I am a Cardiff based Sound Engineer that has +7 years as a freelancer. I have a background in mainly studio and live sound as the record, mix and master engineer.
I offer remote editing of any nature (vocal comping and tuning, voice acting editing, quantising, etc). Mixing and/or Mastering service, and re-recording/re-amping if need be.
Contact for negotiation on pricing.
Tell me about your project and how I can help, through the 'Contact' button above.
Credits
- Nineteen Fifty Eight
- Stuttershock
- Elk Child
- Ian Lynn Palmer
- Ikari Õkesutora
- "Animal Song" for Netflix’s "Gregg Davis: You Magnificent Beast."
- Swansea City of culture short film "Velvet Chutney"
- Catrin Finch and Seckou Keita
- Trystan Llyr Griffiths
- University Of South Wales BA 2D Animation & Stop Motion's Online Graduate Showcase 2020.
Interview with Jared Planas
Q: What was your career path? How long have you been doing this?
A: As an Sound Engineer I have several years of experience, including +7 years as a freelancer. I have a background in mainly live and studio sound, but my expertise is not limited to that. I am enthusiastic about all the different projects I have been part of!
Q: Analog or digital and why?
A: Ah, the age old question! I say both! both styles can be used in different ways to achieve you creative destination!
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: My Fender stratocaster, Jazz bass, OP1, Focusrite 8pre x and a Good laptop!
Q: Can you share one music production tip?
A: Less is more!
Q: What type of music do you usually work on?
A: Any type of genre!
Q: What do you bring to a song?
A: The main thing I would say I bring to the song at question would be a professional radio ready mix and sound.
Q: What other musicians or music production professionals inspire you?
A: My main inspiration varies from producer/mixer to producer/mixer, but my main ones are CLA, Eric Valentine, San Holo, Mike Sapone, Childish Gambino and many more!
Q: Describe the most common type of work you do for your clients.
A: My most common work is, mixing and mastering, but I often do sound design and foley for media clients also.
I was the record, mix and master engineer in this production
- Mixing EngineerAverage price - $50 per song
- Mastering EngineerAverage price - $50 per song
- Time alignment - QuantizingAverage price - $50 per track
- Vocal compingAverage price - $30 per track
- EditingAverage price - $40 per track
- Dialogue EditingAverage price - $50 per minute
2 Revision requests
- Queens of the Stone Age
- Foo Fighters
- Brand New
- DDA AMR 24 Vintage Desk
- 4x Focusrite Clarett 8pre X (ISA 1 preamps)
- Various vintage microphones
- Orange Rockerverb 100 MK2
- PPC4X12 Orange Cab
- Marshall 1962 Bluesbreaker