I am a songwriter and producer specializing in melody driven music. I have experiencing writing and producing a wide variety of styles and creative paths. I focus on the 'heart' of the song and weaving and integrating the individual pieces to best serve the song.
I have been writing and producing music for over 20 years. I am the singer/songwriter in Vanishing Shores and have produced music for Vanishing Shores, Emily and Ivory, Chris Taylor, and the Chestertons. I believe that every artist has a unique voice that needs to be heard. I believe in close communication and warm, melody driven productions. My only goal is to serve the song and emphasize its natural gift and heart. I look forward to the intimate process of creation and highlighting the work of other artists in the best possible way.
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
Languages
- English
Interview with Kevin Bianchi
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I produced the album 'Maps' by Vanishing Shores and it was a emotional song cycle that demanded sensitivity and subtlety. I am very proud of the finished product.
Q: What are you working on at the moment?
A: I am working on producing a few albums with Vanishing Shores, Chris Taylor, Sweet Fantastic, and Emily and Ivory.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Phil Madeira and Chris Donohue
Q: Analog or digital and why?
A: Both. One should never be unconditionally dependent on any form or medium. Whatever works best for the song is what matters.
Q: What's your 'promise' to your clients?
A: I will always give 100% effort. I believe in the power and potential of the song. Nothing else matters.
Q: What do you like most about your job?
A: Seeing people reach their creative potential.
Q: What questions do customers most commonly ask you? What's your answer?
A: Don't second guess yourself.
Q: What's the biggest misconception about what you do?
A: Misconceptions only come from miscommunication. I want to be open and honest and work with the client through whatever creative process they wish to pursue.
Q: What questions do you ask prospective clients?
A: What are their strengths and goals?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Be open and honest about your goals and expectations. Be willing to be flexible and let the song take you in unexpected directions.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Telecaster, Vox Amp, Mellotron (hahah), 4 track recorder, and Rubber Soul on vinyl.
Q: What was your career path? How long have you been doing this?
A: I have been doing this for over 20 years. I have mostly been focused on my own music and that of a small community of friends and collaborators but I am eager to expand it and partner with people around the globe who are eager to pursue beauty in song.
Q: How would you describe your style?
A: I don't have a particular style as much as I have a consistent thread of emphasizing melody in all of my productions. I don't want an artist to sound like me. I want them to sound like the best version of themselves. I am about their identity, not creating clones of my music.
Q: Which artist would you like to work with and why?
A: I like to work with any artist who is willing to put in the hard work to make a song of lasting beauty. I don't care about how many fans they have. I only care about their heart and willingness to pursue something of value.
Q: Can you share one music production tip?
A: The song must be the most important element. Connection is more important than innovation.
Q: What type of music do you usually work on?
A: My work normally involves Indie Rock or Singer/Songwriters looking for a little more edge and creativity.
Q: What's your strongest skill?
A: My strongest skill is songwriting and song-based production.
Q: What do you bring to a song?
A: My greatest skill is bringing out the melody of a song and enhancing it. I hear harmonies and instrumental parts that serve and support and strengthen the melody. The song is what matters, not the pops and buzzes.
Q: What's your typical work process?
A: I like to first start with the basics of a song, one voice and guitar or piano to really get inside the song and know its strengths and weaknesses. From there I like to experiment and build until we get the right combination of sound and performances.
Q: Tell us about your studio setup.
A: My studio is contains a number of custom guitars, amps, and audio equipment. I also utilize other recording studios to enhance the production and presentation of the material.
Q: What other musicians or music production professionals inspire you?
A: I am inspired by all kinds of different musicians and artists like Elvis Costello, Neil Finn, Arcade Fire, Deerhunter, and David Bowie. The main thing for me is the focus on melody. A melody is what makes a song transcendent.
Q: Describe the most common type of work you do for your clients.
A: The most common work I do is songwriting assistance and production work. I like to really dig into the 'heart' of the song with the client and bring out its natural gifts.
- Electric GuitarAverage price - $70 per song
- Pop-Rock ArrangerAverage price - $70 per song
- ProducerAverage price - $400 per song
- Singer - MaleAverage price - $70 per song
- Songwriter - LyricAverage price - $70 per song
- Songwriter - MusicAverage price - $70 per song
2 revisions and 5 day turnaround time
- Elvis Costello
- Neil Finn
- Paul McCartney