Remote Mixing & Mastering

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: My Macbook Pro, Neumann TLM 103, a MIDI keyboard, headphones, and my guitar.

Q: What was your career path? How long have you been doing this?

A: I just graduated from Douglas College with a Music Technology Diploma.

Q: How would you describe your style?

A: My production style is bouncy and catchy.

Q: Which artist would you like to work with and why?

A: I would love to work with Dijon to immerse myself in his creative workflow and to understand his process.

Q: Can you share one music production tip?

A: Using Varispeed when recording background vocals can add interesting textures to your song.

Q: What type of music do you usually work on?

A: Mostly Anti-Pop, Funk, Hip-hop, and Folk.

Q: What's your strongest skill?

A: Clean and clear mixes.

Q: What do you bring to a song?

A: A trained pair of ears and a creative and lush soundscape.

Q: What's your typical work process?

A: Communication with the artist is my number one priority when working on a track. I developed a sheet I send out to all clients to show them how to prepare stems to send to me for the most optimal turnaround time.

Q: Tell us about your studio setup.

A: I have a nicely treated room with Kali Audio IN-V2s being my main monitor. I use SoundID Reference for room correction to create the most optimal frequency response for listening.

Q: What other musicians or music production professionals inspire you?

A: Michael Gordon AKA Mk.gee is one of my biggest inspirations. His level of creativity and detail in his music is something I strive for.

Q: Describe the most common type of work you do for your clients.

A: The most common work I do for clients is definitely mixing. I feel as if mixing is my strongest strength as an audio engineer and the service I feel the most confident in.