When music is an art, I bring a variety of hybrid approaches and tools to the table for your project to create the desired effect.
Tell me about your project and how I can help, through the 'Contact' button above.
Interview with Roy Stegman
Q: What do you like most about your job?
A: Sharing a common vision and helping my clients achieve it!
Q: What's the biggest misconception about what you do?
A: There's more to what I do than just pushing buttons and turning knobs!
Q: What questions do you ask prospective clients?
A: What are you hoping to accomplish with this project? What are some of your favorite songs or albums and why?
Q: What was your career path? How long have you been doing this?
A: I got into production by being a musician and songwriter 20 years ago.
Q: How would you describe your style?
A: All of my production decisions are based entirely around the needs of the song and what the client wants it to achieve.
Q: Can you share one music production tip?
A: Concentrate on getting the best performance.
Q: What type of music do you usually work on?
A: Progressive rock/metal, industrial, symphonic metal, and synthpop.
Q: What's your strongest skill?
A: Approaching the project with the final result in mind, even if it is from a composition perspective.
Q: What do you bring to a song?
A: The desire to bring it up to the next level in every aspect I can.
I was the Orchestration, programming, Mixing, and Mastering in this production
- Mixing EngineerAverage price - $300 per song
- ProducerContact for pricing
- Live SoundAverage price - $800 per concert
- Programmed drumAverage price - $150 per song
- Keyboards - SynthAverage price - $100 per song
- Live drum trackAverage price - $250 per song
- Electric GuitarAverage price - $70 per song
- Fear Factory
- Marilyn Manson
- Nightwish
- Universal Audio UAD 1 & UAD 2
- EMT 140 plate reverb
- ENGL 646 VS limited edition Guitar amp
- SSL E Channel Strip
- Yamaha DX7
- Eastwest Composer Cloud
- Reaper
- Protools
- Adobe Audition