Producer, Songwriter, Musician

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: One project that stands out, and which I hold in high regard, is my work with my own band, 'The Last Days of War.' This endeavor is particularly special to me as it represents not just my skills and creativity, but also my personal artistic vision. As the driving force behind this band, my role encompasses various facets of music production, from songwriting and composing to recording and mixing. The journey with 'The Last Days of War' has been deeply fulfilling. It's a project where I've been able to channel my experiences, emotions, and musical influences into something tangible and expressive. The process of bringing this project to life, from its initial conception to the final stages of production, has been a testament to my dedication and passion for music. I'm incredibly proud of what we've achieved so far and eagerly anticipate completing and sharing our work with a wider audience. This project is a true reflection of my commitment to my craft and the joy I find in creating music that resonates with both myself and, hopefully, with listeners too.

Q: What are you working on at the moment?

A: Currently, I'm deeply immersed in two fulfilling projects. The first is completing an album for my personal project, 'The Last Days of War.' This album is a significant piece of work for me, encapsulating my artistic essence and the evolution of my musical expression. It represents not just a collection of songs, but a narrative crafted over years of experience in the industry. Simultaneously, I'm venturing into the realm of music composition for TV and film. This new direction is both a challenge and an adventure, allowing me to translate my musical skills into storytelling through sound. It's an opportunity to create atmospheric and emotive scores that elevate and harmonize with the visual narrative. Balancing the completion of 'The Last Days of War' with the start of this new journey in TV and film is exhilarating, and I'm excited about the diverse creative avenues it's opening up.

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: When it comes to recommending other professionals on SoundBetter, my philosophy is centered around client needs and compatibility. I encourage my clients to thoroughly explore and find the professional who best aligns with their specific project requirements and artistic vision. Each artist, producer, or engineer brings their own unique set of skills and style, so finding the right match is key to a project's success. While I might not point to a specific individual, I strongly advocate for clients to engage with a variety of talents on the platform to ensure they partner with someone who truly resonates with their musical journey and objectives.

Q: Analog or digital and why?

A: While my heart has a deep affinity for the warmth and character of analog, the practicality and versatility of the digital domain ultimately tip the scales for me. Analog gear has an undeniable charm and sonic quality that I absolutely adore. However, in terms of efficiency, flexibility, and the vast array of possibilities offered, digital stands unparalleled. The ability to edit, manipulate, and enhance sounds in the digital realm has become almost indispensable in modern music production. Ideally, I'd love to combine the best of both worlds – tracking with analog to capture its unique essence, followed by editing and processing digitally. But given the constraints of workflow and the need for efficiency in the studio, my choice, albeit somewhat reluctantly, leans towards digital. It's not so much about the quality, which both domains excellently offer, but about the comprehensive efficiency and effectiveness that digital brings to the table.

Q: What's your 'promise' to your clients?

A: My promise to my clients is rooted in effective communication and a steadfast commitment to their vision. I pledge to thoroughly understand the goals for each project and to employ all my skills and knowledge to help achieve them. You can count on me to be a collaborative partner dedicated to transforming your ideas into a reality with the highest standard of quality and creativity.

Q: What do you like most about your job?

A: What I cherish most about my job is the fulfillment of a lifelong passion. Ever since I was a child, I knew music was my calling. I dreamed of creating music, mixing for bands, and being the person behind the console at concerts. Achieving this has been more than just a career milestone; it's been a realization of my deepest aspirations. Each time I stand at the console, whether in a studio or at a live event, I'm reminded of that childhood dream. The thrill of bringing sound to life and being an integral part of the music creation process is what drives me. This job isn't just work for me; it's a continuing journey of passion, creativity, and fulfillment

Q: What questions do customers most commonly ask you? What's your answer?

A: Common Question: "What projects have you worked on?" Your Answer: "Over my 30-year career, I've had the privilege of working on a diverse array of projects at the highest levels - from major concerts and theme parks to professional sports and studio productions. The sheer volume and variety of my work make it challenging to list specific projects or bands. My experience spans so many different areas and collaborations that sometimes I recall them only in the flow of conversation. It's the breadth and depth of these experiences that define my career." Common Question: "How do you accomplish your production work?" Your Answer: "My approach to production has been refined over decades. It's become almost second nature to me. When I start on a song, I immediately have a sense of where to direct my focus for the most impact. This intuition comes from years of experience. I let the song guide me, allowing the production to grow and build organically. It's a natural process for me now, almost like breathing – I intuitively know what a track needs and how to bring it to life.

Q: What's the biggest misconception about what you do?

A: The biggest misconceptions in my field revolve around the nature of professional commitment and boundaries. Firstly, there's often an assumption that professionals in this industry might work for free or for exposure. It's crucial to understand that, like any skilled profession, there's a cost for quality and expertise. Therefore, having a clear and realistic budget is essential when approaching a project. Another common misconception is the tolerance for unprofessional behavior. In this line of work, there is no room for inefficiency or 'bullshit.' Time is a valuable asset, and maintaining a professional demeanor is key to the success of any project. This industry demands respect, punctuality, and preparedness, and those who overlook these aspects might find it challenging to collaborate successfully with seasoned professionals.

Q: What questions do you ask prospective clients?

A: Project Vision and Mood: "Can you describe the vision for your project? What mood or emotion are you aiming to evoke through this piece?" Musical Style and Genre: "What specific style or genre are you working in? Are you open to blending other genres, and if so, which ones?" Timeframe and Budget: "What is your timeline for this project? Do you have a defined budget in place? It’s important to have these details worked out before we begin." Project Goals and Outcomes: "What are your primary goals for this project? Are you looking to create a single, an album, or is this for a different medium like a film or video game?" Musical Preferences: "Do you have any preferences regarding key, tempo, or specific musical elements? Are we telling a story with this piece, or focusing more on creating a certain atmosphere?" Overall Vision and Scope: "What is the overall vision for this project? How does this piece fit into your larger artistic or commercial objectives?"

Q: What advice do you have for a customer looking to hire a provider like you?

A: If you're looking to hire a professional like me, the best advice I can offer is to be punctual, prepared, and ready to work hard. Success in our collaboration will hinge on these factors. Being on time shows respect for the process, being prepared ensures efficiency and a readiness to work demonstrates commitment. These elements are crucial for achieving the high level of quality and excellence we'll be aiming for in our project.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: On a desert island, my essential gear would include the Universal Audio Apollo for its superior audio processing, a Shure SM7 microphone for its recording versatility, and a Mac Studio for robust production capabilities. Additionally, a Native Instruments 88-key weighted keyboard for expressive composing and Sony headphones for precise audio monitoring would be crucial. These five items encapsulate the essentials for high-quality music production in any setting

Q: What was your career path? How long have you been doing this?

A: My career in music production and sound engineering spans over 30 years, encompassing a wide range of roles and experiences that have shaped my expertise. My journey began with a passion for music and sound, leading me to work with some of the most renowned names in the industry. At the Walt Disney Company, I delved into studio work, where I honed my skills in mixing and mastering, ensuring each project met the highest standards of quality and creativity. Working with the NBA, I managed live sound for games and events, a role that demanded precision, adaptability, and the ability to perform under pressure. This experience was invaluable, teaching me the intricacies of live sound production in high-stakes environments. At Live Nation and the House of Blues, I further developed my live production skills, working on a variety of shows and events. These opportunities allowed me to understand the nuances of different genres and artist requirements, enhancing my versatility as a sound engineer. Over these three decades, I've covered all bases in the audio world – from live productions to studio work and everything in between. This comprehensive experience has not only equipped me with a broad skill set but also provided me with a unique perspective that I bring to every new project.

Q: How would you describe your style?

A: My style is distinctly dark and heavy, marked by an energetic intensity that's both melancholic and malevolent. There's a sinister undercurrent to my work, which reflects a deep exploration of darker themes and emotions. This style is not just about creating an atmosphere; it's about evoking a visceral response, a connection that resonates with the profound aspects of human experience. Whether it's through music, art, or any other medium, my approach is to immerse the audience in a world where these intense, often unexplored emotions can be experienced and contemplated. My goal is to create work that's not just seen or heard but deeply felt, leaving a lasting, impactful impression.

Q: Which artist would you like to work with and why?

A: I would be thrilled to have the opportunity to work with Hans Zimmer, a true master in the realm of film scoring. My admiration for Zimmer stems from his exceptional ability to create profound emotion and tension through his music. His compositions are not just background scores; they are integral narratives that elevate the storytelling in movies and film. Working with him would offer an invaluable learning experience, allowing me to delve deep into his creative processes and techniques. I'm particularly drawn to his innovative use of both traditional orchestral elements and modern electronic sounds, which aligns with my own style of blending diverse musical textures. Learning from Zimmer would significantly enhance my skills and understanding of how to effectively convey complex emotions and narratives through music.

Q: Can you share one music production tip?

A: One key tip I always adhere to in music production is the 'Keep It Simple, Stupid' principle. This approach is about focusing on what's essential and avoiding unnecessary complexity. In practice, it means being selective with the elements you include in a track, whether it's the number of instruments, the layers of sound, or the effects used. The goal is to create a clean, clear sound where every component serves a purpose and contributes to the overall narrative or emotion of the piece. This simplicity often leads to a more powerful impact, as it allows the core message and emotion of the music to shine through without being overshadowed by overproduction. In essence, less can truly be more in music production

Q: What type of music do you usually work on?

A: I find myself immersed in a wide array of musical styles, each offering its own unique appeal and creative challenges. My work spans genres from pop, with its catchy melodies and broad appeal, to the intense and intricate layers of Metalcore. I also delve into the rhythmic and expressive world of hip-hop, as well as the innovative and often avant-garde realms of Industrial and Dark Synth. This variety not only keeps my work exciting and unpredictable but also continuously broadens my creative horizons. Working across such diverse genres allows me to blend different elements and techniques, creating a sound that is both unique and familiar, resonating with a wide range of audiences.

Q: What's your strongest skill?

A: My strongest skill lies in my ability to creatively blend different genres, creating a unique and innovative sound. This skill is more than just mixing various musical styles; it involves a deep understanding of each genre's core elements and how they can interact in new and exciting ways. Whether it's fusing the raw energy of Metalcore with the rhythmic nuances of hip-hop, or incorporating the atmospheric tones of Dark Synth into a pop melody, my approach is always about finding that perfect balance. This ability to seamlessly integrate diverse musical elements not only defines my unique style but also allows me to produce music that is fresh, unexpected, and engaging for a wide range of listeners.

Q: What do you bring to a song?

A: What I bring to a song is predominantly its atmosphere. My approach as a guitarist has always been about crafting a distinct mood and tone, rather than just showcasing technical prowess. While others focus on shredding, I concentrate on enveloping the listener in a specific ambience, whether it's through the intensity of the chords or the subtle nuances of the sound. This atmospheric approach allows me to inject a strong attitude into the music, whether it's a sense of foreboding in darker pieces or an immersive depth in more intricate compositions. It's about creating a sonic landscape that transports the listener and adds a profound layer of emotional and experiential depth to the song.

Q: What's your typical work process?

A: My typical work process revolves around capturing a unique idea and nurturing it into a full-fledged musical piece. It starts with a foundation deeply rooted in music theory, where I explore chord progressions that stand out with a signature sound – something that makes you pause and take notice. I look for that distinctive element, a chord or a sequence that makes you turn your head and wonder, 'What was that?' Once that intriguing element is in place, the rest of the process unfolds quite organically. I allow the idea to grow and take shape naturally, guided by my intuition and experience. This approach is not just about constructing a song; it's about letting the song construct itself through the unique elements I bring together, creating a sound that's both unexpected and familiar.

Q: Tell us about your studio setup.

A: My studio is a compact yet highly efficient project space, designed to cater to a wide range of musical needs. At the heart of the studio is the Universal Audio Apollo 8P, known for its superior sound quality and powerful processing capabilities. Complementing this is an 88-key weighted keyboard, providing the tactile feel and response essential for expressive playing and composition. The studio is also equipped with an extensive collection of plug-ins and virtual instruments, allowing for endless creative possibilities. Whether it's emulating classic analog gear or exploring new soundscapes, the tools at my disposal cover all bases. Additionally, I have an array of microphones, each chosen for their unique characteristics, ensuring that whatever the recording needs, I have the right mic for the job. This setup, though compact, is incredibly versatile and capable of producing professional-grade music across various genres.

Q: What other musicians or music production professionals inspire you?

A: I draw significant inspiration from a diverse trio of music production professionals: Trent Reznor, Rick Rubin, and Hans Zimmer. Trent Reznor's work, especially with Nine Inch Nails, exemplifies how to fuse raw emotion with innovative electronic elements, creating a sound that is both intensely personal and universally relatable. Rick Rubin's production style resonates with me due to his minimalist approach and his extraordinary ability to bring out the best in artists across various genres. His work demonstrates the power of simplicity and the art of focusing on the essence of a song. Hans Zimmer is a master of cinematic music, and his ability to convey deep emotions and tell stories through his compositions is nothing short of inspirational. His innovative use of orchestration and technology to create immersive soundscapes has significantly influenced my approach to creating atmosphere in music. Each of these professionals embodies a unique aspect of music production that I admire and strive to incorporate into my own work.

Q: Describe the most common type of work you do for your clients.

A: s a producer, my primary role is to help clients realize their sonic vision, guiding them to achieve the sound they aspire to in their projects. This involves a collaborative process where I blend my expertise with their ideas to create music that truly resonates. My work often includes composing orchestral pieces, where I craft intricate and emotionally compelling arrangements that elevate the project to a new level. Additionally, I write songs, infusing them with a unique blend of creativity and technical skill. This process is not just about putting notes on a page; it's about telling a story and evoking emotions, ensuring that each piece of music is not only aesthetically pleasing but also deeply meaningful. Whether it’s orchestrating a complex composition or crafting a catchy tune, my goal is always to deliver music that perfectly aligns with my client's vision and exceeds their expectations.

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: One project that stands out, and which I hold in high regard, is my work with my own band, 'The Last Days of War.' This endeavor is particularly special to me as it represents not just my skills and creativity, but also my personal artistic vision. As the driving force behind this band, my role encompasses various facets of music production, from songwriting and composing to recording and mixing. The journey with 'The Last Days of War' has been deeply fulfilling. It's a project where I've been able to channel my experiences, emotions, and musical influences into something tangible and expressive. The process of bringing this project to life, from its initial conception to the final stages of production, has been a testament to my dedication and passion for music. I'm incredibly proud of what we've achieved so far and eagerly anticipate completing and sharing our work with a wider audience. This project is a true reflection of my commitment to my craft and the joy I find in creating music that resonates with both myself and, hopefully, with listeners too.

Q: What are you working on at the moment?

A: Currently, I'm deeply immersed in two fulfilling projects. The first is completing an album for my personal project, 'The Last Days of War.' This album is a significant piece of work for me, encapsulating my artistic essence and the evolution of my musical expression. It represents not just a collection of songs, but a narrative crafted over years of experience in the industry. Simultaneously, I'm venturing into the realm of music composition for TV and film. This new direction is both a challenge and an adventure, allowing me to translate my musical skills into storytelling through sound. It's an opportunity to create atmospheric and emotive scores that elevate and harmonize with the visual narrative. Balancing the completion of 'The Last Days of War' with the start of this new journey in TV and film is exhilarating, and I'm excited about the diverse creative avenues it's opening up.

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: When it comes to recommending other professionals on SoundBetter, my philosophy is centered around client needs and compatibility. I encourage my clients to thoroughly explore and find the professional who best aligns with their specific project requirements and artistic vision. Each artist, producer, or engineer brings their own unique set of skills and style, so finding the right match is key to a project's success. While I might not point to a specific individual, I strongly advocate for clients to engage with a variety of talents on the platform to ensure they partner with someone who truly resonates with their musical journey and objectives.

Q: Analog or digital and why?

A: While my heart has a deep affinity for the warmth and character of analog, the practicality and versatility of the digital domain ultimately tip the scales for me. Analog gear has an undeniable charm and sonic quality that I absolutely adore. However, in terms of efficiency, flexibility, and the vast array of possibilities offered, digital stands unparalleled. The ability to edit, manipulate, and enhance sounds in the digital realm has become almost indispensable in modern music production. Ideally, I'd love to combine the best of both worlds – tracking with analog to capture its unique essence, followed by editing and processing digitally. But given the constraints of workflow and the need for efficiency in the studio, my choice, albeit somewhat reluctantly, leans towards digital. It's not so much about the quality, which both domains excellently offer, but about the comprehensive efficiency and effectiveness that digital brings to the table.

Q: What's your 'promise' to your clients?

A: My promise to my clients is rooted in effective communication and a steadfast commitment to their vision. I pledge to thoroughly understand the goals for each project and to employ all my skills and knowledge to help achieve them. You can count on me to be a collaborative partner dedicated to transforming your ideas into a reality with the highest standard of quality and creativity.

Q: What do you like most about your job?

A: What I cherish most about my job is the fulfillment of a lifelong passion. Ever since I was a child, I knew music was my calling. I dreamed of creating music, mixing for bands, and being the person behind the console at concerts. Achieving this has been more than just a career milestone; it's been a realization of my deepest aspirations. Each time I stand at the console, whether in a studio or at a live event, I'm reminded of that childhood dream. The thrill of bringing sound to life and being an integral part of the music creation process is what drives me. This job isn't just work for me; it's a continuing journey of passion, creativity, and fulfillment

Q: What questions do customers most commonly ask you? What's your answer?

A: Common Question: "What projects have you worked on?" Your Answer: "Over my 30-year career, I've had the privilege of working on a diverse array of projects at the highest levels - from major concerts and theme parks to professional sports and studio productions. The sheer volume and variety of my work make it challenging to list specific projects or bands. My experience spans so many different areas and collaborations that sometimes I recall them only in the flow of conversation. It's the breadth and depth of these experiences that define my career." Common Question: "How do you accomplish your production work?" Your Answer: "My approach to production has been refined over decades. It's become almost second nature to me. When I start on a song, I immediately have a sense of where to direct my focus for the most impact. This intuition comes from years of experience. I let the song guide me, allowing the production to grow and build organically. It's a natural process for me now, almost like breathing – I intuitively know what a track needs and how to bring it to life.

Q: What's the biggest misconception about what you do?

A: The biggest misconceptions in my field revolve around the nature of professional commitment and boundaries. Firstly, there's often an assumption that professionals in this industry might work for free or for exposure. It's crucial to understand that, like any skilled profession, there's a cost for quality and expertise. Therefore, having a clear and realistic budget is essential when approaching a project. Another common misconception is the tolerance for unprofessional behavior. In this line of work, there is no room for inefficiency or 'bullshit.' Time is a valuable asset, and maintaining a professional demeanor is key to the success of any project. This industry demands respect, punctuality, and preparedness, and those who overlook these aspects might find it challenging to collaborate successfully with seasoned professionals.

Q: What questions do you ask prospective clients?

A: Project Vision and Mood: "Can you describe the vision for your project? What mood or emotion are you aiming to evoke through this piece?" Musical Style and Genre: "What specific style or genre are you working in? Are you open to blending other genres, and if so, which ones?" Timeframe and Budget: "What is your timeline for this project? Do you have a defined budget in place? It’s important to have these details worked out before we begin." Project Goals and Outcomes: "What are your primary goals for this project? Are you looking to create a single, an album, or is this for a different medium like a film or video game?" Musical Preferences: "Do you have any preferences regarding key, tempo, or specific musical elements? Are we telling a story with this piece, or focusing more on creating a certain atmosphere?" Overall Vision and Scope: "What is the overall vision for this project? How does this piece fit into your larger artistic or commercial objectives?"

Q: What advice do you have for a customer looking to hire a provider like you?

A: If you're looking to hire a professional like me, the best advice I can offer is to be punctual, prepared, and ready to work hard. Success in our collaboration will hinge on these factors. Being on time shows respect for the process, being prepared ensures efficiency and a readiness to work demonstrates commitment. These elements are crucial for achieving the high level of quality and excellence we'll be aiming for in our project.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: On a desert island, my essential gear would include the Universal Audio Apollo for its superior audio processing, a Shure SM7 microphone for its recording versatility, and a Mac Studio for robust production capabilities. Additionally, a Native Instruments 88-key weighted keyboard for expressive composing and Sony headphones for precise audio monitoring would be crucial. These five items encapsulate the essentials for high-quality music production in any setting

Q: What was your career path? How long have you been doing this?

A: My career in music production and sound engineering spans over 30 years, encompassing a wide range of roles and experiences that have shaped my expertise. My journey began with a passion for music and sound, leading me to work with some of the most renowned names in the industry. At the Walt Disney Company, I delved into studio work, where I honed my skills in mixing and mastering, ensuring each project met the highest standards of quality and creativity. Working with the NBA, I managed live sound for games and events, a role that demanded precision, adaptability, and the ability to perform under pressure. This experience was invaluable, teaching me the intricacies of live sound production in high-stakes environments. At Live Nation and the House of Blues, I further developed my live production skills, working on a variety of shows and events. These opportunities allowed me to understand the nuances of different genres and artist requirements, enhancing my versatility as a sound engineer. Over these three decades, I've covered all bases in the audio world – from live productions to studio work and everything in between. This comprehensive experience has not only equipped me with a broad skill set but also provided me with a unique perspective that I bring to every new project.

Q: How would you describe your style?

A: My style is distinctly dark and heavy, marked by an energetic intensity that's both melancholic and malevolent. There's a sinister undercurrent to my work, which reflects a deep exploration of darker themes and emotions. This style is not just about creating an atmosphere; it's about evoking a visceral response, a connection that resonates with the profound aspects of human experience. Whether it's through music, art, or any other medium, my approach is to immerse the audience in a world where these intense, often unexplored emotions can be experienced and contemplated. My goal is to create work that's not just seen or heard but deeply felt, leaving a lasting, impactful impression.

Q: Which artist would you like to work with and why?

A: I would be thrilled to have the opportunity to work with Hans Zimmer, a true master in the realm of film scoring. My admiration for Zimmer stems from his exceptional ability to create profound emotion and tension through his music. His compositions are not just background scores; they are integral narratives that elevate the storytelling in movies and film. Working with him would offer an invaluable learning experience, allowing me to delve deep into his creative processes and techniques. I'm particularly drawn to his innovative use of both traditional orchestral elements and modern electronic sounds, which aligns with my own style of blending diverse musical textures. Learning from Zimmer would significantly enhance my skills and understanding of how to effectively convey complex emotions and narratives through music.

Q: Can you share one music production tip?

A: One key tip I always adhere to in music production is the 'Keep It Simple, Stupid' principle. This approach is about focusing on what's essential and avoiding unnecessary complexity. In practice, it means being selective with the elements you include in a track, whether it's the number of instruments, the layers of sound, or the effects used. The goal is to create a clean, clear sound where every component serves a purpose and contributes to the overall narrative or emotion of the piece. This simplicity often leads to a more powerful impact, as it allows the core message and emotion of the music to shine through without being overshadowed by overproduction. In essence, less can truly be more in music production

Q: What type of music do you usually work on?

A: I find myself immersed in a wide array of musical styles, each offering its own unique appeal and creative challenges. My work spans genres from pop, with its catchy melodies and broad appeal, to the intense and intricate layers of Metalcore. I also delve into the rhythmic and expressive world of hip-hop, as well as the innovative and often avant-garde realms of Industrial and Dark Synth. This variety not only keeps my work exciting and unpredictable but also continuously broadens my creative horizons. Working across such diverse genres allows me to blend different elements and techniques, creating a sound that is both unique and familiar, resonating with a wide range of audiences.

Q: What's your strongest skill?

A: My strongest skill lies in my ability to creatively blend different genres, creating a unique and innovative sound. This skill is more than just mixing various musical styles; it involves a deep understanding of each genre's core elements and how they can interact in new and exciting ways. Whether it's fusing the raw energy of Metalcore with the rhythmic nuances of hip-hop, or incorporating the atmospheric tones of Dark Synth into a pop melody, my approach is always about finding that perfect balance. This ability to seamlessly integrate diverse musical elements not only defines my unique style but also allows me to produce music that is fresh, unexpected, and engaging for a wide range of listeners.

Q: What do you bring to a song?

A: What I bring to a song is predominantly its atmosphere. My approach as a guitarist has always been about crafting a distinct mood and tone, rather than just showcasing technical prowess. While others focus on shredding, I concentrate on enveloping the listener in a specific ambience, whether it's through the intensity of the chords or the subtle nuances of the sound. This atmospheric approach allows me to inject a strong attitude into the music, whether it's a sense of foreboding in darker pieces or an immersive depth in more intricate compositions. It's about creating a sonic landscape that transports the listener and adds a profound layer of emotional and experiential depth to the song.

Q: What's your typical work process?

A: My typical work process revolves around capturing a unique idea and nurturing it into a full-fledged musical piece. It starts with a foundation deeply rooted in music theory, where I explore chord progressions that stand out with a signature sound – something that makes you pause and take notice. I look for that distinctive element, a chord or a sequence that makes you turn your head and wonder, 'What was that?' Once that intriguing element is in place, the rest of the process unfolds quite organically. I allow the idea to grow and take shape naturally, guided by my intuition and experience. This approach is not just about constructing a song; it's about letting the song construct itself through the unique elements I bring together, creating a sound that's both unexpected and familiar.

Q: Tell us about your studio setup.

A: My studio is a compact yet highly efficient project space, designed to cater to a wide range of musical needs. At the heart of the studio is the Universal Audio Apollo 8P, known for its superior sound quality and powerful processing capabilities. Complementing this is an 88-key weighted keyboard, providing the tactile feel and response essential for expressive playing and composition. The studio is also equipped with an extensive collection of plug-ins and virtual instruments, allowing for endless creative possibilities. Whether it's emulating classic analog gear or exploring new soundscapes, the tools at my disposal cover all bases. Additionally, I have an array of microphones, each chosen for their unique characteristics, ensuring that whatever the recording needs, I have the right mic for the job. This setup, though compact, is incredibly versatile and capable of producing professional-grade music across various genres.

Q: What other musicians or music production professionals inspire you?

A: I draw significant inspiration from a diverse trio of music production professionals: Trent Reznor, Rick Rubin, and Hans Zimmer. Trent Reznor's work, especially with Nine Inch Nails, exemplifies how to fuse raw emotion with innovative electronic elements, creating a sound that is both intensely personal and universally relatable. Rick Rubin's production style resonates with me due to his minimalist approach and his extraordinary ability to bring out the best in artists across various genres. His work demonstrates the power of simplicity and the art of focusing on the essence of a song. Hans Zimmer is a master of cinematic music, and his ability to convey deep emotions and tell stories through his compositions is nothing short of inspirational. His innovative use of orchestration and technology to create immersive soundscapes has significantly influenced my approach to creating atmosphere in music. Each of these professionals embodies a unique aspect of music production that I admire and strive to incorporate into my own work.

Q: Describe the most common type of work you do for your clients.

A: s a producer, my primary role is to help clients realize their sonic vision, guiding them to achieve the sound they aspire to in their projects. This involves a collaborative process where I blend my expertise with their ideas to create music that truly resonates. My work often includes composing orchestral pieces, where I craft intricate and emotionally compelling arrangements that elevate the project to a new level. Additionally, I write songs, infusing them with a unique blend of creativity and technical skill. This process is not just about putting notes on a page; it's about telling a story and evoking emotions, ensuring that each piece of music is not only aesthetically pleasing but also deeply meaningful. Whether it’s orchestrating a complex composition or crafting a catchy tune, my goal is always to deliver music that perfectly aligns with my client's vision and exceeds their expectations.