Lingo Style

Beat Maker, Audio Engineer

Lingo Style on SoundBetter

I will make trap, hip hop pop, rap beat as well sound design & mixing

Hello, my name is Courtney Walker aka Lingo Style, and am a music composer and audio engineer with over 15 years of experience and counting since I've been working at various studios in the Toronto area. I specialize in Melodyne 5, Nuendo 11, Izotope RX, and FL Studio 20. amazing new trap, dancehall, afrobeat producer. mixing and mastering engineering with stunning quality. professional Foley and SFX sound designer if you are looking to get some work done, I'm here to get the job done Take Care

Would love to hear from you. Click the contact button above to get in touch.

Interview with Lingo Style

  1. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  2. A: working on Suni Clay's album I was very proud we finish his album in less than 2 months I was the tracking engineer for all the songs and producer for 5 songs too as well working on Choclair's album as an engineer and co-producer was a great feeling for me.

  3. Q: What are you working on at the moment?

  4. A: working on some beats for an upcoming artist album.

  5. Q: Is there anyone on SoundBetter you know and would recommend to your clients?

  6. A: not that I know of at the moment.

  7. Q: What do you like most about your job?

  8. A: The finished product, to be a part of an audio creation is very special.

  9. Q: What questions do customers most commonly ask you? What's your answer?

  10. A: who inspires me to get into the music industry? Ever since I was a young teenager, I have always known it, music was my calling I studio every song word for word in just a few days. I studio music in high school and even got 2 credits as co-op learning at a recording studio in Toronto call THE HIVE STUDIO after finishing high school went to finish college at Trebas Institute Toronto for Recording Music Production / Audio Engineer it's almost 20 years since I started and have not stopped since

  11. Q: What's the biggest misconception about what you do?

  12. A: At first, I use to apply way too many processers on everything because I can don't make it right - Just what's needed is the best way for professional success.

  13. Q: What questions do you ask prospective clients?

  14. A: Could you please give me a chance to prove to you I can meet your requirement?

  15. Q: What advice do you have for a customer looking to hire a provider like you?

  16. A: I'm good at my job - 100% money-back guarantee if you do not approve, so there is nothing for my customer to lose. beat value - very reasonable price - I charge significantly lower price online than in-person - given the fact I can do it on my own time.

  17. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  18. A: MacBook Pro 16 Max out Universal Audio Apollo x4 with UAD2 Ultimate Townsend Labs Sphere L22 Alesis VI49 - midi keyboard controller Neumann NDH 20 Closed-back Studio Headphones

  19. Q: What was your career path? How long have you been doing this?

  20. A: Been doing music since high school co-op learning at The Hive Studio Toronto in 2001 and Trebas Institute Toronto in 2006 for Recording Music Production and Audio Engineer

  21. Q: How would you describe your style?

  22. A: Current style - up to the time

  23. Q: Which artist would you like to work with and why?

  24. A: Bruno Mars - is the go-to guy for making a mega Hit.

  25. Q: Can you share one music production tip?

  26. A: LESS IS MORE.

  27. Q: What's your typical work process?

  28. A: TO-DO JOB LIST 1. communicate with clients to comfort what there are looking to get done 2. listen to client work or reference giving for my task 3. do some research on other projects in their field to compare or use as a reference 3. plan a strategy to improve their work - write a note of things to improve on 4. implementing my task - always give the best version I'm capable of delivering 5. communicate with the client by giving an update on the progress - always be polite 6. delivering the finished file to the client - (EVERY TIME ON TIME) also no charge for revision if it's needed HOPE TO SEE YOU AGAIN

  29. Q: What other musicians or music production professionals inspire you?

  30. A: MPC 2000 love the swing function & note repeat

  31. Q: Analog or digital and why?

  32. A: digital - animation and recall, as well as digital, is right there with analog - not like the 90s (HUGE FAN of UAD)

  33. Q: What's your 'promise' to your clients?

  34. A: to be happy with the work that we put in and time all the time.

  35. Q: What type of music do you usually work on?

  36. A: hip hop, trap, rap, dancehall, afro, r&b, and pop mostly

  37. Q: What's your strongest skill?

  38. A: beat making, sound design - foley & mixing

  39. Q: What do you bring to a song?

  40. A: I can make the song shine and stand out. QUALITY

  41. Q: Tell us about your studio setup.

  42. A: Avatone bv1 mic, 710 twin-finity mic pre, Apolla interface, Dynaudio mk2 monitor, Akai advance & Maschine mk2 midi controller, Alesis power condition.

  43. Q: Describe the most common type of work you do for your clients.

  44. A: beat making, track engineer, mixing engineer, foley - sound design, editing podcast and audiobook

really - 157 - f major

I was the producer and mixer in this production

GenresSounds Like
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  • Lil Baby
  • 21 Savage
Gear Highlights
  • uad
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