Producer for 2+ years, mixing two full length projects; one of which housing me as the only producer for both vocal production and instrumentals, my work speaks for itself. I specialize in the Detroit/Flint sound along side the pop and old school hip-hop sound in my works (example listed in the audio samples).
I will mix and master, create a beat, and overall produce a song for you. I have many industry standard plugins and practice with using them (Waves, Autotune, FabFilter, etc.). I have been making beats for 5 years now, producing vocals for one year (trap, hip hop, pop). I will ensure that anything I make is the best it can be with the tools that I have.
Credit must be given where due based on the service provided as stated in the terms of service.
Full production package includes everything. My work total will take the listed time (3-9 days). This does not include time taken for your own recording/delays on your behalf.
Send me a note through the contact button above.
Interview with NATHVN Beats
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: My best achievement to date is probably Triple Threat. It's an album solely produced by me from the vocal mixing to the beats.
Q: What are you working on at the moment?
A: I am currently mixing an album for one of my regular artists. Release date unknown but it's gonna be worth the wait. I can assure you that.
Q: What's the biggest misconception about what you do?
A: Well as a producer, we're seen as people who just click a button and things magically sound good. That isn't the case at all. It can take hours to get something to sound good.
Q: What questions do you ask prospective clients?
A: What style are you looking for? Do you have any preferred effects or preference as to where something sits in the mix? What date are you expecting this project back by?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Always send the stems separately and with one file being the arranged vocal. Always include the beat/instrumental (stems are preferred but not required)
Q: What was your career path? How long have you been doing this?
A: My career path has always been music. Ever since I was 11 in elementary school, I've always had an ear for melody and rhythm. I've been doing this for about 5 years now (2 years professionally).
Q: What type of music do you usually work on?
A: Trap, Hip Hop, and Pop.
Q: Analog or digital and why?
A: They both have their place. I feel digital has more of a standard, clean sound but analog adds warmth and grain that digital can't 100% replicate. I personally use digital more but I enjoy analog more.
Q: What's your 'promise' to your clients?
A: That I will try my best with the materials I have. I can't make something magically sound good if the material I have doesn't have that capability. With that being said, I will deliver the best results that I can.
Q: What do you like most about your job?
A: The creativity needed is perfect for me. When everything comes together and sounds good, that feeling is unmatched.
Q: What questions do customers most commonly ask you? What's your answer?
A: What software do you use? FL Studio.
Q: Can you share one music production tip?
A: Never mix/master in the same day that you create. Your ears get fatigued easily.
Q: What's your strongest skill?
A: For beats: Drum programming For vocals: Saturation, reverb, leveling, and eq
Q: What do you bring to a song?
A: My touch in any section that the job calls for. I make sure what I make sounds good.
Q: What's your typical work process?
A: For vocals: Eq harsh frequencies, boost the sound to a good level in the mix, de-esser, second EQ, saturator, third EQ, reverb & delay, final eq, master the entire thing.
Q: Tell us about your studio setup.
A: I use a Razerblade 15 laptop with too many pieces of external equipment. Some of those devices being a Presonus Faderport 8, two Sterling MX5's, a Gator Frameworks scissor stand with a Shure SM7B attached to it, and a Keystation 49es. All of which is on top of a room sized U-desk that I had custom made.
Q: What other musicians or music production professionals inspire you?
A: No one in particular. I look up to the broad spectrum of individuals that have pioneered their own sound and have inspired the people around them.
Q: Describe the most common type of work you do for your clients.
A: I usually do full production. The beat, the effects, mastering, mixing, etc. I work on beats more in my spare time to fill the vault.
- ProducerAverage price - $150 per song
- Mixing EngineerAverage price - $150 per song
- Beat MakerAverage price - $200 per song
3 free revisions (+$25/add.) ≈ 1-5 days for each song/revision
3-9 days for full production (beat, mixing, and mastering)
All credit must be given where it's due specific to the service provided.
- Presonus Faderport 8
- Sterling MX5 Pair
- Shure SM7B
