Gabriel DeBenedict on SoundBetter

Passionate composer looking to spread the joy of music.

Hello! I'm a composer with a specialty in orchestral music, but proficient in other styles such as but not limited to jazz, electronic, pop, and rock. I'm passionate, open minded, growth oriented, and goofy.

Send me an email through 'Contact' button above and I'll get back to you asap.

Credits

Languages

English

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Interview with Gabriel DeBenedict

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Project Lullaby by Team Lullaby, I was the composer on this game, and I was proud cause I was able to show off my orchestration skills, and glad they weren't going to waste.
Q: What are you working on at the moment?
A: A mobile game and multiple Instagram shorts.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Not yet.
Q: Analog or digital and why?
A: Digital so I don't have wires flying.
Q: What's your 'promise' to your clients?
A: I will deliver the music that fits your project perfectly.
Q: What do you like most about your job?
A: Connecting with new people and seeing smiles on their faces when they hear my music.
Q: What questions do customers most commonly ask you? What's your answer?
A: Why do I charge what I do? Cause its a lot of work, that's why you're hiring me.
Q: What's the biggest misconception about what you do?
A: That even though I use my computer, an orchestral production in fact takes awhile, and is a lot of work, so yes, it does cost a lot.
Q: What questions do you ask prospective clients?
A: Scope, Deadline, Budget, Desired Style, Favorite Food
Q: What advice do you have for a customer looking to hire a provider like you?
A: I know what I'm worth, and if you don't value musicians fully, then please, give up on trying to hire us.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Well since there is no electricity, I guess a knife so I can make paper, a mortar and pestle so I can make ink, tuning fork set cause I cant bring a piano and I cant really play a guitar (plus it will eventually wear out and break), an axe for the trees, and I guess an ocarina for some variation.
Q: What was your career path? How long have you been doing this?
A: I grew up around music, started the piano at age 13, joined chorus my sophomore year in high school, then went to Berklee for 4 years studying Film and Video Game Scoring, graduated Magna Cum Laude, and have been freelance composing during and since.
Q: How would you describe your style?
A: Lyrical Symphonic
Q: Which artist would you like to work with and why?
A: Justin Hawkins, cause I mean look at the man.
Q: Can you share one music production tip?
A: Don't overcrowd each frequency range.
Q: What type of music do you usually work on?
A: Orchestral.
Q: What's your strongest skill?
A: String writing.
Q: What do you bring to a song?
A: Open-mindedness.
Q: What's your typical work process?
A: I sit down and try to improvise the sound I get from the narrative.
Q: Tell us about your studio setup.
A: 2.1 stereo, 4 monitor screens, full 88 keyboard, akai mini midi controller, full Izotope Music Production Suite, EW Composer Cloud Plus, VSL Special Edition 1 + 2, Komplete 12
Q: What other musicians or music production professionals inspire you?
A: The Darkness, Howard Shore, and HigeDan.
Q: Describe the most common type of work you do for your clients.
A: I compose work for visual media. I also orchestrate existing work.