Industry sound at an affordable price.
I am a live broadcast mixing engineer for a church. I mainly do mixing and mastering for songs but can also work with podcasts and audio tracks for video.
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
Credits
Interview with plusultra
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Hope (EP) - Chris Bisnar (https://open.spotify.com/album/5E0D5HIhkzoXz1YqfVUG4B?si=WhnUMG-cRtO4KsoivNPTnA) This is a mastering project, although I was not able to change the mix I was still able to make the tracks sound professional.
Q: What are you working on at the moment?
A: Mixes.
Q: Analog or digital and why?
A: Both. The best sound come from both worlds.
Q: What's your 'promise' to your clients?
A: Whatever deliverable is sent will always have that industry sound.
Q: What do you like most about your job?
A: Creative process
Q: What's the biggest misconception about what you do?
A: A good mix isn't something that can be rushed. Mastering isn't just putting a limiter and boosting the gain.
Q: What questions do you ask prospective clients?
A: What is the job? When do you need it? What is the track all about? Where will it be used? How do you want it to sound?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Be honest and specific in what you want at the same time be open to changes and suggestions.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: A boat, a GPS tracker, satellite phone, a fridge full of food, and a flare gun. It's a desert island...
Q: What was your career path? How long have you been doing this?
A: Almost 3 years
Q: How would you describe your style?
A: Smooth yet punchy
Q: Which artist would you like to work with and why?
A: Any artist whether independent or working in a label. It shouldn't matter what your background is as long as you want to push good sound.
Q: Can you share one music production tip?
A: Get the sound you want at the recording stage
Q: What type of music do you usually work on?
A: Gospel, Rock, Acoustic
Q: What's your strongest skill?
A: Making punchy mixes
Q: What do you bring to a song?
A: Whatever is necessary
Q: What's your typical work process?
A: Take things step by step
Q: Tell us about your studio setup.
A: Kali IN-8 Professional Studio Monitors, A powerful computer that can run 100+ tracks
Q: What other musicians or music production professionals inspire you?
A: Hans Zimmer, Nat King Cole, Andy Wallace
Q: Describe the most common type of work you do for your clients.
A: Mixing and Mastering
- Mixing EngineerAverage price - $200 per song
- Mastering EngineerAverage price - $50 per song
- Podcast Editing & MasteringAverage price - $75 per podcast
- RestorationAverage price - $75 per hour
- Post EditingAverage price - $200 per track
- Post MixingAverage price - $200 per minute
- Time alignment - QuantizingAverage price - $40 per track
Give me a day to or two to respond. Turnaround time for Mixes is usually within a day (depends on the song), and for Mastering within 4 hours from accepting the job (may vary). Up to 2 revisions.
Free inquiries - plusultramix@gmail.com