Game and Film Music Producer

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: I directed sound designed and composed the music for the sci-fi radio play "Unearthing".

Q: What are you working on at the moment?

A: Music composition & sound design for film, video games and radio plays.

Q: Analog or digital and why?

A: It depends on the individual project, but ususally digital with analog add ons if needed.

Q: What's your 'promise' to your clients?

A: A productive, professional and fun experience.

Q: What do you like most about your job?

A: Meeting new and intersting people and always working on something new.

Q: What questions do customers most commonly ask you? What's your answer?

A: can you do XY and how much is your rate? The answer is almost always yes, and if not (I will be honest about this) I can recommed someone who can do it.

Q: What's the biggest misconception about what you do?

A: It's not work. :-)

Q: What questions do you ask prospective clients?

A: do you have reference tracks or projects? What do you particularly like about the individual references.

Q: What advice do you have for a customer looking to hire a provider like you?

A: It is always a good idea to have some references (does not have to be music) and be clear about what you particularly like about the reference.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: satellite telephone, solar power system, laptop, headphones, field recorder

Q: What was your career path? How long have you been doing this?

A: I've been playing and writing music my entire life. After studying media art with the focus on sound and radio play, I work as a freelancer since 2016.

Q: How would you describe your style?

A: genre-bleding fusion

Q: Which artist would you like to work with and why?

A: Mick Gordon, since his work is really inspiring and he seems like a wonderful person to work with.

Q: Can you share one music production tip?

A: If you're in the flow, let the flow guide you. If not use technique until you're back in the flow. Extra tip: Take breaks for your ears ;-)

Q: What type of music do you usually work on?

A: Soundtracks for Games and Jingles for Podcasts.

Q: What's your strongest skill?

A: The ability to connect to a clients vision and understanding the particular needs of a project.

Q: What do you bring to a song?

A: Thinking outside the box when it comes to genre, while still using a style that fits.

Q: What's your typical work process?

A: It largely depends on the project, but I almost always start with some research and a sketch.

Q: Tell us about your studio setup.

A: Logic Pro X with a lot of sample libraries, Head Phones Monitors, Interface, Midi Controllers, various Mics, and some analog synths

Q: What other musicians or music production professionals inspire you?

A: Too many to name them all, so just a few to explain the "range": Snarky Puppy, Blink 182, Trent Reznor, Martin Stig Andersen, Deichkind, Mick Gordon.

Q: Describe the most common type of work you do for your clients.

A: While I offer all of services individually, my most common work is complete sonic solutions costumized for the particular project and its needs.