My name is Solomon Overla and I am a professional mixing engineer. I have developed experience through education which evolved into recording sessions, mixing sessions, and signing those albums with record labels.
My name is Solomon Overla and I am a professional mixing engineer. I have developed experience through education which evolved into recording sessions, mixing sessions, and signing those albums with record labels. Music is a form of art, and I plan on using my past experiences to give you a product that you can visualize through my mixes. If you have any questions, feel free to reach out to me!
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
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Interview with Solomon Overla
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Matthew Cramblett.
Q: What questions do you ask prospective clients?
A: What band can I listen to, to get an idea for your style?
Q: Can you share one music production tip?
A: When working on a song, send that project to 2 people you know. 1 person that you respect in the music industry, and one person that serves as a devils advocate. With those 2 different views, you will grow and see something you might have missed or it may spark a new idea.
Q: What type of music do you usually work on?
A: I typically work on pop, rock, christian, and indie pop.
Q: What's your strongest skill?
A: My strongest skill is mixing. I have a trained ear for eq'ing, compression, and effects.
Q: What's your typical work process?
A: Before starting a mix, I like to listen to a song or two to reference how a band wants their song to sound like. That way I can translate their song into a similar style. Then I begin the mixing process and send updates to the client to get their feedback.
Q: Tell us about your studio setup.
A: I use Logic Pro X to mix and produce with, a pair of Neumann KH 120A Monitors, and the Universal Audio Volt as my interface for monitoring.
Q: Describe the most common type of work you do for your clients.
A: I have more clients through live sound engineering currently, but I have churches that send me their multitracks to mix down and send back to them for their services.