Mastering Engineer

Q: Analog or digital and why?

A: Digital, because i can control everything on it, but not on analog

Q: What's your 'promise' to your clients?

A: To elevate the mix to the best for everyone

Q: What do you like most about your job?

A: that it matters

Q: What questions do customers most commonly ask you? What's your answer?

A: "Can you show me what did you used to achieve it ?" "No, but i can let you hear what i used"

Q: What's the biggest misconception about what you do?

A: Loudness and mouvements in a master

Q: What questions do you ask prospective clients?

A: Where do you want this song to be played at

Q: What advice do you have for a customer looking to hire a provider like you?

A: To experiment himself to the limits, and then hire a professional

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: My left and right ears

Q: What was your career path? How long have you been doing this?

A: Ive been studying sound engineering for 3 years, done some interships in big studios including the Studio Ferber. I co-founded a speaker brand and was responsible of the technical parts, which includes the sound signature. I have done a thesis on high fidelity speakers that led me to be the best at mastering.

Q: Can you share one music production tip?

A: Layering a lot of simple stuff together, rather than trying to find one complex sound

Q: What's your strongest skill?

A: Physics knowledge and psychoacoustics

Q: What do you bring to a song?

A: Dynamics, Space and warm sound signature

Q: What's your typical work process?

A: Listening sessions first to find what can be enhance and what can be fixed

Q: Describe the most common type of work you do for your clients.

A: I'm doing mostly Mastering for singles or albums