I am Producer who is always pushing the boundaries of sound. I enjoy making music that sounds different to what's around Mixing is my forte, If you are looking for someone to improve the sound of your recordings then I am your guy. Get in touch for fees if your project is on a tight budget.
Ronnie is an up and coming Producer, Sound Engineer and Guitarist based in London, UK.
After graduating from the London Centre of Contemporary Music (LCCM) he immediately started looking for opportunities to expand his skills and develop a musical judgment that would reflect his taste and his open view about creating music.
His passion has always been playing guitar and listening to music but during his last year at LCCM he was massively inspired by tutor Richie Stevens (Boy Goerge, Space Monkeyz and Dubersive) to discover more about how records were recorded and produced.
Soon after his graduation Ronnie started assisting live and recording sessions at Hermitage Works Studio.
After this 6 month intense experience he was determined to burst his way into the industry and he started by Producing and Mixing his own band’s second EP ‘Another Day in Paradise’ by Climb the Attic.
Following the experience with his band and the many sessions assisted at Hermitage Works, Ronnie decided to take on the challenge and tried to make a name for himself as a Freelance Sound Engineer and Producer.
He is currently working on his own music as well as looking for collaborations with Artists/Bands in the UK and beyond.
Being an up and coming Producer can be really hard and he is always willing to negotiate fair fees to allow smaller bands to get the products they deserve.
Send me an email through 'Contact' button above and I'll get back to you asap.
Interview with Ronnie
Q: What are you working on at the moment?
A: I am collaborating with an up and coming singer songwriter from London, we are shaping up his sound and preparing to release some new material
Q: Analog or digital and why?
A: Analog because it's just so damn warm
Q: What's your 'promise' to your clients?
A: Together we can take your project to the spot it deserves
Q: What do you like most about your job?
A: I love collaborating with creative people, there is an energy that's so rewarding
Q: What advice do you have for a customer looking to hire a provider like you?
A: Make sure the person who is offering the service has creative inputs, sometimes we loose track of where we are with our projects and us, Producers/Mixing Engineers, can give a fresh take on a song/project.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Tape Machine Piano Mic Bass Synth
Q: What was your career path? How long have you been doing this?
A: I wanted to be in a Band and tour the world but soon realised I was made to be locked up in a basement to get a snare drum to sound like no other before
Q: How would you describe your style?
A: It's a dirty pleasurable production style.
Q: Which artist would you like to work with and why?
A: I would love to collaborate with the Drummer/Producer of Spring Kings, they're not together anymore but he's a production maestro
Q: Can you share one music production tip?
A: Always double your vocals when recording a rock track and never have heavy guitars in the middle!
Q: What type of music do you usually work on?
A: Rock music and Electronic Pop
Q: What's your strongest skill?
A: Mixing Live Instruments, I believe there is nothing more satisfying than getting a brilliant live band performance mix sound massive, with the help of a few tricks.
Q: What do you bring to a song?
A: I try to take any sound to the next level, my main goal is to make the production interesting and keep the listener interested in the music
Q: What's your typical work process?
A: When Producing a track I usually lay down a simple guide track to get the vocals recorded and then build the production around that. It's not always the case but that's my starting point
Q: Tell us about your studio setup.
A: I have a basic home studio that's run by MacBook Pro computer and an Apollo Twin Interface. I have 2 pairs of speakers for Mixing and Microphones for recording basic instruments like Guitar, Bass, Acoustic Instruments, Percussions and Vocals.
Q: What other musicians or music production professionals inspire you?
A: Stormzy and Biffy Clyro. Although they are two completely different type of musicians they both try to create new sonics every time they put out a record
Q: Describe the most common type of work you do for your clients.
A: I mainly Produce and Mix tracks for Vocalists and Top Liners
I was the Mixing Engineer/Producer/Guitarist in this production
- ProducerAverage price - $200 per song
- Mixing EngineerAverage price - $150 per song
- Electric GuitarAverage price - $100 per song
- Acoustic GuitarAverage price - $100 per song
- Dialogue EditingAverage price - $75 per minute
- EditingAverage price - $75 per track
- Podcast Editing & MasteringAverage price - $150 per podcast
Get in touch for more info
- Biffy Clyro
- Green Day
- Gorillaz
- Universal Audio Apollo Twin Duo
- Yamaha Sg2000
- Fender Strat 1989
- Aston Spirit
- Maton EBG808TM
- Fender Jazz Bass
- Yamaha Hs7
- Avantone Cube
- Clai76 Compressor.