Music Producer/Mix Engineer

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: One project I’m especially proud of is a live session I produced and mixed for Alquimistas del Groove, a Buenos Aires band that fuses hip-hop, jazz, and funk. The group began as an open jam for local freestylers, and over two years those improvised moments evolved into original songs. We recorded the full band — drums, bass, keys, DJ, and one vocalist (who’s also on the turntables) — all performing together at Estudio Marte to capture that live chemistry. My role was to set up the recording, guide the session, and mix everything to keep it punchy, warm, and true to the vibe. The album comes out next month, and it feels like the most organic and honest work of my career so far.

Q: What are you working on at the moment?

A: t the moment I’m producing and recording with three bands, while also working from my home studio with three solo artists from Buenos Aires. The projects range from hip-hop and R&B to more experimental sounds like Candombe Futurista and alternative R&B fused with Latin influences. I love being involved in such a diverse mix of styles — it keeps my ears fresh and constantly inspires new ideas.

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: I don’t personally know anyone on SoundBetter yet, but I’m always open to collaborating and recommending great professionals once I connect with them. Building a network of trusted artists and engineers is something I value a lot.

Q: Analog or digital and why?

A: Both — I love the character and depth of analog gear, but I mix mainly in the digital world for its flexibility and precision. My goal is to get the best of both: the warmth and movement of analog, with the control and recall of digital. It’s not about the tools — it’s about how they serve the emotion of the song.

Q: What's your 'promise' to your clients?

A: My promise is to treat every song with care, honesty, and intention — as if it were my own. I’ll listen, communicate, and make sure the mix feels alive, emotional, and true to your vision. My goal isn’t just to deliver a polished track, but to help you connect with your music on a deeper level.

Q: What do you like most about your job?

A: What I love most is helping artists hear their music come to life. There’s a special moment when a mix suddenly feels like the song — when everything connects and the emotion comes through. That feeling never gets old. It’s why I started doing this and why I still love it every day.

Q: What questions do customers most commonly ask you? What's your answer?

A: Most clients ask how long a mix takes and how many revisions are included. I usually tell them that I focus on quality over speed — a good mix needs time to breathe and be heard with fresh ears. Turnaround is normally 3–5 days, and I include a couple of revisions because collaboration is key. The goal is always to make the song feel right for both of us.

Q: What's the biggest misconception about what you do?

A: Many people think mixing is just about making things louder or cleaner — but it’s really about emotion and perspective. A good mix doesn’t just balance frequencies; it tells the story of the song and makes you feel it. My job is to bring out the soul that’s already there, not to fix what’s missing.

Q: What questions do you ask prospective clients?

A: I usually start by asking about the story behind the song — what emotion or atmosphere they want to transmit. Then I ask for references: a couple of tracks they like in terms of sound or vibe. I also check how the song was recorded, what elements are most important to them, and how they want their voice or instrument to feel in the mix. It’s all about understanding their vision before making any technical decisions.

Q: What advice do you have for a customer looking to hire a provider like you?

A: Look for someone who listens — not just to your mix, but to your ideas. The best results come when there’s real communication and trust between artist and engineer. Don’t choose only by gear or credits; choose someone who understands your vision and can make it sound alive. That’s when the music really connects.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: I’d take my Midas MR18 — it gives me clean preamps, routing, and a bit of that live energy. A good condenser mic like the Rode NT1-A, my laptop with Reaper, a pair of Yamaha HS5s, and my Korg keyboard. With those five I could record, mix, and probably jam until I forget I’m on an island.

Q: What was your career path? How long have you been doing this?

A: I started out working as a sound engineer and technician, learning the technical side of recording and mixing before moving into production and performance. Over the years I became more involved as a musician and keyboard player, bringing that musical perspective back into my mixes. I’ve been in the audio world for around eight years now, producing and mixing both studio and live projects in Buenos Aires.

Q: How would you describe your style?

A: Organic mixes with soul, groove, and clarity

Q: Which artist would you like to work with and why?

A: I’d love to work with artists who value emotion and groove over perfection — musicians who aren’t afraid to leave space, texture, and real feeling in their songs. The ideal collaboration for me is with someone who wants their music to breathe, to sound human and full of soul, but still modern and powerful. That kind of artist pushes me to mix not just with my ears, but with intuition.

Q: Can you share one music production tip?

A: Don’t chase perfection — chase feeling. When something gives you goosebumps, that’s the take. I always tell artists to keep the small imperfections that carry emotion, and then build the mix around that moment. Technical polish matters, but vibe wins every time.

Q: What type of music do you usually work on?

A: I mostly work on groove-driven music — funk, soul, hip-hop, and the kind of R&B that feels alive and human. I love projects that mix real instruments with beats and texture, where you can feel both the pocket and the emotion. Lately I’ve also been mixing live bands and hybrid sessions that keep that raw energy but sound tight and modern.

Q: What's your strongest skill?

A: My strongest skill is translating emotion into sound. I have a musical ear for dynamics, groove, and tone, which helps me make mixes that feel alive and connected to the artist’s vision. I balance technical precision with musical intuition — always aiming to keep the human energy in every project.

Q: What do you bring to a song?

A: I bring warmth, groove, and musical intention to every song. As both a producer and musician, I focus on enhancing the emotion and the natural flow of the performance — not just polishing the sound. My mixes are organic and dynamic, with attention to space, rhythm, and energy, helping the track feel alive and cohesive. I aim for that balance between clarity and soul that connects with listeners instantly.

Q: What's your typical work process?

A: My process starts with understanding the artist’s vision — I like to know the story, mood, and energy behind the song. From there, I organize the session in Reaper, clean and balance the tracks, then build the mix around the groove and vocal feel. I focus on achieving clarity, warmth, and movement, while keeping the emotion intact. I share reference mixes along the way for feedback, and make sure every client feels part of the process until the final master is approved.

Q: Tell us about your studio setup.

A: My studio setup is designed for a warm and accurate workflow focused on musicality and detail. I work in Reaper with a hybrid setup that includes a Midas MR18 for conversion and routing, a Rode NT1-A microphone, Yamaha HS5 monitors, and Audio-Technica M40x headphones. I rely on trusted plugins from FabFilter, Valhalla, Arturia, iZotope, and Metric Halo to shape my mixes, always aiming for depth, balance, and emotion. I record and mix from my home studio in Buenos Aires and also collaborate at Estudio Marte, where I handle larger band sessions.

Q: What other musicians or music production professionals inspire you?

A: I'm inspired by producers and engineers who combine musicality with a strong sonic identity. Artists like D’Angelo, J Dilla, Anderson .Paak, Charly García, Herbie Hancock, and The Alan Parsons Project shaped my sense of groove and harmony. I also draw inspiration from engineers such as Russell Elevado, Tom Elmhirst, Michael Brauer, Sebastián Perkal, and Tony Maserati — their work taught me how to blend warmth, space, and emotion into every mix. These influences guide my sound: organic, soulful, and modern.

Q: Describe the most common type of work you do for your clients.

A: Most of my work revolves around mixing and producing songs that blend organic groove with modern clarity. I specialize in funk, soul, hip-hop and R&B projects that need warmth, dynamics and character — combining analog-style depth with clean digital precision. Many of my clients come to me looking to enhance the feel and emotion of their recordings, keeping the live energy while achieving a polished, professional sound ready for streaming platforms.