Ryan Coss on SoundBetter

Supported by Martin Garrix, Don Diablo, Fedde Le Grand and many more, my style that I've curated over the past six years in this industry is polished and distinct and I take pride in pushing the creative boundaries of house music.

Deep house, slap house, future house, bass house, afrohouse, tech house, the list goes on. If it's four on the floor, I can blow you away. What I've learned in this industry is that there's nothing more important than standing out of the crowd. And for me, that started in the studio six years ago. And then the classroom.

I recently earned my Audio Engineering degree at the University of Central Florida while applying my technical skill to freelance mixing and mastering work through my website. Up until last year, most of my time was spent in the studio crafting the most creative and technically sound productions that I can, and now I'm happy to have found a great deal of professional fulfillment in ghost production. All I ask is that you take a listen, you haven't heard electronic music like this before.

That being said, my strongest suits as a producer has always been inspiration. If you give me one reference track or if you give me five, I'm confident that I can deliver a result that marries the magic of those tracks to a sound that you've never heard before. Copy-pasting styles is ultimately futile in this industry, and that's not what I'm about. The important labels don't sign what the people want. They sign what the people want three to six months from now, they want the next hit. So let me produce it for you!

Contact me through the green button above and let's get to work.