I have 15 years’ experience producing, editing and composing for and alongside artists and filmmakers, such as Joss stone, Damian Marley, Declan Lowney and Goran Stolevski, to name a few. I have also had an eclectic array of releases on a variety of record labels, most notably, Jungle Cakes, 19K, Stone’d Records, Ragtime records.
Classical composition and electronic production have been a constant passion throughout my career, often blended for dramatic effect. With my more contemporary work being featured on last years MARK awards winning library, London Sync Music. My work in film has ranged from sound design, foley work and editing on numerous short films to composing for adverts. My sound has been described as Hans Zimmer meets Camo & Crooked, however I get inspired by a wide variety of styles including, Classical, Jazz, Hip Hop, Drum & Bass, IDM and House.
Any music can be accompanied with stems and sheet music upon request.
I work efficiently, stick to the brief, within the time frame and enjoy any creative challenge that is thrown my way.
Please check out my website for more info and upcoming news.
https://angusmalcolmsound.com/
Tell me about your project and how I can help, through the 'Contact' button above.
Languages
- English
2 Reviews
Endorse Angus MalcolmAngus has a head full of rhythm and a heart of solid gold. His life has been a mission to mash music of different cultures and genres. He's a natural and inspiring collaborator. Knowing this man will improve your life. Working with him is a joy.
I’ve had the absolute pleasure of working with Angus on several occasions and I’m so pleased to hear that he will be making the transition to producing on a full time basis. His years of expertise and natural talent to create beautiful pieces are an exquisite combination that will elevate your project to a level beyond expectations. He’s an absolute pro at what he does, is a joy to work with, goes beyond the brief and his talents need to be shared with the world! Highly recommend hiring.
Interview with Angus Malcolm
Q: What are you working on at the moment?
A: Conceptual Hip Hop album set in fuedal Japan
Q: What's your 'promise' to your clients?
A: High quality work, as requested in the brief, delivered on time (if not before)
Q: What's the biggest misconception about what you do?
A: People often think a piece of music will take weeks, but my turnaround time is much quicker than they usually expect.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Get in touch sooner rather than later and let's chat about your requirements
Q: Can you share one music production tip?
A: Keep every project organised from the start
Q: What do you bring to a song?
A: I like to think I give them a change of perspective
Q: What's your typical work process?
A: It all depends on the project. Each track often requires a different process. I guess the first thing I do is to establish the mood, function or general feel of a project.
Q: Describe the most common type of work you do for your clients.
A: I most frequently get asked to provide the score and sound design for video clips to better suit the style than the trial audio.
I was the Composer, Producer in this production
- ProducerAverage price - $300 per song
- Film ComposerAverage price - $150 per minute
- Full instrumental productionAverage price - $350 per song
- Sound DesignAverage price - $300 per minute
- Composer OrchestralAverage price - $100 per song
- EditingAverage price - $40 per track
- Mixing EngineerAverage price - $400 per song
5 Revisions per piece, +£20 per revision after that.
Turnaround time is 5 days depending on the work needed.
For a quicker turnaround, +£40 per day reduced.
- Hans Zimmer
- Camo & Krooked
- Bonobo
10% discount through SB