Roberto Ferro Drums on SoundBetter

13 Years in Drumming. Taught by multiple high-profile drummers such as Chris Allison, Jay Postones.

I consider myself an ever-changing drummer due to my high interest in learning different styles; starting from playing rock and pop, to picking up an interest in metal and prog, taking even specialized jazz lessons.

Due to the aforementioned nature of my playing, I think I'm the right fit for many different styles, as well as an ease to record already written parts thanks to first-sight reading (which would have a lower cost than composing an original part).

Contact me through the green button above and let's get to work.

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Interview with Roberto Ferro Drums

Q: What was your career path? How long have you been doing this?
A: 13 Years of drumming and 3 years of studio experience.
Q: Can you share one music production tip?
A: Always serve the music, especially when that means simple and fitting parts.
Q: What type of music do you usually work on?
A: Rock, Pop, Metal, Prog, Funk.
Q: What's your strongest skill?
A: Definitely learning a song once it's been written out and transcribed due to years of sight reading drum parts for different projects/artists.
Q: What do you bring to a song?
A: A lot of dynamic control around the kid, according to the necessities of the song, as well as creative drum parts that groove nonetheless.
Q: What's your typical work process?
A: First, get a feel for the song and its changes, followed by working sections up to speed, and finally get the entire piece together, all of this in the rehearsal room, to step into the recording room the less amount of time possible.
Q: Tell us about your studio setup.
A: Currently have a 6-piece DW Performance series, with a Black Magic Snare and Meinl Cymbals which allow for an extensive range of sounds with different setups. In terms of microphones, the following are used: Beta 91A Beta 52 A SM57 (2) SM81 (2) Sennheiser MD421 (5)
Q: What other musicians or music production professionals inspire you?
A: Matt Garstka, Adam Nolly, Alex Rudinger.
Q: Describe the most common type of work you do for your clients.
A: Both drum part composition and Live drum recording are common services I provide, usually in the Pop - Rock - Metal spectrum.

Aphelion by Oktrad

I was the Drummer and Composer in this production

Live drum trackAverage price - $25 per song
Programmed drumAverage price - $25 per song

In case the part isn't already composed, the Drums will be written in MIDI first with 5 sets of changes. Once this is accepted, it will be recorded with Live Drum Tracks with one set of changes.