Ben Bernstein Music Produces Americana Records. Based In Oakland, CA.
You know that a skillfully produced, inspiring album is the important investment you need to make to take your music to the next level.
This is where I come in. As your producer, we’ll sit down together and map out your vision. I’ll listen to your music and give you feedback. We’ll have fun in the studio as I record, mix, and produce a professional album that you’ll be proud to sell and share with the world.
The important thing is that you, the artist, feel comfortable, in your element, and have a good headphone mix to deliver your best performance.
I offer a modern recording experience in a friendly, relaxed environment. For full band sessions, we’ll pick a studio that’s the right fit, I prefer Bird & Egg or Santo in Oakland. For smaller sessions we’ll record at my home studio, just a stone’s throw from San Francisco.
The first step is for you and me to talk about your music and make sure we’re a good match. Contact me and we'll set up a time to chat.
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
Credits
- Front Country
- Belle Monroe
- Westerly
- Jim Bruno
- Brindl
- Belle Monroe & Her Brewglass Boys
- Deborah Crooks
- Maya Elise
- George St. Clair
- Jimmy J. Moore
- Port Nocturnal
- Joel Cuzzi
- SHAMATi
- The Bitter Diamonds
- Kate Burkart
- Bay Station
- Love and Hunger
- Kwame Copleland
- Rae Du Soleil
- Spencer Aspleaf
- Little Shrine
- Matt Carona
- jl stiles
- david correa
- Little Shrine
- Little Shrine
- Little Shrine
- Hyim
- Juke Joint Jonny
- Juke Joint Jonny
- Juke Joint Jonny
- Juke Joint Jonny
- Juke Joint Jonny
- The Wailing Wall
- The Wailing Wall
- Sounds of Blackness
- Jim Chomas
- Deborah Crooks
- Ben Bernstein
- Bobbie Thomas
- Bobbie Thomas
- David Correa
- David Correa
- George St. Clair
- George St. Clair
- George St. Clair
- George St. Clair
- George St. Clair
- Ian Franklin
- Infinite Frequency
- Ian Franklin
- Infinite Frequency
- Ian Franklin
- Infinite Frequency
- Ian Franklin
- Infinite Frequency
- Angel Corpus Christi
- Mindy Dillard
- Mindy Dillard
- Mindy Dillard
- Mindy Dillard
- Mindy Dillard
- Mindy Dillard
- Bob Thomas
- Bob Thomas
- Deborah Crooks
- Deborah Crooks
- Deborah Crooks
- Deborah Crooks
- Deborah Crooks
- Deborah Crooks
- Anthony Bello
- Anthony Bello
- Anthony Bello
- Anthony Bello
- Ian Franklin
- Ian Franklin
- Ian Franklin
- Ian Franklin
10 Reviews
Endorse Ben Bernstein Music- check_circleVerified
Ben was fantastic to work with. We're an indie rock band and were looking for engineers/producers to mix our 6 track EP. I was recommended to Ben by a great musician/singer.
Ben met with us on zoom (due to the pandemic), listened to what we were trying to achieve, ingested our tracks, and got to work. He was able to turn around changes quickly, took direction/comments well, and implemented what we were after.
Overall, a good experience with Ben. I would recommend him to others.
My writing partner and I have worked with Ben for years, and highly recommend him for our musical theatre demos. Not only does Ben understand the world of musicals, he has other outstanding qualities: relaxed, personable, fun, generous; makes singers feel at ease; excellent communicator; organized, flexible; reasonable rates; high-quality mixes, fully committed to our projects. We feel fortunate to have found Ben, and always look forward to working with him on our next project.
To work with Ben Bernstein is a privilege and a learning experience for any musician. I decided to record my debut solo album with Ben, and I could not be happier with the experience and result. First and foremost, Ben is a lover of music. He is a virtuoso producer and bass player with more than two decades of performing, session playing, recording and producing. In short, he knows his stuff inside and out through being there and doing it. And it shows when you work with him - his enthusiasm and creative ideas are grounded in knowledge both of music composition and of the recording equipment.
I am so glad I found Ben Bernstein. I came to him with a mess of recordings on a program that neither of us were familiar with and he made it sound superb. He added some elements that really enhanced the sound in a way I hadn't thought of and he was wonderfully receptive to my nitpickings. He is a great communicator, very professional, and he worked within my budget. I can't wait to work with him again!
I have been working with Ben for over ten years and on five CDs. I keep coming back to Ben because he knows his "stuff". He works hard to brighten your music. He is willing to make constructive comments which really improve your finished product. He is easy to work with and fair about the price. I highly recommend him. He is the BEST!!
I have been working with Ben for over ten years and on five CDs. I keep coming back to Ben because he knows his "stuff". He works hard to brighten your music. He is willing to make constructive comments which really improve your finished product. He is easy to work with and fair about the price. I highly recommend him. He is the BEST!!
Just completed my fifth album, first working with Ben, and I can easily say he’s the best producer/engineer I’ve ever worked with. He’s super talented, competent, professional and a lot of fun. Couldn’t recommend him more highly!
I'm on my second full length recording with Ben. His sense of production is top notch and I've saved some big time bucks using his software editing knowledge.I like how Ben offers different studio options depending on the type of sound you're going for. I should also mention that Ben has access to talented session musicians that can make huge contributions to your music..... The bottom line is that it's been really nice having Ben's ears help improve my sound over the years. He's passionate about music and makes useful suggestions.I would recommend him to anyone.
-Joel
I recorded my first album with Ben at The Petting Zoo studio. He is great!!!! He always creates the perfect atmosphere that allows you to relax and focus on what is really important, and the music flows in a natural way. He did a great job recording, producing and mixing all the songs from my album. He is also well connected to amazing session musicians that made their contributions to take the songs to a higher level. A fantastic experience that I will love to repeat in the future.
I have worked with Ben on four projects: 2 full length albums, and 2 EPs both working at his home studio and several larger spaces. He's the best. I've worked with a variety of studios with different bands and projects but I keeping coming back to Ben. He creates a dynamic, fun environment and fosters creativity while also holding a strong understanding of song writing and craft. He has a great ear and often comes up with ideas that just push the songs to a new level. He also works with a really great network of session musicians who can cover pretty much any base you're looking for.
Interview with Ben Bernstein Music
Q: What are you working on at the moment?
A: A lot of Live-stream mixes for YouTube for emerging artists.
Q: Analog or digital and why?
A: Digital capture and mix with a serious analog input chain at high res. It's been my experience.
Q: Can you share one music production tip?
A: You're only as good as your song.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Westerly - Fire in the Evergreens. I produced, played bass, recorded and mixed it on a modest budget in a short amount of time. This band is fresh and I am proud of what we accomplished.
Q: What's your 'promise' to your clients?
A: I will make you the record you want.
Q: What do you like most about your job?
A: Music, people, music.
Q: What's the biggest misconception about what you do?
A: That it has to take a long time and involve expensive gear.
Q: What questions do you ask prospective clients?
A: What are recording and career goals? Who do you listen to and look up to musically? What kind of recording experience do you want to have. And, lastly, what is your budget?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Talk to them first, make sure you like them as a person. Trust your instinct. Also, listen to a few examples of their work,
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: A Swiss Army Knife, an Acoustic Guitar, a Zoom Recorder, Guitar Strings and Extra batteries.
Q: What was your career path? How long have you been doing this?
A: I started out playing bass professionally 20 years ago, toured for many years, then got off the road and into the studio about 10 years ago.
Q: How would you describe your style?
A: Relaxed, fun and high quality.
Q: Which artist would you like to work with and why?
A: Sean Hayes, I love his sound and he is local.
Q: What type of music do you usually work on?
A: Americana, Folk, Singer-Songwriter, and Bluegrass
Q: What's your strongest skill?
A: My patience and understanding.
Q: What do you bring to a song?
A: I bring my ear and personality. That combined with many years playing, writing, recording and most importanly listening to music.
Q: What's your typical work process?
A: I like to talk to the client, listen to their music and get a feel for their project need and expectations. If it feels like a good fit, we start working on songs (if needed), and then we book the studio. I believe in striking while the iron is hot and not wasting time talking too much about the process. I'd rather make it happen.
Q: Tell us about your studio setup.
A: I have a small but effective home studio. Depending on the scope of the project I rent a few different commercial studios in the San Francisco Bay Area. We usually track bands in a commercial studio for 2 - 3 days, then take it home to overdub and mix. This saves the artist a bunch of money.
Q: Describe the most common type of work you do for your clients.
A: The most common work I do is soup to nuts album production for bands and solo artists. I produce, record and mix their records. I often play bass, guitar parts and even keyboards as well.
Q: What other musicians or music production professionals inspire you?
A: Daniel Lanois, Glynn Johns, Jack White, Wilco, The Fleet Foxes.
I was the Producer, Recording & Mixing Engineer in this production
- Mixing EngineerAverage price - $200 per song
- ProducerAverage price - $500 per song
- Recording StudioAverage price - $600 per day
- Bass ElectricAverage price - $70 per song
- Bass UprightAverage price - $70 per song
$100 deposit to confirm studio.
72 hrs. notice required for rescheduling or canceling.
Payments billed according to progress.
2 Mix revisions/song - $40/hr for additional mixing.
- Gillian Welch
- Graham Parsons
- Wilco
- My Experience
- My Ears
- Focal Solo6be monitors
- UAD plug-ins
- 74' Fender P Bass
- 58' Gibson LG-2
- Nespresso
10% Off First Booking For New Clients!
- "Rae du Soleil" Out Today!Jan 10, 2020
Congrats to Rae du Soleil on the release of her debut album "Rae du Soleil" today! Super proud of the talent and effort she and I and a cast of talented bay area musicians put into these recordings (Jason Slota, Kirby Hammel, Anton Patzner, Melissa Jones, Sarah Dudzic Iyer and Yunoka Berry). Please take a moment and have a listen.
https://open.spotify.com/album/7AzKslT0ORnggbhyLSx7BV - The Buzz on WesterlyJan 09, 2020
Great review of Westerly's latest release and interview with frontman Sterling Spence. Produced, Recorded & Mixed by Ben Bernstein:
https://www.buzz-music.com/post/westerly-lays-it-all-out-with-ep-rags-and-ribbons
Listen to "Rags & Ribbons" here:
https://www.westerlytheband.com/ragsandribbons