Audio Engineer, Producer
I've been writing music since 2018, self-taught. I'm studying at a university as a audio engineer. Since 2021 I have been providing mixing, mastering and restoration services as I have become confident in my skills and knowledge to make the sound that will surprise in the best way. I never stop learning, working and improving myself.
I can briefly describe myself as: friendly, hardworking, attentive to details, moderately perfectionist, punctual. Ready to overwork in order to get the best results that I can get. I have great taste in music, which has repeatedly helped me make it sound right and beautiful.
I mostly write instrumental, do mixing, mastering and sound restoration for performers and clients, but I'm also ready to work on movies, games or on other different projects. When working on any projects, I fully engage in the process. I read articles and am inspired by certain music, films and other things that help me get a project across as faithfully as possible, something as a reference. I like to make atmospheric, vibe and, of course, quality sound.
My primary music genres: rap, trap, r&b, indie, ambient, folk, soul, rock and instrumental.
Also working with: orchestral, soundtrack, drum&bass, pop, jazz, blues, country and other style of music.
I don't work in particularly aggressive genres like metal, hardcore, etc., but there are always exceptions.
Contact me through the green button above and let's get to work.
Interview with Zeyders
Q: What are you working on at the moment?
A: I'm doing my own music project, but I also have free time for other projects and work.
Q: Analog or digital and why?
A: You can get by with digital, as there are many fairly accurate emulations of analog units and they cost much less. Some special analog units, whose sound is significantly affected, will only be a plus, but will not be the deciding factor in mixing a song. Not everyone is suited to analog sound, and vice versa.
Q: What's your 'promise' to your clients?
A: I will do my best to get the best possible result for a particular project.
Q: What do you like most about your job?
A: To create, to help, to inspire.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Of course, Andrew Scheps.
Q: What's the biggest misconception about what you do?
A: That my sound could be replaced by another person.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Feel free to write and show your demos. Appreciate the other person's time.
Q: What was your career path? How long have you been doing this?
A: Started in 2018 with writing intrumentals. After I realized that I had the necessary knowledge and skills, I began to do mixing and mastering, as well as sound restoration.
Q: How would you describe your style?
A: The sound is not "quick handed".
Q: Which artist would you like to work with and why?
A: I'm happy to work with interesting artists who have their own interesting taste and sound. Each of them can teach me something, and I can teach them.
Q: Can you share one music production tip?
A: Don't work for quantity, work for quality.
Q: What type of music do you usually work on?
A: Hip-Hop, Rock, Indie, Electronic.
Q: What's your strongest skill?
A: Doing work of high quality and creativity.
Q: What do you bring to a song?
A: Quality, creativity, atmosphere, immersion, new experience, inspiration.
Q: What are you working on at the moment?
A: I am working on the development of a video game as the jazz composer and sound designer of the game. I have enough free time that I want to spend on other work.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Of course, Andrew Scheps.
Q: Analog or digital and why?
A: You can get by with digital, as there are many fairly accurate emulations of analog units and they cost much less. Some special analog units, whose sound is significantly affected, will only be a plus, but will not be the deciding factor in judging a song. Not everyone is suited to analog sound, and vice versa.
Q: What's your 'promise' to your clients?
A: I will do my best to get the best possible result
Q: What do you like most about your job?
A: To create, to help, to inspire
Q: What's the biggest misconception about what you do?
A: That my sound could be replaced by another person.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Feel free to write first and throw in your demos. And appreciate the other person's time, rather even financially.
Q: What was your career path? How long have you been doing this?
A: Started in 2018 with writing intrumentals. After I realized that I had the necessary knowledge and skills, I began to do mixing and mastering, as well as sound restoration.
Q: How would you describe your style?
A: The sound is not "quick handed"
Q: Which artist would you like to work with and why?
A: I don't mind working with a lot of artists because each of them can teach me something and I can teach them.
Q: Can you share one music production tip?
A: Don't work for quantity, but for quality
Q: What type of music do you usually work on?
A: Hip-Hop, Rock
Q: What's your strongest skill?
A: Doing work of high quality and creativity
Q: What do you bring to a song?
A: Quality, creativity, atmosphere, immersion, experience, inspiration
Q: Tell us about your studio setup.
A: KRK Rokit 5 G4, M-Audio 192x6, HyperX Cloud II, Arturia Essential Key 88
Q: What other musicians or music production professionals inspire you?
A: Low Roar, Andrew Scheps, Mike Dean
Q: Describe the most common type of work you do for your clients.
A: I usually do mixing and mastering of compositions, but I can also be a producer and make instrumentals.
I was the Mixing Engineer in this production
- Mixing EngineerAverage price - $200 per song
- Mastering EngineerAverage price - $30 per song
- EditingAverage price - $50 per track
- RestorationAverage price - $100 per hour
- Time alignment - QuantizingAverage price - $50 per track
- Film ComposerAverage price - $200 per minute
- ProducerAverage price - $250 per song
- Adam T8V
- KRK Rokit 5 G4
- Universal Audio 476P
- Beyerdynamics DT 770 PRO 250 Ohm
- Beyerdynamics DT 990 PRO 250 Ohm
- Arturia Keylab Essential 88