When music is an art, I bring a variety of hybrid approaches and tools to the table for your project to create the desired effect.
Send me an email through 'Contact' button above and I'll get back to you asap.
Interview with Roy Stegman
Q: What do you like most about your job?
A: Sharing a common vision and helping my clients achieve it!
Q: What's the biggest misconception about what you do?
A: There's more to what I do than just pushing buttons and turning knobs!
Q: What questions do you ask prospective clients?
A: What are you hoping to accomplish with this project? What are some of your favorite songs or albums and why?
Q: What was your career path? How long have you been doing this?
A: I got into production by being a musician and songwriter 20 years ago.
Q: How would you describe your style?
A: All of my production decisions are based entirely around the needs of the song and what the client wants it to achieve.
Q: Can you share one music production tip?
A: Concentrate on getting the best performance.
Q: What type of music do you usually work on?
A: Progressive rock/metal, industrial, symphonic metal, and synthpop.
Q: What's your strongest skill?
A: Approaching the project with the final result in mind, even if it is from a composition perspective.
Q: What do you bring to a song?
A: The desire to bring it up to the next level in every aspect I can.
I was the Orchestration, programming, Mixing, and Mastering in this production
- Mixing EngineerAverage price - $300 per song
- ProducerContact for pricing
- Live SoundAverage price - $800 per concert
- Programmed drumAverage price - $150 per song
- Keyboards - SynthAverage price - $100 per song
- Live drum trackAverage price - $250 per song
- Electric GuitarAverage price - $70 per song
- Fear Factory
- Marilyn Manson
- Nightwish
- Universal Audio UAD 1 & UAD 2
- EMT 140 plate reverb
- ENGL 646 VS limited edition Guitar amp
- SSL E Channel Strip
- Yamaha DX7
- Eastwest Composer Cloud
- Reaper
- Protools
- Adobe Audition