
I transform songs, piano demos and existing productions into expressive, release-ready cinematic orchestral arrangements.
Whether you need intimate strings, a powerful symphonic build, or a complete orchestra surrounding your vocal, I arrange and produce every part specifically for your music — from the first sketch to the final stems.
My experience includes production music released through international catalogs such as Warner Chappell Production Music and Megatrax, original scoring for film and documentary projects, and orchestral arrangement work connected to a commercial release with more than one million YouTube views.
What I can deliver:
• Full orchestral arrangement for your song
• Cinematic string arrangement
• MIDI orchestral production and programming
• Additional orchestral production for an existing track
• Clean stems and alternate versions
• Music for film, trailers, animation and branded content
Every orchestral part is personally arranged and produced by me — not generated from AI prompts.
Send me your song, demo or reference track, and tell me the emotion and scale you want to achieve. I’ll help shape it into an orchestral production that supports the artist and serves the story.
Contact me through the green button above and let's get to work.
Interview with Dvir Friedman
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: While I’m very proud of large-scale milestones—like composing a full documentary soundtrack across diverse styles and arranging a track that surpassed a million views—ironically, my favorite projects are creative passion pieces. Whether it's crafting a custom soundtrack to a well-known animation scene or reimagining a classic song, these projects give me complete creative freedom to spread my wings and fully express my artistry.
Q: What's the biggest misconception about what you do?
A: The biggest misconception is that it's all done by an AI or a simple 'plug and play' function. People often underestimate the deep musical knowledge, orchestration skills, and creative choices required to create a convincing and emotive result using virtual instruments. It's not just programming notes; it's conducting a virtual orchestra and making musical decisions that require years of training.
Q: What questions do you ask prospective clients?
A: I focus on fully grasping the client's vision. My initial questions revolve around understanding the project's core goals, mood, and references: 'What is the overall mood, story, or emotion you want to convey with this piece?' 'Are there specific musical references or scores that inspire you?' 'What is the instrumentation you're envisioning (e.g., full orchestra, chamber group, hybrid)?' 'What are your project timeline and deliverables?' 'What is your budget for the arrangement portion?
Q: What advice do you have for a customer looking to hire a provider like you?
A: My advice is simple, Quality is not expensive, it's priceless. Don't just look for the fastest or cheapest option. Investing in a professional arrangement ensures a superior final product that will stand the test of time. You get what you pay for, and a well-executed orchestration is an investment in your music's lasting impact and success.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: As a desert island is a bit impractical for a full studio setup, I'd have to focus on the essentials: my primary DAW laptop (with all my essential plugins), a reliable MIDI controller keyboard, a good pair of headphones, a high-quality audio interface, and a good notebook and pen to capture inspiration. After all, creativity is the most important 'gear'.
Q: What was your career path? How long have you been doing this?
A: I have a background in classical composition and have transitioned into the world of media scoring. With over [Number] years of experience, I specialize in creating orchestral arrangements for film, games, and various music productions. One of my recent arrangements, a song for Eden Hason achieved over one million views on YouTube within its first year and a half.
Q: How would you describe your style?
A: My style is often described as cinematic, emotionally resonant, and impactful. I draw inspiration from composers like Hans Zimmer for powerful, modern thematic ideas and rhythmic drive, and from Michael Kamen for deep, soulful orchestration. I aim to create scores that tell a story and evoke a strong sense of atmosphere and emotion.
Q: Which artist would you like to work with and why?
A: I would be thrilled to collaborate with an artist who wants to push creative boundaries by blending contemporary styles with orchestral elements. Artists like Florence + The Machine or even contemporary hip-hop artists who incorporate rich arrangements would be incredibly exciting to work with, as it allows for a fusion of genres that creates something truly unique.
Q: Can you share one music production tip?
A: My top production tip for realism: Treat each instrument part as if played by a single, monophonic musician. A trumpet player can't play a full 4-note chord, so neither should your virtual brass library. By writing and automating parts with this mindset, your orchestral arrangements will sound significantly more natural and expressive.
Q: What type of music do you usually work on?
A: I primarily specialize in creating high-quality cinematic orchestral mockups, perfect for film, TV, games, and media productions. I am also highly experienced in integrating live orchestra recordings into a production to achieve a truly authentic and professional sound.
Q: What's your strongest skill?
A: My strongest asset is my ability to craft complex and emotionally resonant orchestral arrangements that elevate a song's narrative. I have a deep understanding of harmony, counterpoint, and instrumental capabilities, which allows me to create sophisticated and impactful orchestrations tailored to the specific needs of each project..
Q: What do you bring to a song?
A: I bridge the gap between synthesized, MIDI-based mockups and the rich, nuanced sound of a real live orchestra. My deep understanding of instrumentation and arranging allows me to create highly realistic and emotive orchestral textures that feel authentic and impactful, a skill I apply with precision to any genre of music.
Q: What's your typical work process?
A: Initial Consultation: We discuss your vision and specific requirements for the arrangement. Concept/Demo: I create a rough demo to establish the core idea and orchestration direction. Revisions: We review the demo, and I make necessary adjustments to ensure it's perfect. Final Mixdown: Once approved, I finalize the orchestration and deliver high-quality audio stems.
Q: Tell us about your studio setup.
A: My studio is built around industry-standard monitors (Genelec 8040s), an analog-summing (Heritage Audio Successor), and premium . I also have a collection of vintage hardware reverb and a vast library of professional-grade plugins and virtual instruments.
Q: What other musicians or music production professionals inspire you?
A: I draw significant inspiration from iconic film score composers like Hans Zimmer and John Williams, who masterfully blend orchestral grandeur with electronic textures. For a raw, live-performance feel and powerful arrangements, I often revisit the 'S&M' album by Metallica and the San Francisco Symphony.
Q: What are you working on at the moment?
A: I'm currently working on a deeply emotional orchestral arrangement for an independent singer-songwriter, bringing a cinematic depth to their original track.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Not yet.
Q: Analog or digital and why?
A: Analog flavor within a digital environment (hybrid workflow). Because in my genre—and across most modern genres—combining the warmth and character of analog gear with the precision and recall of the digital domain gives you the best of both worlds.
Q: What's your 'promise' to your clients?
A: My promise to every client is that I will be fully dedicated to bringing their vision to life with professionalism, artistry, and a commitment to excellence. You can expect a high-quality arrangement that is not only technically proficient but also emotionally compelling and perfectly tailored to your project's unique needs. I stand behind my work and ensure you'll be proud of the final result.
Q: What do you like most about your job?
A: I love seeing a project come to life. The most rewarding part is hearing the final arrangement and knowing that I've helped an artist realize their vision. I also genuinely enjoy the constant process of learning and improving, pushing the boundaries of what I can achieve with orchestration and production with every new piece of music I create.
Q: What questions do customers most commonly ask you? What's your answer?
A: The most common question is about pricing. My answer is: 'My rates reflect the level of artistry and production quality I deliver. Think of it not as an expense, but as an investment in creating a truly professional and impactful piece of music that will resonate with your audience for years to come. Quality orchestration is an asset that increases the value of your project.
Q: Describe the most common type of work you do for your clients.
A: https://dropcue.app/s/ecd2c2e5f500?r=intuitive-listiners-b0f4b4
- Thomas Bergersen
- Hans Zimmer
- Mac Studio M4 Max
- Heritage Audio Successor
- Genelec 8040
- Apogee Ensemble
- Roland FP-30
- Cubase Pro
- Logic Pro
- Vienna Symphonic Library
- Orchestral Tools Berlin Series
- EastWest Hollywood Orchestra



