Remote Mixing & Production

Q: What type of music do you usually work on?

A: I work on pop, dream-pop, electronic, dance and techno.

Q: What do you bring to a song?

A: Over 10 years of mixing and production experience to complement the written melody.

Q: Describe the most common type of work you do for your clients.

A: I work with music artists, getting their music mixed and produced to a releasable, professional standard.

Q: Can you share one music production tip?

A: Watch your levels!! If you're working digitally, keep plenty of headroom on your channels and on your mix. There's no need to go above -12bdFS on the master buss. Most people are working at 24-bit depth, so there are no excuses. Mixing and mastering will take care of the loudness that you're looking for, so give the mastering engineer plenty of room to play with.

Q: What's your strongest skill?

A: Mixing and production.

Q: Tell us about your studio setup.

A: I work mainly within Ableton these days with a sprinkling of Logic and Reason from time to time. I have access to studios for additional gear, if I need it.

Q: What advice do you have for a customer looking to hire a provider like you?

A: The more information I know about your project from the start, the better the process and outcome will be. Communication is key.

Q: What was your career path? How long have you been doing this?

A: I graduated in 2009 with a BSc in Music Technology, and have been doing varied projects since then. I've worked on-location recording sound for TV and independent films, composed for radio and sync libraries, mixed and produced for artists, as well as work on my own music when I can.

Q: What other musicians or music production professionals inspire you?

A: STINT is currently my favourite producer. He does great work and comes across as a nice person.