Mathew Scheiner on SoundBetter

I have pleased clients in just about every genre, be it as a writer, guitarist, top-liner or engineer. I’ve worked for every kind of human there is- friendly, disgruntled, guarded, etc.- and everyone’s come away happy.

I can help you get your project from seedling to mastering so that you’re free to worry about just what matters to you- creativity.
My childhood was spent in recording studios and music rooms, so every part of the process comes naturally to me.
If you need help finishing a melody, I’ve got you. If you need live instruments to bring humanity into a track, I’ve got you. And if you need a radio-ready mix done on the finest analog equipment, I’ve still got you.

I'm a joy to work with, and I love when you send references, if you know exactly what you're looking for!

Note: I'm in the process of attempting to merge multiple discogs pages and submitting albums that were released but never submitted, it's a messy process. For the time being, there's a fair amount of things that are missing.

I'd love to hear about your project. Click the 'Contact' button above to get in touch.

Credits

Discogs verified credits for Mathew Scheiner

Various
Tropic Of Pisces
Ra Ra Rasputin
Ex-poets
Lydia Luce
Mon Khmer
Mon Khmer
Ra Ra Rasputin
Bowmont
Various
Oberhofer
Tropic Of Pisces
Ellie Goulding
Mr Twin Sister*
Madeleine Peyroux
Sting

Languages

English
Portuguese
Spanish

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Interview with Mathew Scheiner

Q: What's your typical work process?
A: Most often, I'm cleaning up tracks first— timing, tuning, stuff to make the music feel better— then, I can focus on making it all sound good.
Q: Tell us about your studio setup.
A: We have 2 rooms at The Nightfly. Studio A is mostly for tracking—we have a 24 channel API 2448 console and a 24 track Studer A827 tape machine, a beautiful sounding piano and really good isolation between booths and live room. But the console has automation as well, so that makes it a really fun room for mixing as well. Studio B is purpose-built for overdubs, production and mixing. Tons of synths, a good size vocal booth, and tight acoustics. Both rooms have lots of the same toys to play with—tape echoes, high-end compressors and preamps—which makes switching between rooms throughout a project fun and cohesive.
Q: Describe the most common type of work you do for your clients.
A: Recording, editing, tuning, and mixing.

Saline by Lydia Luce

I was the Mixing Engineer in this production

Mixing EngineerContact for pricing
Vocal TuningAverage price - $100 per track
EditingAverage price - $100 per track
Singer - MaleAverage price - $250 per song
Bass ElectricAverage price - $150 per song
Keyboards - SynthAverage price - $100 per song
Full instrumental productionContact for pricing

Mix rate allows for 2 rounds of revisions. Each round after that will cost 20% of the full mix rate. Due to availability, turn around time is typically 1-2 weeks depending on amount of tracks/songs.