Classic mixes for your next classic album.
I’ve come a long way from making my first demos on 4-track tape in the 90s to co-producing a big band album for German cult-star Rocko Schamoni, recorded on the very same Neve console used for John Lennon’s Double Fantasy. In the meantime, I officially became a “Master of Sound” - insert reverb - by studying at the Berlin University of the Arts under professor Robert Henke, the creator of Ableton Live.
Being an artist myself, I know the emotional complexities of finishing a project all too well, so your music will always have my full attention and bespoke care. I’m here to set your creative vision into the right light & focus. Having said that, my inner compass naturally strives for that classic album sound. If you need an aggressive chart radio mix, I’m probably not your guy.
Over the years, my productions have amassed millions of streams and were featured in the New York Times & Vogue Italia. Aside from albums, I’ve also had the pleasure to work on several films and audio-visual projects by Sennheiser and Volkswagen.
I work from my own studio in Toronto, Canada, where I have a hybrid digital/analog setup with a high-end monitoring system and classy A/D converters. In today’s world we all need the flexibility of digital, but I still love using analog outboard gear and even print to 8-track 1/4 tape when the mood strikes. Some things are just magic.
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
Languages
- English
- German
Interview with Carl Schilde
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Probably camping gear and some shipbuilding tools.
Q: What's your strongest skill?
A: Patience and knowing what it's like on the other end. Being an artist myself, I know the emotional struggle that can come with finishing a project. I'm here to help you through it.
Q: Tell us about your studio setup.
A: I work from my own studio in Toronto, Canada, where I have a hybrid digital/analog setup with a high-end monitoring system and classy A/D converters. In today’s world we all need the flexibility of digital, but I still love using analog outboard gear and even print to 8-track 1/4 tape when the mood strikes. Some things are just magic.
Q: What other musicians or music production professionals inspire you?
A: Brain Wilson, Joni Mitchell, Paul McCartney, Suzanne Ciani, Timberland.
Q: Describe the most common type of work you do for your clients.
A: Nowadays, I'm mainly concentrating on mixing work, but I still do some production and co-writing when it's the right fit.
- Mixing EngineerContact for pricing
- ProducerContact for pricing
- Film ComposerContact for pricing
- RestorationContact for pricing
Good communication is always key, but I include up to 3 sets of revisions if needed. After that I'll have to charge my hourly engineering rate.
- The Beach Boys
- Shuggie Otis
- Weyes Blood
- Moog
- Neumann
- Universal Audio
- Dynaudio
- Summit Audio
- Lauten
- Focal
- Fostex
- FabFilter
- Softube
- etc.
