When it comes to making music sound its absolute best, I'm the maestro behind the magic, turning tunes into pure gold!
Student at University of Zagreb, Academy of Music, sound engineer and music producer.
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2 Reviews
Endorse Marin BenjaInterview with Marin Benja
Q: What do you bring to a song?
A: Instrumentation and Arrangement: The choice or modification of instruments to enhance the mood and atmosphere of a song is a key artistic addition. The introduction of unexpected or unconventional instruments can bring a fresh dimension to the music. Dynamic Changes: The use of dynamic changes in volume and intensity is a technique to create tension and release within a song. Building up to a climactic moment or introducing subtle shifts in dynamics can make the song more engaging. Rhythmic Complexity: Playing with rhythmic patterns and time signatures is a method used to add intrigue and complexity. The inclusion of syncopation, polyrhythms, and tempo changes can give the song a unique rhythmic character. Sound Design and Effects: The incorporation of sound design and effects is a means of creating unique textures and atmospheres within a song. Experimenting with reverb, delay, distortion, or other audio processing techniques can shape the sound. Unconventional Song Structure: Challenging traditional song structures by introducing unexpected changes in the arrangement is an artistic addition that can keep the listener's interest and make the song stand out. Emotional Pacing: Paying attention to the emotional arc of the song is a technique that involves gradually building up emotions, leading to a climactic moment or creating a sense of intimacy and vulnerability through subtle touches.
Q: What's your typical work process?
A: Inspiration and Conceptualization: It all begins with a spark of inspiration. I draw inspiration from various sources, such as life experiences, emotions, or even visual stimuli. I often immerse myself in art, music, and nature to foster creativity. Once I have an idea or concept in mind, I start to visualize the end result. Research and Preparation: To bring my concept to life, I conduct research. This may involve studying relevant art forms, historical context, or technical aspects. I gather the necessary materials and plan my approach, considering the techniques and media that will best convey my vision. Creation: With a solid foundation, I dive into the creation process. Whether I'm painting, sculpting, composing music, or engaging in any other artistic medium, this phase is where I let my creativity flow freely. I explore different ideas and techniques, often experimenting and pushing the boundaries of my skill set. Finalization: As I near the final stages, I focus on fine details and polish the piece. This may involve refining brushstrokes, perfecting musical compositions, or adding final touches to a sculpture. My aim is to bring out the essence of my original concept. Presentation: Presentation is crucial. Depending on the medium, I choose the best way to showcase my art. This could involve framing a painting, creating an exhibit, recording music, or publishing a literary work. I pay attention to how my audience will experience and interact with the art.
Q: Tell us about your studio setup.
A: Yamaha HS8 Studio Monitors: I rely on the Yamaha HS8 studio monitors for their incredible accuracy and detailed audio reproduction. They're my go-to choice for critical listening and mixing, helping me pick up even the finest nuances in my music. UAD Apollo Twin: The UAD Apollo Twin serves as my audio interface, delivering top-notch audio conversion and processing. With high-quality preamps and built-in DSP, it empowers me to record and mix with exceptional sound quality and access to a vast array of UAD plugins. Acoustic Treatment: I've made sure to invest in acoustic treatment for my studio. This is a game-changer, as it helps me control sound reflections and create an acoustically optimized environment. This ensures that I can hear my music accurately, free from unwanted reflections and standing waves. Beyerdynamic DT770 Headphones: For critical listening, tracking, and mixing, I turn to my Beyerdynamic DT770 headphones. Their closed-back design offers a clear and detailed audio representation, making them an invaluable tool in my studio. My studio setup reflects my commitment to achieving the highest quality in audio production, from the precision of my studio monitors to the acoustic treatment that enhances the acoustics of my space. With this configuration, I'm well-prepared to create professional and top-notch music productions.
Q: What other musicians or music production professionals inspire you?
A: Among my favorite artists, I find Don Toliver's unique blend of melodic rap and emotive storytelling to be incredibly captivating. His ability to effortlessly switch between rapping and singing while maintaining a distinct style sets him apart in the hip-hop landscape. Don's music has this infectious quality that keeps me coming back for more, and his artistic evolution over the years has been a joy to witness. His contributions to the genre are both refreshing and essential
Q: Describe the most common type of work you do for your clients.
A: Mixing: Skillfully blending and adjusting various audio elements (tracks, instruments, vocals) to create a balanced and cohesive sound. Editing: Refining audio by removing imperfections, aligning tracks, and enhancing the overall quality. Mastering: Preparing the final audio for distribution, optimizing it for different playback systems while maintaining its intended character. Artistic Vision: Collaborating with artists to shape and refine their creative vision for a project, helping them achieve their desired sound. Music Arrangement: Selecting and arranging musical elements, including instrumentation, composition, and structure, to create a compelling and cohesive musical piece. Sound Design: Crafting the sonic landscape, incorporating unique textures and effects to enhance the overall musical experience. Innovation: Exploring new musical techniques, instruments, and production methods to keep your work fresh and innovative.
I was the Producer, Mixing engineer, Mastering engineer in this production
- Mixing EngineerAverage price - $200 per song
- Mastering EngineerAverage price - $70 per song
- ProducerAverage price - $300 per song
- Ghost ProducerAverage price - $400 per song
- Podcast Editing & MasteringAverage price - $50 per podcast
Fast delivery (typically +/- 3 business days)
3 revisions included
Radio ready sound
- Presonus Studio One
- UAD Apollo Twin
- Yamaha HS8
- Beyerdynamic DT770 PRO
- Ears
Professional mixing, mastering, sound design, producion