Film Music Composer

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: I am proud of many of my projects. One recent project was for a film I composed called Fuocchi. This was an enjoyable experience through and through and the director and I really worked beautifully together.

Q: What are you working on at the moment?

A: I am presently working on composing music for a short film, creating a main theme for a video game, producing an EP, directing a chamber ensemble and writing my own album of songs.

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: I haven't hired anyone else on SoundBetter, though I have noticed a few friends here and there.

Q: Analog or digital and why?

A: Hybrid setup choice ensures warmth from analog gear and the flexibility of digital tools, a dynamic blend for contemporary compositions.

Q: What's your 'promise' to your clients?

A: The promise I make to all my clients is that I will work with them to strive for excellence so our project will take their project to a higher level.

Q: What do you like most about your job?

A: I really enjoy the challenge of enhancing a film. Collaboration is really at the heart of music-making for multimedia projects, and I enjoy crafting out something specific for good works of art.

Q: What questions do customers most commonly ask you? What's your answer?

A: FAQs include inquiries about my favorite instruments, go-to production techniques, and of course, whether or not I am open to bartering.

Q: What's the biggest misconception about what you do?

A: It's not just about notes; it's about weaving an intricate sonic tapestry that amplifies the overall narrative!

Q: What questions do you ask prospective clients?

A: Initial questions: I delve into your project's soul – understanding the narrative, desired emotions, and visual aesthetics. I like to understand what your vision is so we can collaborate to serve the vision of your project.

Q: What advice do you have for a customer looking to hire a provider like you?

A: Advice for clients: Seek a composer who not only understands your vision but also brings a unique sonic identity to your project. I might also suggest that you speak with the composer in person and see if you communicate well and understand one another.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: Oof. This question will depend where I am in my musical pursuits. For film music these are some stranded essentials: custom Laptop, MIDI controller, my classic vintage Neumann microphone, Focal headphones, and a good interface.

Q: What was your career path? How long have you been doing this?

A: With over a decade in the industry, my journey led from classical training in composition to embracing more specific training in music composition and production for films.

Q: How would you describe your style?

A: I try to avoid adjectives to describe my style, my style tends to have a distinct sound while using a range of inspiration. I typically enjoy working in a somewhat post-minimalist compositional style but I also pertain to neo-classical/romantic music.

Q: Which artist would you like to work with and why?

A: Dream collaboration: Paul Thomas Anderson

Q: Can you share one music production tip?

A: My pro tip: Prioritize organic sound capture, combining virtual instruments with live recordings for a richer, more authentic texture.

Q: What type of music do you usually work on?

A: While versatile, I gravitate towards contemporary genres, infusing electronic and experimental elements into my compositions.

Q: What's your strongest skill?

A: Adept at orchestration, my strongest skill lies in crafting cinematic scores that resonate emotionally and elevate storytelling. I try to create music that is original and deeply catered to the vision of each project that I am involved with.

Q: What do you bring to a song?

A: My unique touch lies in merging acoustic and electronic elements, creating immersive soundscapes that heighten visual narratives.

Q: What's your typical work process?

A: Collaboration is key; I immerse myself in project details, sketching ideas, refining with clients, and meticulously producing the final piece.

Q: Tell us about your studio setup.

A: In my studio, top-tier virtual instruments, a custom-built PC, and high-end monitoring ensure a pristine sonic canvas. I use a combination of acoustic and electronic instruments like my vintage steinway upright piano, wurlitzer 200a, vintage synthesizers, some modular synthesizers, and so on and so fourth.

Q: What other musicians or music production professionals inspire you?

A: I'm inspired by a diverse range of musicians and production professionals who push creative boundaries. Regarding composers I would first mention some of my favorites and my grand-teachers: Ryuichi Sakamoto, Ennio Morricone, Morton Feldman, John Luther Adams etc.

Q: Describe the most common type of work you do for your clients.

A: I specialize in composing and producing music for films, shorts, video games, and feature films.