Mark Terrizzi on SoundBetter

25 years experience as a Rock/Indie Rock mixing engineer. I have produced and mixed several local artists over the years along with writing, producing, engineering, mixing and mastering over 20 albums of solo material.

Hi, my name is Mark. I’ve been working as a freelance mixing engineer for 25 years. I’d like to offer everyone an easy and painless professional experience. My years of experience help me provide a quick turnaround time and peace of mind with high quality work that will have your mixes sounding their best. I’m here to provide a friendly and professional experience. I’ve mixed nearly every style of rock from Punk to Prog. My specialty is in indie rock.

Would love to hear from you. Click the contact button above to get in touch.

Credits

Glimmung

Languages

English

4 Reviews

Endorse Mark Terrizzi

by Ron K
Mark is an exceptional recording mixing engineer who truly knows how to bring out the best in every song. He is not only incredibly skilled at balancing the different elements of a song, but he also has a keen ear for detail. He has a knack for enhancing the natural nuances of each instrument and voice, creating a captivating and polished sound.
I can confidently say that working with Mark was a transformative experience for my music. He elevated the quality of my recordings to a whole new level and helped me achieve the sound I always dreamed of.

Highly Recommended!!!
by Abeed Hossain
Mark is intuitive and versatile when it comes to playing a recording music, and a kind hearted person to boot! I really love working with him
by Jeff Smith
Mark was very easy to work with and gave me an awesome sounding mix!
by Ben Holt
Mark is a fantastic collaborator! He makes all these complex engineering techniques look easy. He is enthusiastic to record, and sometimes play on even my weirdest tracks. Everything always comes out better than I imagined. A cool, friendly guy, I really enjoy working with him.

Interview with Mark Terrizzi

Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Tom Deis is a close friend of mine and an excellent producer.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Tom Deis is a close friend of mine and an excellent producer.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Tom Deis is a close friend of mine and an excellent producer.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Tom Deis is a close friend of mine and an excellent producer.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Tom Deis is a close friend of mine and an excellent producer.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Tom Deis is a close friend of mine and an excellent producer.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Tom Deis is a close friend of mine and an excellent producer.
Q: What questions do customers most commonly ask you? What's your answer?
A: “Is my song going to be taken over by the mix?” Absolutely not, the mix is going to lift the song as the artist intends.
Q: What questions do you ask prospective clients?
A: What is the vision for the song? What feelings would you like it to provoke?
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: The current project I'm working on has been a very special project for me as Producer, engineer, mixing/mastering engineer and musician.
Q: What are you working on at the moment?
A: I'm working on an album by Ben Holt.
Q: Analog or digital and why?
A: Both. Well, because they both have plenty to offer.
Q: What's your 'promise' to your clients?
A: You will hear something that puts a smile on your face every time.
Q: What do you like most about your job?
A: I’ve had a deep love and passion for music my entire life. It is an absolute pleasure to work with and hear beautiful music from so many great musicians.
Q: What's the biggest misconception about what you do?
A: That it is easy. It is not. It has taken many years of learning hands on with the best around me along with plenty of trial and error.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Have a clear vision for your song.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Gibson 339, Yamaha CS-80, Supro 25 watt amp, Keyboard amp, Line 6 HX effects
Q: What was your career path? How long have you been doing this?
A: I started playing in bands as a teenager, switching from one instrument to the next. Over the years I've gradually switched to the producer/mixing engineer role, which I’ve been active in for 25 years.
Q: How would you describe your style?
A: Cool, relaxed, friendly, and professional
Q: Which artist would you like to work with and why?
A: David Gilmour. Just to hear that guitar tone up close.
Q: Can you share one music production tip?
A: Don't over complicate.
Q: What type of music do you usually work on?
A: Indie Rock, Experimental Rock, Electronic, Hard Rock
Q: What's your strongest skill?
A: Close attention to detail. Mixes are monitored from several different sources for consistency.
Q: What do you bring to a song?
A: Clarity, depth, width, and weight but most important is the glue.
Q: What's your typical work process?
A: I like to give my ears periodic breaks to stay fresh on mixes.
Q: Tell us about your studio setup.
A: Focusrite Saffire interface, Yamaha Monitors, Roland Drums, Gibson Guitars, Analog Synths, Analog/Digital effects.
Q: What other musicians or music production professionals inspire you?
A: Nigel Godrich, Andy Wallace, Eddie Offord, Brian Eno, Holger Czukay
Q: Describe the most common type of work you do for your clients.
A: Mixing, Mastering, Guitar, and Keys/Synth

Generator

I was the Mixing Engineer in this production

Mixing EngineerAverage price - $250 per song
Mastering EngineerAverage price - $50 per song
EditingAverage price - $40 per track
Electric GuitarAverage price - $70 per song
Acoustic GuitarAverage price - $70 per song
Keyboards - SynthAverage price - $70 per song

3 revisions are offered with a 3 day turnaround time. I will notify of the start and delivery date upfront. There is a $50 charge per additional revision past the offered limit.