Whether you're a musician with self-produced work or a producer for an artistic group, you need audio mastering to be completely transparent, without the slightest distortion.
When the production work is finished, after so many hours of mixing in your studio, it's time to realize that with audio mastering you can do even more for your songs.
Now is the time for them to be recognized in a different acoustic environment and by ears capable of projecting them objectively, determining the potential of each creation and what it expresses, maximizing it and bringing that sensation to life every time you press play again.
Send me a note through the contact button above.
Interview with The Best Mastering
Q: What are you working on at the moment?
A: I'm currently working on a Pop-Rock project and always listening to good music, of any style.
Q: Analog or digital and why?
A: Distortion can be eliminated by working purely in the digital realm. Therefore, we must avoid analog processing and the resulting repetition of AD/DA conversions that degrade the original audio.
Q: What's your 'promise' to your clients?
A: Your music will be better, because it will sound better.
Q: What questions do customers most commonly ask you? What's your answer?
A: What do you achieve with mastering? It makes your music breathe, be compact, and stand out in the music market.
Q: What's your typical work process?
A: I listen to the client, I listen to the musician, I listen to their music. Apply changes and feel, feel the result.
Q: What do you like most about your job?
A: Feel the new sensation that music produces in me on my first listen.
Q: What's the biggest misconception about what you do?
A: I don't do magic. The magic is in your music.
Q: What questions do you ask prospective clients?
A: Tell me who you want to be like?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Feedback is essential.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: A couple of monitors and my relaxed environment.
Q: What was your career path? How long have you been doing this?
A: I've been working professionally in this industry since 2000. From live shows to recording, mixing, and mastering. These past few years, I've dedicated myself exclusively to mastering, shaping hit songs.
Q: Can you share one music production tip?
A: Sound is what rules, feel it.
Q: What type of music do you usually work on?
A: For me, it's very comfortable to enjoy the good sounds produced during recording and mixing. It's a matter of sensitivity, not musical genre.
Q: What's your strongest skill?
A: Getting excited by deep listening. Isolated from everything, just the music and me.
Q: What do you bring to a song?
A: Character, impact, sensitivity, personality, everything necessary to be remembered.
Q: Tell us about your studio setup.
A: In the Box. Fully digital via software and simulation of vintage analog equipment.
Q: What other musicians or music production professionals inspire you?
A: Katie Tavini, Bob Ludwig, Bob Katz
Q: Describe the most common type of work you do for your clients.
A: Mastering engineering
I was the Mastering Engineer in this production
- KS Digital
- JBL
- Beyerdynamic
- RME
- Ernest Turner
- Steinberg WaveLab
- Acustica Audio
- Sonnox
- Universal Audio
- Tokio Dawn Labs
- Plugin Alliance
- TC electronic
Mastering with progressive discounts based on the number of songs. Starting at $40 per track. Full album at a fixed price.
