Roland Gjernes on SoundBetter

Performing with the hit Broadway Musical, Hamilton, recording for a variety of music, and with a background in classical music, I'm adept at a wide range of musical projects.

As a remote recording cellist for film, soundtracks, video games, TV, podcasts, albums, and more, I offer expertly-crafted recordings that will bring out the full emotion and depth of your music.

My robust studio setup for acoustic and electric cello ensures that I can deliver warm, textured tones with crystal-clear precision for projects of all genres.

With years of experience in a variety of genres, ranging from Baroque to Broadway to Heavy Metal, I have the skills, expertise, and equipment needed to produce recordings that meet your exact needs. Whether you need acoustic or electric cello tracks, I can deliver effusive, yet crisp, recordings that stand out in a crowded market.

Investing in my services means investing in high-quality recordings that will help you achieve your creative vision.

My pricing includes 1 track up to 5 minutes in length and up to 6 layers of cello. I offer 2 revisions and will send my best take. Typically recording at 48kHz, I can adjust based on the needs of your project. The vast majority of projects have very specific needs, so please feel free to reach out with me to discuss a custom quote!

Mics:
- Mojave MA300 (multi-pattern tube condenser mic)
- AEA r88a (ribbon mic)
- Pair of Rode M5
Audio Interface:
- Apollo x4
DAW:
- Reaper

Contact me through the green button above and let's get to work.

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Interview with Roland Gjernes

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I'm perhaps most proud of my work on the gorgeous video game score, Wildmender, by Andrés Soto. The music really enhances the landscape and features of the game - which is exploratory in nature. I love the feeling of discovery and awe, and I think my playing, in addition to the great writing by Andrés, really brings that out.
Q: What do you like most about your job?
A: I love connecting with people most. If my music/playing can convey joy or some vein of emotion to another person, then I feel like my job has been done. And it always makes me feel good when clients are in love with the tracks I'm able to provide.
Q: How would you describe your style?
A: I would describe my style as detailed and effusive. I like getting into the nitty-gritty of a score, and bringing out the most emotion from the music.
Q: Can you share one music production tip?
A: Surprisingly, towels are an incredibly efficient means of sound dampening. If I'm in a space where reflections are bad, towels are the most effective at reducing that. It seems cheap, I know, but it works!
Q: Describe the most common type of work you do for your clients.
A: I'm often asked to provide cello tracks to a soundtrack cue, or features in albums. Usually I'll have a click track and reference track to record over. And often, I'm multi-tracking, or adding multiple cello layers to a track.