Credits include JORDANN, Josh Fudge, Daste, Pink Turns Blue, Louis Prince, Club Kuru, Tropics, Sea Moya, Helena Delandand, Westerman, Jimmy Hunt, and more.If you like that vintage muted tone, very characteristic of modern production inspired by the old times, that’s what I am going mostly for these days. Also specialized in music production and Mix
I'm an Italian-born bassist living in Berlin. In my 20 years of being a professional bass player, I've toured and recorded with JORDANN, Josh Fudge, Daste, Pink Turns Blue, Louis Prince, Club Kuru, Tropics, Sea Moya, Helena Delandand, Westerman, and Jimmy Hunt.
Over the years I've been working also as a music producer/composer and Mixing at my studio in Berlin.
I work out of my studio with Neve and API preamps, vintage amps, and a great selection of vintage and new basses. I also play synth bass and have a collection of synths.
Peace:)
Send me a note through the contact button above.
Credits
Languages
- English
- Italian
- Spanish
Interview with Luca Sammuri
Q: What are you working on at the moment?
A: New album of the band I am touring with and a new commercial for Under Armour. And the sound of drums obviously
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Some producers and Mixers. Can't point anyone tho
Q: Analog or digital and why?
A: Both. Why not
Q: What's your 'promise' to your clients?
A: I am a ruthless dreamer
Q: What do you like most about your job?
A: At some point is about personality development, never stop growing..
Q: What questions do customers most commonly ask you? What's your answer?
A: If I can fix something or make it sound better. Of course, I can:)
Q: What's the biggest misconception about what you do?
A: That gear makes the record
Q: What questions do you ask prospective clients?
A: Do you know exactly what you want?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Choose who put their soul into it.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: A bass, A drum set, A synth, A soundcard, and A laptop.
Q: What was your career path? How long have you been doing this?
A: For more than 20 years, I started in a small noisy rehearsal room in my home town and since then I never stopped.
Q: How would you describe your style?
A: Groovy, tasty, character-orientated, expensive, special.
Q: Which artist would you like to work with and why?
A: Radiohead. I love them:)
Q: Can you share one music production tip?
A: Find your sound
Q: What type of music do you usually work on?
A: Pop, Indie pop, New Wave, Electronic, Cinematic.
Q: What's your strongest skill?
A: Obsession to perfection
Q: What do you bring to a song?
A: A Vision and a Sound
Q: What's your typical work process?
A: I like to listen and get inspired by the Artist.
Q: Tell us about your studio setup.
A: I work in a hybrid studio with most of my analog gear on the way In, 3 external compressors, and most of the work in the box. I monitor with PSI APS and NS10 speakers.
Q: What other musicians or music production professionals inspire you?
A: I'm really diving deep into modern Indi Pop productions these days, but my main skill is versatility. I am inspired by Greg Wells, Quincy Jones, Radiohead, and many many others
Q: Describe the most common type of work you do for your clients.
A: Recording Electric bass lines Producing Music for upcoming Pop Artists Mixing songs Compose music for Tv and commercials
I was the Bassist in this production
- Bass ElectricAverage price - $125 per song
- Mixing EngineerAverage price - $200 per song
- Full instrumental productionAverage price - $400 per song
- Ghost ProducerAverage price - $500 per song
- Film ComposerAverage price - $150 per minute
- Men I Trust
- Dua Lipa
- Kainalu
- Fender jazz 75'
- Precision Bass 'Palladino
- Gibson EB2 69'
- Hofner violin
- Ibanez Roadstar RB850
- Marshall Bass Valve 79' openback
- Ampeg SVTpro
- Sans Amp RB1
- DBX 160
- LA 500
- Heritage audio 'Successor
- Apollo converters