Intuition. I am great at seeing where a mix or song should go and taking it there. I am great at articulating what the artist is hearing, many times before they even tell me about it. I care about making music.
Q: What other musicians or music production professionals inspire you?
A: Aaron Sterling, Serban Ghenea, Jack Antonoff, Alex Lacamoire, Oscar Gamboa, Marc Scibilia, Taylor Swift, Chris Greeley, Phillip Etherington
Q: Describe the most common type of work you do for your clients.
A: I do a lot of recording engineering, specifically with drums. I'm skilled at making drums sound exactly how I want them to sound.
I was the Mixing Engineer/Tracking Engineer in this production
- Mixing EngineerAverage price - $300 per song
- Live SoundAverage price - $400 per concert
- Live drum trackAverage price - $150 per song
- Acoustic GuitarAverage price - $70 per song
- Podcast Editing & MasteringAverage price - $75 per podcast
- Vocal compingAverage price - $50 per track
- 5 Revisions.
- Turnaround time is usually between one and two weeks.
- Each additional revision is $40.
- I only accept WAV stems.
- UPPERROOM
- Lizzy McAlpine
- Nate Smith
- Universal Audio
- Fosucrite ISA
- Dynaudio
- AKG
- Beyerdynamic
- Pro Tools
- Waves
- Plugin Alliance
- Warm Audio