Topliner, Composer, Arranger

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: I'm the composer, producer and director of CAMPEADOR, for choir, rock, orchestra and synthesizers. An epic project where we mix all kind of music: medieval, rock, classic, trance, polyphony, all.

Q: What are you working on at the moment?

A: Musicals

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: No, just arrived.

Q: Analog or digital and why?

A: Both. Most stupid question ever.

Q: What's your 'promise' to your clients?

A: A voice for what they feel.

Q: What do you like most about your job?

A: Create something that doesn't exist before and it connects with people hearts.

Q: What questions do customers most commonly ask you? What's your answer?

A: I want I track like this one from XXX. Go XXX and hire her/him.

Q: What's the biggest misconception about what you do?

A: I will never give you the product completed. Thats mixing and mastering work. But if my melody lives in your head during days I succeed.

Q: What questions do you ask prospective clients?

A: What do you want to tell? How do you feel? Whats all about?

Q: What advice do you have for a customer looking to hire a provider like you?

A: Listen the proposed melody. If you connect with it use it. If not, give it a second chance two or three days later. If it doesn't give you any connection you know that in the third listening you will probably give it away. Judging the music listening it only once is the most terrible mistake you can make in your artistic life.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: A flute and a spanish guitar. The other three could be: a radio transmitter, solar battery and a mobile phone so after making music in my desert paradise for I while and I fill angry a can call Burger for meat.

Q: What was your career path? How long have you been doing this?

A: All my live. I began composing at the age of 11. I've worked with music groups, choirs, film producers, mixed well know artists in Spain, agencies, publicity, .... everybody. In my last work I've conducted orchestra and a big choir.

Q: How would you describe your style?

A: Lasting inspired

Q: Which artist would you like to work with and why?

A: Hans Zimmer, Andrew Lloyd Webber, Mike Oldfield

Q: Can you share one music production tip?

A: Be honest with what you fill and listen inside you.

Q: What type of music do you usually work on?

A: How can I say: big environment pop? a little classical? could be an epic cinematic hymn? but also a naked sentimental melody? something that anyone can play? something everyone can remember? an explosion of senses?

Q: What's your strongest skill?

A: My melodies.

Q: What do you bring to a song?

A: The soul, the catchy melody, what your people will sing in the shower. The most important thing for your message.

Q: What's your typical work process?

A: No process, inspiration comes when it comes. You need to be opened to receive it all the time! And then, work, work and more work.

Q: Tell us about your studio setup.

A: A lot of synths, keyboards, flutes, percussion toys, microphones. Its not enough, hahaha

Q: What other musicians or music production professionals inspire you?

A: Everything related with melody driven music. Those musicians who find their own path. Those who think big. Those who transform images in music.

Q: Describe the most common type of work you do for your clients.

A: Make the whole music for they needs