Roland Gjernes on SoundBetter

Performing with the hit Broadway Musical, Hamilton, recording for a variety of music, and with a background in classical music, I'm adept at a wide range of musical projects.

As a remote recording cellist for film, soundtracks, video games, TV, podcasts, albums, and more, I offer expertly-crafted recordings that will bring out the full emotion and depth of your music.

My studio setup for acoustic and electric cello ensures that I can deliver warm, textured tones with crystal-clear precision for projects of all genres.

With years of experience in a variety of genres, ranging from Baroque to Broadway to Heavy Metal, I have the skills, expertise, and equipment needed to produce recordings that meet your exact needs. Whether you need acoustic or electric cello tracks, I can deliver effusive, yet crisp, recordings that stand out in a crowded market.

Investing in my services means investing in high-quality recordings that will help you achieve your creative vision.

My pricing includes 1 track up to 5 minutes in length and up to 6 layers of cello. I offer 2 revisions and will send my best take. Typically recording at 48kHz, I can adjust based on the needs of your project. The vast majority of projects have very specific needs, so please feel free to reach out with me to discuss a custom quote!

Mics:
- Mojave MA300 (multi-pattern tube condenser mic)
- AEA r88a (ribbon mic)
- Pair of Rode M5
Audio Interface:
- Apollo x4
DAW:
- Reaper

Would love to hear from you. Click the contact button above to get in touch.

Credits

Endorse Roland Gjernes1 Reviews

by Emmanuel Songsore
Verified
Roland wrote and recorded parts for my piano improvisation. The tone of his instrument is phenomenal and the recording was of the highest standards. His parts definitely elevated the song. Highly recommend!

Interview with Roland Gjernes

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I'm perhaps most proud of my work on the gorgeous video game score, Wildmender, by Andrés Soto. The music really enhances the landscape and features of the game - which is exploratory in nature. I love the feeling of discovery and awe, and I think my playing, in addition to the great writing by Andrés, really brings that out.
Q: What do you like most about your job?
A: I love connecting with people most. If my music/playing can convey joy or some vein of emotion to another person, then I feel like my job has been done. And it always makes me feel good when clients are in love with the tracks I'm able to provide.
Q: How would you describe your style?
A: I would describe my style as detailed and effusive. I like getting into the nitty-gritty of a score, and bringing out the most emotion from the music.
Q: Can you share one music production tip?
A: Surprisingly, towels are an incredibly efficient means of sound dampening. If I'm in a space where reflections are bad, towels are the most effective at reducing that. It seems cheap, I know, but it works!
Q: Describe the most common type of work you do for your clients.
A: I'm often asked to provide cello tracks to a soundtrack cue, or features in albums. Usually I'll have a click track and reference track to record over. And often, I'm multi-tracking, or adding multiple cello layers to a track.