Santiago on SoundBetter

I do transform your visions into extraordinary sonic experiences for media, short films, and movies. My style blends the elegance of organic orchestra with the boldness of synthesized and modern ambient sounds, creating a unique musical landscape that captivates the audience's emotions

I am Santiago Bianchi, a professional and inspirational composer specializing in creating soundtracks for media, short films, and movies. My passion for music and my training at the Saint Louis College of Music in Rome have provided me with a solid foundation of knowledge and compositional skills.

My music is a unique blend of orchestral elegance and sonic boldness. I am able to create complete and professional orchestral scores by combining the organic sounds of real instruments with the innovation of synthesized and modern ambient elements. The result is an immersive and distinctive musical landscape that seamlessly integrates with the visuals and emotions being conveyed.

I strongly believe in the importance of collaboration and understanding my clients' visions. Through open dialogue and fluid communication, I strive to capture the essence of each project and translate it into an extraordinary sonic experience. My priority is to exceed expectations by creating soundtracks that captivate the audience's attention and enhance the emotional impact.

I'd love to hear about your project. Click the 'Contact' button above to get in touch.

Credits

Languages

Italian

1 Reviews

Endorse Santiago

by Johnny C.
Verified
An excellent composer who delivered everything that was asked for and then some. Santiago provided numerous options, was receptive to notes and delivered the music on time. I would gladly work with him again in the future. Thank you!

Interview with Santiago

Q: How would you describe your style?
A: Elegant, wild, soft, powerful and raw. Separately or all together
Q: Analog or digital and why?
A: digital. but it's just a preference like "recorded music or live?"
Q: What's your 'promise' to your clients?
A: Music increases the emotion you feel. I will just do this.
Q: What do you like most about your job?
A: I can create music that is completely different from the previous ones in every single project
Q: Can you share one music production tip?
A: don't buy new softwares until you become the ultimate expert in the ones you already use. Only in this way will you get the most out of every library, VST, and plugin at your disposal, and you'll be able to truly create exactly what you have in mind
Q: What type of music do you usually work on?
A: hybrid orchestral music, classical music, pop or jazz, ambient
Q: What's your strongest skill?
A: composition for media or games, virtual orchestration, orchestration, jazz or pop arrangement,
Q: What do you bring to a song?
A: My sound is unique. It's not just about orchestral music, it's about the mix of all these instruments and sounds making something new and versatile.
Q: What's your typical work process?
A: Applied Music: Set the atmosphere using harmony and follow the scene with melodic lines and sfx. Classic Music: Write on notation software the main things and then orchestrate and arrange them. After this, with a complete score, virtual orchestration
Q: Tell us about your studio setup.
A: 3 display, 2 couple of audio monitor (Edifier, Adam Audio), Headphone (Audio Technica), stream deck Envato, Midi keyboard, p45 Yamaha, UMC202HD
Q: What other musicians or music production professionals inspire you?
A: Brian Tyler, Michael Giacchino, John Williams, John Powell, Hans Zimmer, James Newton Howard, James Horner, Ennio Morricone
Q: Describe the most common type of work you do for your clients.
A: Soundtrack, Videogame soundtrack, Film score, Brand sound sesing, Overture, Ambient music

The Cave - Cinematic Extract

I was the Composer, Producer, Sound Designer in this production

Composer OrchestralContact for pricing
Film ComposerContact for pricing
Full instrumental productionContact for pricing
Ghost ProducerContact for pricing
String ArrangerContact for pricing

I divide the work into two separate steps: composition and production. I won't proceed without approval, and you'll receive demos for testing in both stages.
No reversion after approval.