Clemmy Della Rocca, Very expert in mixing and mastering, whenever there is need I also improve the arrangement by inserting details and not neglecting the care of every single sound. I will work step by step with you, sending you listening hand, hand as the work progresses and behind your indications we will find the right balance for your songs.
Began his career as a pianist / singer in 1987
to date he deals in his production studio with:
Composition of unreleased tracks:
/ Arranger / Mix & Mastering /
In 2008, in addition to producing and performing Arrangements for numerous Artists, he decided to follow a profile. "INDIE" founded CLEMMY COMMUNICATION and decided to entrust BELIEVE DIGITAL with the distribution and optimization of both music and videos on all digital platforms.
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Interview with Clemmy Della Rocca
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I am proud of all my projects, every production is a part of me.
Q: What are you working on at the moment?
A: I am taken with my productions every day. in 10 days an extraordinary album will be released entitled LOCKDOWN, there will be 11 songs Arranged / mixed and mastered by me
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: I know a very good musician with the Saxophone and not only, I took care of the mixes of all his albums Abramo Satoshi
Q: Analog or digital and why?
A: as anticipated in a previous question I work HYBRID, I take the best of digital and analog.
Q: What's your 'promise' to your clients?
A: until you are satisfied the mix does not end.
Q: What do you like most about your job?
A: I like editing all the individual tracks. nowadays most of the productions are recorded in small recording studios where the quality is not always high. what I like most of all is to resurrect the sounds.
Q: What questions do customers most commonly ask you? What's your answer?
A: the questions they ask me are inherent in the techniques I used in their songs to get to the end result. if the client has the technical skills I am always available to explain and teach the process I have carried out.
Q: What's the biggest misconception about what you do?
A: no misunderstanding, I'm always very clear.
Q: What questions do you ask prospective clients?
A: the first thing I check, is their size with their Daw to prepare the files to be sent to me in syncro
Q: What advice do you have for a customer looking to hire a provider like you?
A: try not to distort any channels, I'll take care of the rest.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: my Mac Pro laptop, a Sound card, my Akg for listening and a microphone .. need more? :-)
Q: What was your career path? How long have you been doing this?
A: my path starts at 14 with the first Atari VST and Cubase, at the time (35 years ago) it was not as simple as it is now !! I remember an infinite number of sound processors that I had (Proteusm, M3R, POLY800, Roland D50 etc.) Cubase managed only 16 midi tracks and for audio recording I used a 4-track Tascam. good times :-)
Q: How would you describe your style?
A: my style is warm and velvety. all sounds will have their own space.
Q: Which artist would you like to work with and why?
A: I don't have a star that I would like to work with. I feel privileged to mix any artist.
Q: Can you share one music production tip?
A: my first tip is: any sound or instrument you are recording in your project ,, insert it as if it were a finished sound. a bad sound will remain a bad sound !!
Q: What type of music do you usually work on?
A: my strong point is commercial Pop music, but I am also very active with Instrumental Albums of soloists such as; saxophonists, guitarists, violinists, etc.
Q: What's your strongest skill?
A: make a mediocre song a hit
Q: What do you bring to a song?
A: to a song I bring its entity, for sure I have my sound signature, but I try to stay in line with the client's production.
Q: What's your typical work process?
A: I almost always prefer to listen to a reference of the song (hear what the client's starting point is) then listen to all the separate tracks and start a corrective and subtractive editing. then I start by balancing the complete mix and then processing with effects and all the care that the song requires. until reaching an excellent quality -
Q: Tell us about your studio setup.
A: my instrumentation is hybrid, my favorite Daw is Logic X, but over the years I have worked with almost all of them. My sound card is a UNIVERSAL AUDIO Quad connected to a RME ADAT / TDIF / AES-EBU CONVERTER 8 CHANNELS 24-Bit / 192kHz Triple converter of digital formats and Sample Rate converter 8 channels, 192 kHz / 24 Bit: all managed by a Mac Pro Intel Xeon 5690 12 Core 3.46 Ghz - 64GB RAM DDR3 1333Mhz - (a Beast) all the separate channels will meet in TL AUDIO EBONY SUMMER A4 16: 2 CLASS A + TUBE SUMMING MIXER ANALOG SUMMER, to return the warmth and depth that only the analogue can give. then to obtain an excellent Glue from the adder, I go through a VLA Compressor. and so I have my Pre / Master.
Q: What other musicians or music production professionals inspire you?
A: all days are inspired by new technologies and new productions
Q: Describe the most common type of work you do for your clients.
A: normally the client sends me the separate tracks of the project in syncro, at this point I ask him for the musical references of how he would like his song to sound. experience and equipment will do the rest. as the work takes shape I send the client some mp3 plays to the client in case there is a need he will indicate the various changes.