Hello, my name is Hubert, I am an experienced songwriter, producer, vocalist and session musician for whom making music is the whole world. Sound like Tame Impala, Jungle, Glass Animals, Arctic Monkeys or Gorillaz!
Hello, my name is Hubert, I am 28 years old and I am a professional producer, songwriter, vocalist and session musician. I usually produce pop music with a focus on live instruments, but electronic music is no stranger to me. I have always found it easy to come up with catchy melodies, which pushed me into songwriting really early on in my life. Everything I do, I do for the love of music and people, I adore collaborating with other artists and helping them transfer sincere emotions to their music. My productions sound similar to Tame Impala, Jungle, Glass Animals, Gorillaz and Artctic Monkeys.
Send me an email through 'Contact' button above and I'll get back to you asap.
Languages
- English
- Polish
Interview with Hubert Pilarski
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: The Wodecki Twist project, in which I prepared some arrangements of Wodecki's songs together with producer Kamil Pater. Playing live shows (on guitar) with this project is the most beautiful adventure.
Q: What are you working on at the moment?
A: I'm working on mixes of the Wodecki Twist project, single for two female artists and my debut album.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Sebastian Jędrzejczyk
Q: Analog or digital and why?
A: Analog because there is a soul in analog, the use of such equipment can add a unique element to the production of a song, which digital equipment cannot always give us.
Q: What's your 'promise' to your clients?
A: Work done professionally, with heart and love for music, with an individual approach to each order and always on time!
Q: What do you like most about your job?
A: Making a living writing songs. :)
Q: What questions do customers most commonly ask you? What's your answer?
A: Customers often ask whether I prefer to base it on an idea or create it from scratch. I love working with other artists' ideas, but creating something from scratch is not a problem for me.
Q: What's the biggest misconception about what you do?
A: How much work goes into producing a song from start to finish.
Q: What questions do you ask prospective clients?
A: I often ask for my clients' 5 all-time favorite songs, this tells me a lot about their musical taste and based on that I am able to choose a specific aesthetic during production.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Try to find a contractor who will meet your personal expectations based on your taste and don't be afraid to trust young producers!
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Hofner Bass, Fender Telecaster, Ludwig Drum Kit, Strymon El Capistan and cassette recorder.
Q: What was your career path? How long have you been doing this?
A: I have been writing and producing music for over 12 years. I started as a guitarist in an indie rock band, but from the beginning of learning to play the instrument I wrote my own songs, then I started producing music on the computer and recording recordings for other bands. For several years I have been producing music for other artists and I play live in my own projects and as a session musician.
Q: How would you describe your style?
A: My style is a combination of vintage and modern, I like the lo-fi sound and an indie approach to pop music, I base my work on a fusion of contrasts.
Q: Which artist would you like to work with and why?
A: I would like to work with Paul McCaartney one day, creating a song with one of the Beatles would be a dream come true.
Q: Can you share one music production tip?
A: Always be authentic and listen to your intuition, make music primarily for your own pleasure and don't expect anything from it.
Q: What type of music do you usually work on?
A: Indie Pop Music, Pop Music, Rock Music, EDM and sometimes Rap Music.
Q: What's your strongest skill?
A: Coming up with catchy melodies and chords.
Q: What do you bring to a song?
A: I always try to bring an emotional meaning to the song, which many artists forget about, but that's what the listener focuses on the most.
Q: What's your typical work process?
A: When I start working on a song, I focus primarily on coming up with a catchy melody or chords and the emotions that accompany them. On this basis, I know from the very beginning in what stylistic world I can place the song I am working on. Then I come up with instrument parts that will fit the atmosphere and spend many hours refining their sound until I achieve the effect I wanted. At the very end, I arrange the entire song and improve its production, adhering to my golden rule: modern and vintage at the same time!
Q: Tell us about your studio setup.
A: I have a home music studio with lots of guitars, amplifiers, retro synthesizers and organs. I also have a lot of analog effects and vst plug-ins imitating iconic studio equipment. I have several instrumental and vocal microphones in my studio. I also have direct access to larger recording rooms with a live piano, high-end microphones and preamplifiers.
Q: What other musicians or music production professionals inspire you?
A: I am inspired by artists such as Kevin Parker, Damon Albarn or Alex Turner but also producers such as Rick Rubin and Jack Antonoff.
Q: Describe the most common type of work you do for your clients.
A: I most often write and produce songs for other artists, I also add vocals or instruments to songs, and I often mix recordings.
I was the Vocalist, Producer and Mixer in this production
- ProducerAverage price - $400 per song
- Beat MakerAverage price - $400 per song
- EditingAverage price - $40 per track
- Full instrumental productionAverage price - $400 per song
- Keyboards - SynthAverage price - $70 per song
- Songwriter - MusicAverage price - $70 per song
- Electric GuitarAverage price - $70 per song
I allow 2 revisions, the approximate time to complete my work depends very much on the order, on average it takes 1 day to add an instrument/vocal, and 3 days do one week for production of whole song.
- Tame Impala
- Gorillaz
- Arctic Monkeys
- Korg DW8000
- Moog Mother 32
- VOX AC30
- Fender Telecaster
- Vintage Organs
- Hofner Bass
- Rode NT1-A