We have the resources to make sure your project sounds the best it can. LegitimateSounds.com
Legitimate Sounds is dedicated to providing our clients with high quality recordings, foley, and any other audio production service at an affordable price. We started this studio as a group of friends who wanted to share our resources and our passion for sound with our community.
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Interview with LEGITIMATE SOUNDS
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Did sound and scoring for an interview with Jim Adler the Texas Hammer.
Q: What are you working on at the moment?
A: Boxing Trainer commercial, sound design and scoring.
Q: Analog or digital and why?
A: Both, they each offer their benefits but I would have to admit I'm not sure I would go entirely analog,
Q: What's your 'promise' to your clients?
A: To provide audio that is best suited for your project and your needs.
Q: What do you like most about your job?
A: Everything.
Q: What questions do customers most commonly ask you? What's your answer?
A: Q: Can you score in this style/genre? A: Yes.
Q: What's the biggest misconception about what you do?
A: Depending on what it is that it takes a lot less time than it actually does.
Q: What questions do you ask prospective clients?
A: What their vision for the project is, and what is the best way I can help.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Don't be afraid to be upfront with what you need.
Q: What was your career path? How long have you been doing this?
A: I've been playing music since I was 5, and mixing/scoring for about seven years. Started as a business in 2020.
Q: How would you describe your style?
A: Straightforward and versatile. I work towards whatever style is best for that specific project.
Q: Which artist would you like to work with and why?
A: Ben Burtt, he invented the lightsaber sound.
Q: Can you share one music production tip?
A: Communicate, and listen for what's best for the project.
Q: What type of music do you usually work on?
A: Anything from rap, to cinematic, to blues, rock, versatility is what we like to provide.
Q: What's your strongest skill?
A: Being open to creative input and direction, and then being able to deliver on that direction.
Q: What do you bring to a song?
A: We like to remember to put the client first, its your project, and we like to cater to the clients direction and give them exactly what they were trying to hear.
Q: What's your typical work process?
A: Depending on what its for, but for sound design/scoring I usually communicate with the director and figure out their needs/wants as early as I can. Then its just listening over and over, listing the hits and marks that I feel are needed and then just get to work.
Q: Tell us about your studio setup.
A: Modest in the box set up with 5.1 Surround using Focal monitors
Q: What other musicians or music production professionals inspire you?
A: Ben Burtt, John Williams, Ludwig Göransson, Alan Rankin
Q: Describe the most common type of work you do for your clients.
A: Scoring and sound Design, and on set sound mixer.
- Film ComposerAverage price - $250 per minute
- Dialogue EditingAverage price - $200 per minute
- Full instrumental productionAverage price - $400 per song
- Mixing EngineerAverage price - $500 per song
- Mastering EngineerAverage price - $70 per song
- Podcast Editing & MasteringAverage price - $100 per podcast
- Production Sound MixerAverage price - $600 per day
- Sound Devices Scorpio
- Lectrosonics Labs
- Audio Technica Indoor/shotgun mics
10% off for Sound Better users