Creativity through simplicity - let's create! My passions are playing, recording, & mixing and I'll help where I can with any project that comes my way. I am a pupil of the blues, vintage rock and soul artists & producers but I love constructing new and unique-sounding material.
I am always a fan of challenging situations and bettering my craft by experiencing such situations. Mostly, my influences and inspirations come from the rock, blues, & soul artists of the 60s & 70s... but I emphasize being flexible and that goes for my listening pool as well. I've performed & recorded with indie-rock, acoustic, pop, and rock acts in my live career. I've mixed live or in-studio for gospel, rock, funk/soul, hip-hop, jazz, acoustic, & blues groups. Living in Memphis for the past 8 years has given me many musically rich opportunities. Looking forward to contributing my talents in recording or mixing for your project!
Thanks,
Gage
Send me an email through 'Contact' button above and I'll get back to you asap.
Credits
Interview with Gage Markey
Q: What was your career path? How long have you been doing this?
A: I decided I wanted to go to school for music in some capacity early on in high school. I started playing guitar over 12 years ago and knew that I couldn't even think about doing something else. I've been recording & mixing (live & studio) for the last 5 years
Q: What's your strongest skill?
A: Bringing an artistic perspective in any position - recording, performing, or mixing - allows me to feel where the music & story should go, even before it happens.
Q: Tell us about your studio setup.
A: I've got a Fender P-Bass & Tele, Gibson Les Paul Traditional, Martin acoustic gtr, a couple Fender amps & a MIDI keyboard running to my computer with a UAD Apollo Twin interface. For the two inputs on the Twin, I have a Millennia HV-35p and Warm Audio WA12 outboard pres. I have a small mic locker that consists of: AEA R92, Audio-Technica AT4047, Telefunken M80s, Lewitt LCT340s, and the Shure SM57. I have access to a fully equipped professional studio on top of my own collection. I do all of my recording & mixing in Pro Tools 11.
Q: What are you working on at the moment?
A: I'm working on an EP of my friend's group's music and a project by a band in Mississippi while performing in a touring band
Q: Analog or digital and why?
A: I have only used digital recording medium and I can say I like it when it goes right. When it goes wrong though...... I probably also prefer digital boards in a live setting, at least when involving multiple acts thanks to the recall/scene-store ability. I do like a nice cooking analog desk, though
Q: What questions do customers most commonly ask you? What's your answer?
A: How can we exchange files? I use either Dropbox or Google Drive, but with certain clients I've used wetransfer.com as well
Q: What questions do you ask prospective clients?
A: What's the deadline? How do you plan on releasing the material?
Q: How would you describe your style?
A: My style is smooth, crisp a lot of the time, but with an admiration for getting "raunchy" (with tones/arrangements)
Q: What type of music do you usually work on?
A: Recently I've been involved in blues/soul & rock projects
Q: What do you bring to a song?
A: My specialty is offering creative input to arrangements or tracking instruments, whether I'm playing the instrument or somebody else is. I don't like to think that 'my' ideas are the ultimate - it's what the song calls for that is. Sometimes the simplest alteration can be the step to the next level.
Q: What's your typical work process?
A: I like to have rehearsals & pre-production going into recording, especially if it's a band project or if there's any multiple live-instrument performance involved. Demos help, too.
Q: What other musicians or music production professionals inspire you?
A: On a large scale, I love Dr. John, Freddie King, The Band, Tom Petty, Phil Ramone, Al Schmitt, Pink Floyd, among others. However, I draw inspiration from my friends/colleagues and local live shows.
Q: Describe the most common type of work you do for your clients.
A: Recently I've been mostly performing on bass in a touring band & mixing music for a few clients' current projects.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I enjoyed mixing front-of-house at the Levitt Shell in Memphis for the student-run This Is Memphis festival. The night had 4 acts and we had rehearsals for each act and sound crew. It was meant to be a fully professional, diagrammed, documented production. The crew I was working with were awesome - it was inspiring to have such a huge task executed so well by a team of friends & colleagues.
Q: What do you like most about your job?
A: I love the potential for contribution in many different ways. If I'm involved in a project in any way, I will make the most of it and enjoy my role. I'm glad I have the potential to contribute in multiple significant ways.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Don't be afraid to articulate what you really, really want if I don't capture it the first time.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Is there a limit on budget?
I was the guitar player, producer, mixing & mastering engineer in this production
- Electric GuitarAverage price - $50 per song
- Mixing EngineerContact for pricing
- Bass ElectricAverage price - $25 per song
- Acoustic GuitarAverage price - $50 per song
- Mastering EngineerContact for pricing
- Singer - MaleAverage price - $25 per song
- Stephen Stills
- Richard Wright
- Eddie Vedder
- UAD Apollo Twin
- Fender Am Special Tele
- Gibson Les Paul Trad
- Martin DCX1KE
- large array of pedals
- Fender Super-Sonic
- Fender EC Vibro-Champ
- Andrew Nordine EP - recording has begun!Nov 26, 2016
This past weekend I started recording guitars for my friend, Andrew Nordine, on his debut EP. Andrew and I are both avid guitar gearheads so working with Hinson & Tyler amps and an assortment of pedals was a great start. It was also fun to track some lap steel!
